The Last Testament

The Last Testament
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From the Number One bestselling author of The Righteous Men comes this staggering religious conspiracy thriller. The Last Testament: It was written. It was lost. It will save us all.April 2003: as the Baghdad Museum of Antiquities is looted, a teenage Iraqi boy finds an ancient clay tablet in a long-forgotten vault. He takes it and runs off into the night …Several years later, at a peace rally in Jerusalem, the Israeli prime minister is about to sign a historic deal with the Palestinians. A man approaches from the crowd and seems to reach for a gun – bodyguards shoot him dead. But in his hand was a note, one he wanted to hand to the prime minister.The shooting sparks a series of tit-for-tat killings which could derail the peace accord. Washington sends for trouble-shooter and peace negotiator Maggie Costello, after she thought she had quit the job for good. She follows a trail that takes her from Jewish settlements on the West Bank to Palestinian refugee camps, where she discovers the latest deaths are not random but have a distinct pattern. All the dead men are archaeologists and historians – those who know the buried secrets of the ancient past.Menaced by fanatics and violent extremists on all sides, Costello is soon plunged into high-stakes international politics, the worldwide underground trade in stolen antiquities and a last, unsolved riddle of the Bible.

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SAM BOURNE

THE LAST TESTAMENT


For my father, a testament to my love and enduring admiration

Baghdad, April 2003

The crowd were pushing harder now, as if they scented blood. They charged through the archway and their combined weight pressed against the tall oak doors until they went crashing to the ground. As they rushed through, Salam moved with them. It was not a decision. He was simply a part of a moving beast made up of men, women and children, some even younger than him. They were a collective animal and now they gave a mighty roar.

They burst into the first vast hall, the glass of the display cases glinting in the silver moonlight that spilled through the ceiling-high windows. There was a brief pause, as if the beast were drawing breath. Salam and his fellow Baghdadis contemplated the scene before them. The National Museum of Antiquities, once Saddam's treasure house, bursting with the jewels of Mesopotamia, now laid wide open. There was not a guard in sight. The last of the museum staff had abandoned their posts hours earlier; and the few remaining security men had fled at the sight of this horde.

The brief moment of silence was ruptured by a sledgehammer crashing through glass. On that cue, the room was instantly filled with thunderous noise, as one after another they started wielding pistols, axes, knives, clubs, even heavy strips of metal torn from wrecked cars – anything to spring these precious, ancient objects from their cases.

Pane after pane of glass shattered. Ivory statues tumbled; ancient ceramic plates smashed to powder as they hit the floor. The room, usually blanketed in museum quiet, echoed now with a mighty din: the breaking of stone and glass, even gunshots as the most impatient shot out locks that refused to surrender to a crowbar. Salam noticed two well-dressed men setting to work methodically with professional glass-cutting equipment.

The ground trembled as wave after wave of people stampeded into the museum, ignoring this first exhibition hall, looking for fresh pickings elsewhere. They collided with those anxious to get out, hauling their priceless booty on handcarts, wheelbarrows and bicycles, or struggling under heavy plastic crates and cardboard boxes. Salam recognized a friend of his father striding out, his face flushed and his pockets bulging.

Salam's pulse was throbbing. In all his fifteen years he had never seen anybody behave like this. Until a few days ago everyone he knew had moved slowly, heads down, eyes averted. In Saddam's Iraq you knew better than to break the rules or draw attention to yourself. Now these same people – his neighbours – were wild in their desire, stealing anything they could lay their hands on and destroying the rest.

Salam reached into a broken case for a necklace made of pale orange and amber stones. But someone grabbed his wrist before he could grasp it: a middle-aged woman, eyes ablaze, blocking Salam with her left hand, stealing the necklace for herself with her right. He backed away.

It was like a scene from the sacking of an ancient city, Salam thought: an orgy driven not by lust, but by greed, the participants writhing with avarice, slaking an appetite that had been pent up for decades. Suddenly he was pushed forward again: a new group of looters had arrived and they were making for the stairwell.

Salam was swept along as they headed down a flight of stairs: a rumour had spread that the museum staff had stashed all the best stuff in the storerooms. He saw a knot of men standing around a door which they had clearly just lifted off its hinges. Behind it stood a freshly-constructed wall of cinder blocks, the cement barely set. First one man, then two, began hacking away at the bricks with hammers; others joined them using bars, even their shoulders. They turned to Salam.

‘Come on!’

They passed him a metal table leg.



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