The Loves of Ambrose

The Loves of Ambrose
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Книга "The Loves of Ambrose", автором которой является Margaret Vandercook, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Margaret Vandercook позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Vandercook настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Loves of Ambrose" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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PART ONE

HIS FIRST WIFE

"Oh! lose the winter from thine heart, the darkness from thine eyes,
And from the low hearth-chair of dreams, my Love-o'-May, arise,
And let the maidens robe thee like a white white, lilac tree.
Oh! hear the call of Spring, fair Soul, – and wilt thou come with me?"

CHAPTER I

THE DEPARTURE

Ambrose Thompson opened his front door and looked out. It was May, the sun had just risen over Pennyroyal, and before him lay Kentucky's carnival of spring.

The boy drew a deep breath that seemed to rise and quiver over his face like a breeze coming away at the end of his long, curiously emotional nose.

"Glory, what a day!" he whispered; "seems about good enough to eat!" And then he vanished, only to reappear five minutes afterward dressed as a traveller and wearing a linen duster, a stovepipe hat, and carrying a carpet-bag.

Out in the cinder path his glance embraced the quiet street.

"Right foot, left foot" – without a change of expression the boy broke into an irrepressible jig. He was nineteen and stood six feet four in his stocking feet; the wind tilted his tall hat, showing his high forehead, his straight, straw-coloured hair, and solemn, light blue eyes; it whipped back his linen duster, disclosing his lean legs clad in tight trousers, his frock coat, and white stock. An indescribable air of adventure enveloped him. So Abraham Lincoln may have looked on some dress-occasion morning in his youth – all big bones and promises waiting for something to happen.

"I sure am going to give 'em the slip this time," Ambrose panted, stopping to readjust his costume and to take another careful survey of the neighbourhood. In his garden several lilac bushes were in their first bloom, and above his doorway an ardent, over-early honeysuckle had blossomed in the night. The young man put the honeysuckle in his buttonhole.

"I reckon," he remarked, "there ain't nothin' sweet that don't grow in Kentucky," and then with a smile whose shine radiated through his homeliness and a blush that spread to the tips of his big ears, he added: "I ain't just figurin' on the growth of flowers," and was off tiptoeing down his garden walk and stepping across his gate to avoid the creak of opening it.

This was fifty-five years ago in Kentucky, in a little village of some three or four hundred inhabitants, shut in by hills and by inclination in the southwestern part of the state; a community not to be confounded with their high-living, high-stepping blue grass neighbours, for dwellers in the "Pennyrile" were a plainer people, who perhaps drew some of their characteristics from the bittersweet, pungent "Pennyrile" grass that gave the locality its name.

As for the town itself, it rested primly in a cup-shaped hollow with three main streets. One of them, travelling farther than the rest, led in a way to the end of things for the residents of Pennyroyal as it climbed a hill at the foot of the village, set thick with hardy perennials, evergreens, and small white stones, while encircling this hill was Peter's Creek, that by and by grew up to be a river, but it had a tranquil movement, proceeding slowly on its course by reason of sharing the Pennyroyalian distaste for getting any distance from home.

Then the houses in Pennyroyal: although the beautiful open country was all about them, they crowded so close together that they seemed almost to touch elbows, and now and then one of them had appeared to shove the other back in its determination to get the best view of the street. They were mostly cottages, with no front porches, but with sloping roofs and little Gothic wooden fences, and painted white, with green outside blinds, except Ambrose's, and his had been touched with a boy's imagination, its intention being plainly rose colour.

Now in a double row along the outside wooden sidewalk this morning the linden trees were dropping fragrant yellow plumes inches deep in the ruts of the clay road, while over the chimneys whirled the last of the spring's apple blossoms. Bees buzzed among the flowers, birds chattered, flying nervously from one tree to another in an effort to be through with breakfast before the disturbing human element should get about; and hitched to a nearby post Ambrose's horse and gig were waiting.

The young man surveyed his equipage with the eyes of an idealist.

Old Liza had seen service, but her toilet had been made in the spirit of the best foot foremost; her coat had been freshly curried, her gray mane and tail carefully combed, and in her manner there was an air of emotional anticipation.

With one foot hovering above the step of his gig, Ambrose suddenly paused. The laprobe inside the carriage was quivering.

"Holy Moses!" Reaching underneath, the young man drew forth a small black and brown object whose legs and tail were five upturned points of supplication. Setting it upright on the ground, his face hardened. "Ain't I told you you couldn't come with me, Moses?" he began sternly. "Ef ever there was a crittur, human or otherwise, with a talent for bein' where it wasn't wanted, it's you! Besides, ain't I just locked you in the stable?"



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