The Nameless Day

The Nameless Day
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The first book of The Crucible, an exciting historical fantasy from the author of the popular Axis triology.The Nameless Day is, according to the ancient pagan calendar of Europe, the one day of the year when the world of mankind and the enigmatic world of the spirits touch. Mid-century the forces of evil slide across the divide and invade Europe.The Church sends Thomas Neville, an English nobleman, on a secret mission through the shadowy forests and arcane religious orders of Europe to discover the extent of the danger. But not even Neville, a priest, is prepared when the horror of the Black Death sweeps across Europe.The forces of the Church and God rally against the infiltration of the Devil’s minions. The battle has begun.

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The Nameless Day

Sara Douglass

The Crucible: Book One


In memory of my most devoted fan,

MICHAEL GODWIN

10th September 1981 – 16th March 1998

Time travel is not only theoretically possible, travel into our future has already been achieved (albeit on a tiny scale of a few seconds or minutes). Travel into our past is more problematic. How would interfering with our past affect our present? Some physicists argue that sending someone into the past creates a “parallel universe”—the mere presence of someone in a past time alters that world’s future to such an extent that a different future is necessarily created: a parallel universe (or world) to the one we live in.

The three books of “The Crucible” are set, not in the medieval Europe of our past, but in the medieval Europe of a parallel universe: the insertion of even one fictional character amongst a host of historical characters necessarily creates that parallel world. Thus, while there are many similarities between our past and the world of “The Crucible”, there are also many differences. The entire period of the Hundred Years War, for example, has been compressed so that the Battle of Poitiers is fought at a later date than in our past, and Joan of Arc appears at an earlier date.

Although some dates and “facts” have altered, the spirit of “The Crucible” remains identical to that of our medieval Europe. Something strange happened in the fourteenth century…something very, very odd. The fourteenth century was an age of unprecedented catastrophe for western Europe: widespread famine due to climate change, economic collapse, uncontrollable heresies, social upheaval, endemic war and, to compound the misery, the physical and psychological devastation of the Black Death. In all of recorded history there has never been before or since a period of such utter disaster: one half of Europe’s population died due to the effects of famine, war and the Black Death. As a result, Europeans emerged from the fourteenth century profoundly—and frighteningly—changed. Medieval Europe had been an intensely spiritual society: the salvation of the soul was paramount. Post-fourteenth century Europe abandoned spirituality for secularism, materialism and worldliness. Its peoples embraced technology and science, and developed the most aggressively invasive mentality of world history. Why this profound shift from the internal quest for spiritual salvation to a craving for world domination? Was it just the end result of over a hundred years of catastrophe…or was there another reason?

“The Crucible” presents an explanation couched in a medieval understanding of the world rather than in terms more familiar to our modern sensibilities. Medieval Europe was a world of evil incarnate, a world where demons and angels walked the same fields as men and women; a world where the armies of God and of Satan arrayed themselves for the final battle…we now live in the aftermath of that battle, but are we sure who won?

Sara Douglass

Bendigo, 2000

The Friday within the Octave of All Saints

to the Nameless Day

In the twenty-first year of the reign of Edward III

(7th November to Tuesday 23rd December 1348)

—St Angelo’s Friary, Rome—

“Brother Wynkyn? Brother Wynkyn? Sweet Jesu, Brother, you’re not going to leave us now?”

Brother Wynkyn de Worde slapped shut the weighty manuscript book before him and turned to face Prior Bertrand. “I have no choice, Bertrand. I must leave.”

Bertrand took a deep breath. Sweet Saviour, how could he possibly dissuade Brother Wynkyn?

“My friend,” he said, earning himself a sarcastic glance from Wynkyn. “Brother Wynkyn…the pestilence rages across Christendom. If you leave the safety of Saint Angelo’s—”

“What safety? Of the seventeen brothers who prayed here five weeks ago, now there is only you and me and two others left. Besides, if I choose to hide within these ‘safe’ walls a far worse pestilence will ravage Christendom than that which currently rages. I must go. Get out of my way.”

“Brother, the roads are choked with the dying and the brigands who pick their pockets and pluck the rings from their fingers.” Prior Bertrand moderated his voice, trying to reason with the old man. Brother Wynkyn had ever been difficult. Bertrand knew that Wynkyn had even shouted down the Holy Father once, and Bertrand realised there was no circumstance in which he could hope for respect from someone who was powerful enough to cow a pope. “How can you possibly overcome all the difficulties and the dangers roaming the roads between here and Nuremberg? Stay, I beg you.”



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