The Peregrine: The Hill of Summer & Diaries: The Complete Works of J. A. Baker
J. A. Baker’s extraordinary classic of British nature writingDespite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J A Baker spent a long winter looking and writing about the visitors from the uplands – peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them.Including original diaries from which The Peregrine was written and its companion volume The Hill of Summer, this is a beautiful compendium of lyrical nature writing at its absolute best. Such luminaries as Richard Mabey, Robert Macfarlane, Ted Hughes and Andrew Motion have cited this as one of the most important books in 20th Century nature writing, and the bestselling author Mark Cocker has provided an introduction on the importance of Baker, his writings and the diaries – creating the essential volume of Baker's writings.Papers, maps, and letters have recently come to light which in turn provide a little more background into J A Baker’s history. Contemporaries – particularly from his time at school in Chelmsford – have provided insights, remembering a school friend who clearly made an impact on his generation.Among fragments of letters to Baker was one from a reader who praised a piece that Baker had written in RSPB Birds magazine in 1971. Apart from a paper on peregrines which Baker wrote for the Essex Bird Report, this article – entitled On the Essex Coast – appears to be his only other published piece of writing, and, with the agreement of the RSPB, it has been included in this updated new paperback edition of Baker’s astounding work.
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The Peregrine
The Hill of Summer & Diaries
The Complete Work of
J. A Baker
Introduction by Mark Cocker & Edited by John Fanshawe
Copyright
William Collins
An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF
The Peregrine © J. A. Baker, 1967
The Hill of Summer © J. A. Baker, 1969
The Diaries © J. A. Baker, 2010
On the Essex Coast © J. A. Baker, 1971. Published in RSPB Birds magazine 3 (II) (Sept/Oct, 1971): 281–283
Introduction © Mark Cocker, 2010
Diaries edited by John Fanshawe, 2010
Notes on J. A. Baker © John Fanshawe, 2011
Cover photographs © ImageBroker/Imagebroker/FLPA; Foto Natura Stock/FLPA; Malcolm Schuyl/FLPA; Dietmar Nill/naturepl.com; ImageBroker/Imagebroker/FLPA
Cover designed by Lee Motley
A catalogue record for this book is available from the British Library.
THE PEREGRINE. © Mark Cocker, 2010. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Source ISBN: 9780007395903
Ebook Edition © MAY 2011 ISBN: 9780007437382
Version: 2017-08-03
Contents
Copyright
Introduction by Mark Cocker
Notes on J. A. Baker by John Fanshawe
The Peregrine
Beginnings
Peregrines
The Hill of Summer
April: Woods and Fields
May: A Storm
May: The Pine Wood
May: A Journey
May: Downland
June: Beech Wood
June: The Sea and the Moor
June: Midsummer
July: A River
July: The Heath
August: Estuary
September: The Hill
The Diaries
Introduction by John Fanshawe
1954–1961
On the Essex Coast
Acknowledgements
About the Publisher
Introduction by Mark Cocker
J.A. Baker (1926–1987) is now widely acknowledged as one of the most important British writers on nature in the twentieth century. When his first book, The Peregrine, appeared in 1967 with all the unexpected power and vertiginous daring of its eponymous bird, it was instantly recognised as a masterpiece. Today it is viewed by many as the gold standard for all nature writing and, in many ways, it transcends even this species of praise. A case could easily be made for its greatness by the standards of any literary genre.
It is more than 20 years since his untimely death in 1987, aged just 61, and more than four decades since the publication of his last and only other work, The Hill of Summer (1969). For much of the intervening period, neither of the books has been in print. Yet, if anything, Baker’s stock stands higher today than at any time. His writing has been intimately associated with the resurgence of literature on nature and landscape, the so-called New Nature Writing of authors like Tim Dee and Robert Macfarlane (the latter, in fact, has played a key role in Baker’s rediscovery). His books are studied as set texts at university. Major modern poets, from Kathleen Jamie to the former laureate Andrew Motion, acknowledge Baker’s poetic genius. Commentators of various stamp, from the film maker David Cobham to the TV presenter and wildlife cameraman Simon King, hail his influence upon them.
All of this is a remarkable achievement, particularly in view of Baker’s personal circumstances. He was an Essex man born and bred, living all of his days in what was then the small rural town of Chelmsford, largely at two addresses – 20 Finchley Avenue and 28 Marlborough Road. His parents, Wilfred and Pansy, were what might be called lower middle class; his father a draughtsman with the engineering company Crompton Parkinson. The formal education of their only son at Chelmsford’s King Edward VI School ended in 1943, when he was just sixteen years old. His abiding love for poetry and opera were perhaps exceptional in one of his social background, but Baker junior seems to have had little or no contact with other writers and artists. His only literary connections flowed from Collins’ eventual decision to publish The Peregrine and The Hill of Summer.
It is, in many ways, confirmation of his extraordinary talent that the author’s reputation rests entirely on two works – 350 published pages of prose – and in spite of their extremely narrow geographical focus. They describe a roughly rectangular Essex patch of just 550km>2, which includes the Chelmer Valley from the eastern edge of Chelmsford as far west as Maldon and the confluence of the Chelmer and Blackwater Rivers. At its heart lies Danbury Hill, the highest ground in Essex, with its glorious ancient woodlands of coppiced hornbeam and sweet chestnut. Baker country then runs down Danbury’s far slope and on to the southern and northern shores of the Blackwater Estuary, there to be extinguished in the dark silts at the North Sea‘s edge. Most of this countryside now lies within a commuter belt less than an hour from central London, yet in Baker’s day it was a deeply rural district. Residents of the beautiful village of Little Baddow recall how their doors were left unlocked at night until at least the 1970s. Between the dawn and dusk of a single winter’s day, Baker could traverse the whole area via a network of quiet country lanes. Throughout his life a bicycle was his only means of transport. He never learnt to drive a car.
