The Roof Tree

The Roof Tree
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Книга "The Roof Tree", автором которой является Charles Buck, представляет собой захватывающую работу в жанре Зарубежная старинная литература. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Charles Buck позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Buck настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Roof Tree" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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CHAPTER I

Between the smoke-darkened walls of the mountain cabin still murmured the last echoes of the pistol's bellowing, and it seemed a voice of everlasting duration to the shock-sickened nerves of those within.

First it had thundered with the deafening exaggeration of confined space, then its echo had beaten against the clay-chink wall timbers and rolled upward to the rafters. Now, dwindled to a ghostly whisper, it lingered and persisted.

But the house stood isolated, and outside the laurelled forests and porous cliffs soaked up the dissonance as a blotter soaks ink.

The picture seen through the open door, had there been any to see, was almost as motionless as a tableau, and it was a starkly grim one, with murky shadows against a fitful light. A ray of the setting sun forced its inquisitive way inward upon the semi-darkness of the interior. A red wavering from the open hearth, where supper preparations had been going forward, threw unsteady patches of fire reflection outward. In the pervading smell of dead smoke from a blackened chimney hung the more pungent sharpness of freshly burned gun-powder, and the man standing near the door gazed downward, with a dazed stare, at the floor by his feet, where lay the pistol which gave forth that acrid stench.

Across from him in the dead silence – dead save for the lingering of the echo's ghost – stood the woman, her hands clutched to her thin bosom, her eyes stunned and dilated, her body wavering on legs about to buckle in collapse.

On the puncheon floor between them stretched the woman's husband. The echo had outlasted his life and, because the muzzle had almost touched his breast, he sprawled in a dark welter that was still spreading.

His posture was so uncouth and grotesque as to filch from death its rightful dignity, and his face was turned downward.

The interminability of the tableau existed only in the unfocussed minds of the two living beings to whom the consequence of this moment was not measurable in time. Then from the woman's parted lips came a long, strangling moan that mounted to something like a muffled shriek. She remained a moment rocking on her feet, then wheeled and stumbled toward the quilt-covered four-poster bed in one dark corner of the cabin. Into its feather billows she flung herself and lay with her fingernails digging into her temples and her body racked with the incoherencies of hysteria.

The man stooped to pick up the pistol and walked slowly over to the rough table where he laid it down noiselessly, as though with that quietness he were doing something to offset the fatal blatancy with which it had just spoken. He looked down at the lifeless figure with burning eyes entirely devoid of pity, then went with a soundless tread, in spite of his heavy-soled boots, to the bed and spoke softly to the woman – who was his sister.

"Ye've got ter quit weepin' fer a spell, honey," he announced with a tense authority which sought to recall her to herself. "I'm obleeged ter take flight right speedily now, an' afore I goes thar's things ter be studied out an' sottled betwixt us."

But the half-stifled moan that came from the feather bed was a voice of collapse and chaos, to which speech was impossible.

So the brother lifted her in arms that remained unshaken and sat on the edge of the bed looking into her eyes with an almost hypnotic forcefulness.

"Ef ye don't hearken ter me now, I'm bound ter tarry till ye does," he reminded her, "an' I'm in right tormentin' haste. Hit means life and death ter me."

As if groping her tortured way back from pits of madness, the woman strove to focus her senses, but her wild eyes encountered the dark and crumpled mass on the floor and again a low shriek broke from her. She turned her horrified face away and surrendered to a fresh paroxysm, but at length she stammered between gasps that wrenched her tightened throat:

"Kiver him up first, Ken. Kiver him up … I kain't endure ter look at him thetaway!"

Although the moments were pricelessly valuable, the man straightened the contorted limbs of the dead body and covered it decently with a quilt. Then he stood again by the bed.

"Ef I'd got hyar a minute sooner, Sally," he said, slowly, and there was a trace of self-accusation in his voice, "hit moutn't hev happened. I war jest a mite too tardy – but I knows ye hed ter kill him. I knows ye acted in self-defence."

From the bed came again the half-insane response of hysterical moaning, and the young mountaineer straightened his shoulders.

"His folks," he said in a level voice, "won't skeercely listen ter no reason… They'll be hell-bent on makin' somebody pay… They'll plum hev ter hang some person, an' hit kain't be you."

The woman only shuddered and twisted spasmodically as she lay there while her brother went doggedly on:

"Hit kain't be you … with yore baby ter be borned, Sally. Hit's been punishment enough fer ye ter endure him this long … ter hev been wedded with a brute … but ther child's got hits life ter live … an' hit kain't be borned in no jail house!"



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