The Shop Window Murders

The Shop Window Murders
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The delight of Christmas shoppers at the unveiling of a London department store’s famous window display turns to horror when one of the mannequins is discovered to be a dead body…Mander’s Department Store in London’s West End is so famous for its elaborate window displays that on Monday mornings crowds gather to watch the window blinds being raised on a new weekly display. On this particular Monday, just a few weeks before Christmas, the onlookers quickly realise that one of the figures is in fact a human corpse, placed among the wax mannequins. Then a second body is discovered, and this striking tableau begins a baffling and complex case for Inspector Devenish of Scotland Yard.Vernon Loder’s first book The Mystery at Stowe had endeared him in 1928 as ‘one of the most promising recruits to the ranks of detective story writers’. Inspired by the glamour of the legendary Selfridges store on London’s Oxford Street, The Shop Window Murders followed, an entertaining and richly plotted example of the Golden Age deductive puzzle novel, one of his best mysteries for bafflement and ingenuity.This Detective Club classic is introduced by Nigel Moss, who looks at how Loder’s books are still acclaimed today by reviewers for being ‘as different from the standard whodunits of his colleagues as champagne is to soda water.’

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‘THE DETECTIVE STORY CLUB is a clearing house for the best detective and mystery stories chosen for you by a select committee of experts. Only the most ingenious crime stories will be published under the THE DETECTIVE STORY CLUB imprint. A special distinguishing stamp appears on the wrapper and title page of every THE DETECTIVE STORY CLUB book—the Man with the Gun. Always look for the Man with the Gun when buying a Crime book.’

Wm. Collins Sons & Co. Ltd., 1929

Now the Man with the Gun is back in this series of COLLINS CRIME CLUB reprints, and with him the chance to experience the classic books that influenced the Golden Age of crime fiction.

COLLINS CRIME CLUB

An imprint of HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by The Detective Story Club Ltd 2018

First published in Great Britain by

W. Collins Sons & Co. Ltd 1930

Introduction © Nigel Moss 2018

Cover design © HarperCollinsPublishers Ltd 1930, 2018

Vernon Loder asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008282981

Ebook Edition © October 2018 ISBN: 9780008282998

Version: 2018-08-24

Contents

Cover

Title Page

Copyright

Introduction

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

Chapter XVIII

Chapter XIX

Chapter XX

Chapter XXI

Chapter XXII

Chapter XXIII

Chapter XXIV

Chapter XXV

Chapter XXVI

Chapter XXVII

Keep Reading …

The Detective Story Club

About the Publisher

VERNON LODER was a popular and prolific author of Golden Age detective mysteries and spy thrillers. He wrote 22 titles during the decade from 1928 to 1938. Subsequently Loder has been out of print and largely overlooked. Fortunately, the tide is turning. In 2013/14, two noted crime fiction commentators, Curtis Evans and J. F. Norris, championed a number of early Loder titles, the latter in a series of enthusiastic reviews. A flurry of e-reader versions of Loder stories followed. But it was not until 2016 that Loder made his first return in print since the 1930s with the re-issue of his first novel The Mystery at Stowe (1928) as part of the Collins Detective Story Club reprint series. In the original Preface, the Club’s Editor, F. T. (Fred) Smith had welcomed Loder as ‘one of the most promising recruits to the ranks of detective story writers’.

The Shop Window Murders (1930) was Loder’s fourth novel, after The Mystery at Stowe (1928), Whose Hand? (1929) and The Vase Mystery (1929). It was published by Collins in the UK, and with the same title by Morrow in the USA. The storyline is intriguing and unusual, with one of Loder’s more ingenious plots. The setting is Mander’s Department Store in London’s West End (loosely modelled on Selfridges in Oxford Street), owned by Tobias Mander and famous for its elaborate window displays. Early on a Monday morning, the crowds of passers-by pause to watch the window blinds being raised on a new weekly display, but the onlookers quickly realise that one of the wax figures is in fact a human corpse, shot and placed among the mannequins in the window display. Shortly afterwards a second victim is discovered, and this striking tableau begins a baffling and complex mystery tale. Was it murder and suicide, or double murder?

Loder draws a wide cast of diverse suspects, each with a motive for the killings. To a toxic mix of jealousy, fear, panic and anger, he adds further colour to the story with a proliferation of bizarre circumstances and enigmatic clues, displaying some fiendishly intricate plotting.

The case raises a fundamental question: why did the perpetrator of the killings leave so many signs and clues? Did it show a confused mind? Or was this a deliberate and clever attempt to confuse the police by leaving a trail of red herrings and different angles which implicated more and more characters and made proof of guilt harder to determine?



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