The Woman In The Lake: Can she escape the shadows of the past?

The Woman In The Lake: Can she escape the shadows of the past?
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For fans of Kate Morton and Tracy Rees comes a captivating novel about two women, separated by centuries, whose fates are bound together by one haunting secret.***‘A fascinating tale with intriguing twists.’ Barbara Erskine‘I was hooked from the first pages.’ Gill Paul‘You just can’t put it down. Brilliant!’ Katie Fforde***‘I see it all again: the silver moon swimming beneath the water and the golden gown billowing out about her…’1765: Lady Isabella Gerard asks her maid to take her new golden gown and destroy it. Its shimmering beauty has been tainted by the actions of her husband the night before.Three months later: Lord Eustace Gerard stands beside the lake looking down at the woman in the golden gown. As the body slowly rolls over to reveal her face, it’s clear this is not his intended victim…1996: Fenella Brightwell steals a stunning gown from a stately home. Twenty years later and reeling from the end of an abusive marriage, she wonders if it has cursed her all this time. Now she’s determined to discover the history behind the beautiful golden dress…

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An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2019

Copyright © Nicola Cornick 2019

Nicola Cornick asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © March 2019 ISBN: 9781474064712

For Julia, a Swindon girl

Time flies over us, but leaves its shadow behind.

NATHANIEL HAWTHORNE


Eustace

April 1765

I know what they will say of me when I am dead. I will be cast as a madman and a fool. They will blame the divorce, so scandalous for a peer of the realm, and claim that it drove me to misery and delusion, that it turned my mind. They will rake up all the old gossip and call my wife a whore.

It pleases me that society will slander Isabella over again. I will gladly tolerate being painted a cuckold and a weakling if it hurts her. I wish I could hurt her more but she is beyond my reach now, more is the pity.

There are those who call me a wicked man. They are wrong. True evil requires intent and I never had the will or the cunning to be truly wicked. Only once was I tempted to commit murder and even then it was not my fault, for I swear I was possessed. It was the golden gown that moved me to evil and the gown that led to that most terrible mistake.

I remember the horror of it to this day. I still see the scene so clear before my eyes. She was walking ahead of me, through the dappled moonlight, and I recognised the gown and hastened my step. I swear I had no fixed intention, no thought of murder, not at that moment. I wanted to talk, to reason with her. Then, on the path by the mill, she seemed to stumble and fall and all of a sudden I was seized by the thought that this was my chance to be rid of the threat for ever. I could not bring myself to touch her directly so I nudged her body with my boot and she rolled gently, so gently, over the edge and into the pool.

I see it all again: the silver moon swimming beneath the water and the golden gown billowing out about her like a shroud slowly unfurling. I needed to claim that gown but my fear made me clumsy and I ripped it from her body when it would not yield to my hands. And then…

I break out into a cold sweat whenever I remember. Everything is so vivid. The sweet scent of lime blossom mingled with the stink of dank weed from the millpond, the endless roar of the water over the sluice like the rush to bedlam.

And then… The body rolled over in the water and I saw her properly for the first time in the moon’s reflected glow. It was not the face of my nemesis. I stood there with the gown dripping in my hands and then I was sick; sick with revulsion, sick with fear, sick with disappointment.

Binks came upon me as I knelt there, retching up my guts.

‘I will attend to this, Lord Gerard,’ he said, as though he were my butler tidying away a glass of spilt wine. ‘You should have left it with me, as we agreed.’

Binks was a damned impertinent fellow but a useful one and I was not going to argue with him. I took my carriage back to Lydiard House and I sat here in my study and drank more than I had ever taken before. I was out cold for three days.

When I came to my senses the first thing I saw was the golden gown draped across the end of my bed like a reproachful ghost. I wanted to be rid of it, to burn it, rip it to shreds or give it to the first beggar woman I saw but at the same time I was too afraid; afraid that somehow, some day, it would return to haunt me. My only safety lay in keeping it close to me. Wherever I went the gown came with me, wrapped up tightly, hidden away to contain its poison, but with me all the same. And that is how it haunted me for ever after. That is how it has possessed me, in mind and body.



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