ALEX BARCLAY
Time of Death
HarperCollinsPublishers
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London SE1 9GF
www.harpercollins.co.uk
Published by HarperCollinsPublishers 2010
Copyright © Alex Barclay 2010
Cover design layout © HarperCollinsPublishers Ltd 2016 Cover photographs © Shutterstock.com
Alex Barclay asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780007356263
Ebook Edition © JULY 2010 ISBN: 9780007346349
Version: 2016-05-04
‘The rising star of the hard-boiled crime fiction world, combining wild characters, surprising plots and massive backdrops with a touch of dry humour’ Mirror
‘Tense, no-punches-pulled thriller that will have you on the edge of your deckchair’ Woman and Home
‘Explosive’ Company
‘Darkhouse is a terrific debut by an exciting new writer’ Independent on Sunday
‘Compelling’ Glamour
‘Excellent summer reading … Barclay has the confidence to move her story along slowly, and deftly explores the relationships between her characters’ Sunday Telegraph
‘The thriller of the summer’ Irish Independent
‘If you haven’t discovered Alex Barclay, it’s time to jump on the bandwagon’ Image Magazine
Eleven years ago, an organized crime operation was dismantled following a year-long undercover operation in which FBI Special Agent Ren Bryce infiltrated the inner circle of its head, Domenica Val Pando.
On the night that Val Pando was to be arrested, the compound was burned to the ground by a rival gang and Val Pando escaped with her husband and young son.
Her whereabouts remain unknown.
El Paso, Texas
Erubiel Diaz lay curled on the wet floor of the soiled gas station restroom. He had been violently ill. But to a man with damaged senses, a weakened stomach and voided bowels could never be anything more than a physical condition. It could never be the bad omen that he had been foolish to ignore. As a result, his instinct that morning had not been to turn back, but to hook a fingernail into a small bag of white powder and take in a pure cocaine rush. Outside, a car radio crackled with a thunderstorm warning. Within hours, the searing heat was set to be broken by quarter-sized hail.
Erubiel Diaz now stood in the cobbled courtyard of a million-dollar home on the west side of the Franklin Mountains. Diaz was squat and muscular, short-limbed and heavy-browed. He was wearing a yellow sleeveless T-shirt and black shorts to his calves. His body, his clothes, hadn’t been washed in days. He was a dark blot in a space that was filled with light, with flowers, plants and trees that he would have recognized if he was the landscape gardener on his van’s fake sign. Only the plant by the living-room window looked familiar to him. Something to do with a bird.
Diaz had a round, lined face, sallow skin, and bloodshot eyes. He squinted against the bright sunshine that bounced off the white walls of the Spanish-style house. He had done what he came here to do. As he made his move to leave, he heard a car pull up outside. The security gates to his left slid slowly open. He pressed himself against the cool stone of the perimeter wall.
The woman who stepped out of the car was nothing like the women he paid for, or took for free, nothing like the worn-out mother of his children. This woman was tall and delicate, with fine blonde hair to her shoulders and a light, freckled tan. She wore a long, flowing skirt, and a white cotton blouse. Three gold bangles shone on her slender wrist. Her polished toenails were the color of the flowers beneath the window. Diaz looked down at his feet. They were wedged into Tevas that were a size too small – their criss-crossed straps digging into his flesh. His toes were short, covered with black hair, their nails caked in dirt.