Topics About Which I Know Nothing

Topics About Which I Know Nothing
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Scintillating, surprising, inventive fiction from one of the most talented writers in Britain – this is a superb collection of short stories from the acclaimed author of the Chaos Walking series and ‘More Than This’.Have you heard the urban myth about Jesus's double-jointed elbows yet? 100% true. Or seen the latest reports on the 'groomgrabbing' trend – the benevolent kidnapping of badly-dressed children by their well-meaning (and more dapper) elders? Heard the one about the Amazon from the Isle of Man? Or perhaps you'd like a job in telesales, offering self-defence classes over the phone? Don't worry, as long as you meet the weekly quota, you won't be sent to the end of the hall…Wonderfully original, fresh and funny, Topics About Which I Know Nothing is stuffed to the gills with dizzyingly inventive writing and warming, puzzling emotions – a fictional guide to how the world might have turned out.

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‘Here are 10 short fictions, each of which works as a showcase for Ness’s highly quirky imagination … Each story is a tasty titbit, to be savoured briefly before moving on to the next one. What makes these stories so delightful is that there actually is something very substantial at work behind them, however airy they seem at first. They’ll lodge in the mind.’ Guardian

‘Ness’s first collection brims with inventiveness and creative audacity.’ Daily Telegraph

‘Ness’s take on the absurd and offbeat is sharp, intelligent and funny.’ Time Out

‘Remarkable, an extraordinary, yet utterly convincing creation.’ Scotsman

‘Sparkling humour … Ness has a wonderful imagination: creative, unpretentious and pleasingly bonkers.’ Metro

‘Very, very funny … a unique comic manifesto from a very talented newcomer.’ Daily Express

For Vicki Burrows, Belle of Puyallup

We’ve got so many tchotchkes,

We’ve practically emptied the Louvre. In most of our palaces, There’s hardly room to manoeuvre. Well, I shan’t go to Bali today, I must stay home and Hoovre Up the gold dust.

That doesn’t mean we’re in love.

The Magnetic Fields

You always love the awkward child best, don’t you?

I get asked all the time (by teens in particular) what’s my favourite book of the ones I’ve written. I always answer that it’s the same as asking your parents if they have a favourite child: you know they have one, but they’re never going to admit it.

But Topics About Which I Know Nothing has a bit of a special place for me (not least that it taught me never to have a comedy title; funny the first time, but 500 times later…). Because these are all stories I wrote on the real expectation that no one would ever read them, and if that were true, then I could just have loads of fun amusing myself and seeing if I could get away with murder. With some of these, perhaps, it’s a close call.

‘Sally Rae Wentworth’ (even with its slightly imperfect grasp of geography) is still one of my secret favourite children. ‘The Gifted’, too – a rare instance of autobiographical writing (to an obvious point). ‘Quis Custodiet’ goes all the way back to my college writing classes with T. C. Boyle (if heavily revised), and ‘Sydney is a City of Jaywalkers’ is my first published piece of writing ever.

I love short stories and have kept on writing them. The new story in this collection, ‘Now That You’ve Died’, was written as a commission for the Royal National Institute of Blind People for ‘Read for RNIB Day’ (readforrnib.org.uk, which gets many more books into the hands of blind and partially sighted people). It was recorded as an immersive play, so imagine it in complete darkness, read to you in the terrifying and majestic tones of Christopher Eccleston.

In fact, that’s a good way to imagine pretty much any story, including the ones here. The original notes at the end thank the good and fine people at the much-missed Flamingo imprint, and I remain forever grateful to them for giving my awkward child such a good home.

London, 2014

‘Implied violence,’ says the boss, ‘is our bread and butter.’

He means implied violence is what we sell, which it isn’t, we sell self-defence courses over the phone, but the boss likes to think in themes. He’s talking to the new girl, Tammy, which sounds American to me. I’ll have to ask Percy.

‘I don’t like to say we need to frighten our customers,’ says the boss, looking down at Tammy who is looking right back up at the boss, ‘but let me put it this way: we need to frighten our customers.’ This makes the boss laugh. Tammy laughs as well, too loud and too long. I look over to Maryam from Africa who meets my gaze.

There are only three of us, now four, who work in this little room, but we all wear nametags. Mine says my name, Maryam from Africa’s says hers, and Percy’s says his, but I notice that Tammy’s says ‘Terrific Tammy’. I look back at Maryam. She’s noticed it, too. She rolls her eyes as Tammy’s laugh just goes on and on.

2

On one side of me sits Percy. Percy is a very large bloke who falls over a lot. ‘I have an inner-ear problem,’ he says. Percy calls himself my mate.

On the other side of me is Maryam from Africa. Maryam from Africa is from Africa. I’m not sure which part, because I didn’t think you were supposed to ask. I’m not sure how to pronounce her name exactly either, because she says it in her accent and you can’t really ask her to repeat it. She frowns all the time but is not a mean person and doesn’t mind, I don’t think, that I just call her Maryam. She must be about fifty or so, but I wouldn’t be surprised at anything in a twenty-five-year range above or below that.



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