Praise for the novels of MAGGIE SHAYNE
âThe suspense will keep you guessing. The characters will steal your heart.â
âNew York Times bestselling author Lisa Gardner on The Gingerbread Man
âMaggie Shayne is better than chocolate. She satisfies every wicked craving.â
âNew York Times bestselling author Suzanne Forster
âFans of vampire romance know that no one is quite as dependable as Maggie Shayne is to provide a powerful tale of supernatural love.â
âThe Best Reviews
âOnce again Maggie Shayne delivers sheer delight and fans new and old of her vampire series can rejoice thereâs more to come!â
âRT Book Club
â⦠fantastic romantic suspense with a great paranormal twist that kept me guessing right up until the end.â
âGoodreads.com on Love Me to Death
We children were supposed to be asleepâ¦.
But we woke, as if in response to some silent summons. We crept to the entrances of our tents and wagons, drawn like moths to the snapping flames of the central fire and the dark, leaping shadows the strange woman cast as she danced.
There was no music. I knew there was none, but it seemed to me that music filled my head all the same as I peered around the painted flap and watched her. She whirled, scarves trailing like colorful ghosts in her wake, her hair, black as the night, yet gleaming blue in the fireâs glow. She arched and twisted and spun round again. And then she stopped still, and her eyes, like shining bits of coal, fixed right on mine. Scarlet lips curved in a terrifying smile, and she crooked a finger at me.
I tried to swallow, but the lump of cold dread in my throat wouldnât let me. Licking my lips, I glanced sideways at the tents and painted wagons of my kin, and saw the other children of our band, peering out at her, just as I was. Some of my cousins were older than I, some younger. Most looked very much like me. Their olive skin smooth, their eyes very round and wide, too thickly fringed for the eyes of a boy, but lovely beyond words on little girls. Their hair was uncut, like mine, but clean and raven black.
We were Gypsies all, and proud. The dancing woman ⦠she was a Gypsy, too. I knew that at a glance. She was one of our own.
And crooking her finger at me still.
Dimitri, older than me by three years, gave me a superior look and whispered, âGo to her. I dare you!â
Only to prove myself braver than he, I stiffened my spine and stepped out of my motherâs tent, my bare feet covering the cool ground by mere inches with each hesitant step. As I crept closer, the others, taking courage in mine, began to come out, too. Slowly we gathered round the beautiful stranger like sinners come to worship at the feet of a goddess. And as we did, her smile grew wider. She beckoned us closer, a finger to her lips, and then she sat down on a log near the fire.
âWho is she?â I whispered to Dimitri, for he had joined us now, too, ashamed of himself, I thought, not to have been leading us all from the start.
âStupid, do you know nothing? She is our aunt.â He shook his head disgustedly at me, then returned his enraptured gaze to the woman. âHer name is Sarafina,â he said. âShe comes sometimes ⦠though I suppose you are too young to recall her last visit. Sheâs not supposed to be here, though. When the grown-ups find out, there will be trouble.â
âWhy?â I too was entranced by the mysterious stranger as she lowered herself to the log, spreading the layers of her colorful skirts around her, opening her arms to welcome the young ones who crowded closer to sit on the ground all around her. I sat closest of all, right at her feet. Never had I seen a woman so beautiful. But there was something else about her, as well. Something ⦠unearthly. Something frightening.
And there was the way her eyes kept meeting mine. There was a secret in that black gazeâa secret I could not quite see. Something shadowed, hidden.
âWhy will there be trouble?â I whispered again.
âBecause! She is outcast!â
My brows drew together. I was about to ask why, but then the womanâmy aunt Sarafina, whom I had never seen before in my lifeâbegan to speak. And her voice was like a song. Mesmerizing, deep, beguiling.
âCome, little ones. Oh, how Iâve missed you.â Her gaze swept the faces of the children, the look in her eyes almost painful to see, so intense was the emotion there. âBut most of you do not remember me at all, do you?â Her smile faltered. âAnd you, little Dante. You are ⦠how old now?â