Untitled Adam Baron 2
Книга "Untitled Adam Baron 2", автором которой является Adam Baron, представляет собой захватывающую работу в жанре Современная зарубежная литература. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.
Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Adam Baron позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Baron настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.
"Untitled Adam Baron 2" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.
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First published in Great Britain by HarperCollins Children’s Books in 2019
Published in this ebook edition in 2019
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Text copyright © Adam Baron 2019
Illustrations copyright © Benji Davies 2019
Cover design copyright © HarperCollins Children’s Books 2019
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Adam Baron and Benji Davies assert the moral right to be identified as the author and illustrator of this work respectively.
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Source ISBN: 9780008267049
Ebook Edition © June 2019 ISBN: 9780008267056
Version: 2019-05-09
For Rachel, Frances, Betty and Marjorie – the grandmothers
Contents
Here’s something you won’t believe.
Veronique Chang did NOT get a Distinction in her Grade 5 piano. In fact, she only just passed! Why should you be surprised? Well. This is Veronique we’re talking about – our class genius. Answers LOVE her! They seem to float down to her from the ceiling before they get to anyone else (Marcus Breen calls her Siri). It was her birthday last month and I asked her what she wanted.
‘War and Peace,’ she said, and I frowned at her.
‘Greedy.’
‘What do you mean?’
‘Well, you can’t have both,’ I said. ‘And anyway, I’m not the prime minister, how am I supposed to organise either?’
Veronique looked at me. ‘It’s a book. By Tolstoy?’
‘Oh,’ I said. ‘Bet it’s not as good as Mr Gum, though.’
And when I found a copy later in the Blackheath Bookshop I realised that it certainly wasn’t.
As for music, Veronique is INCREDIBLE. When she did her Grade 4, Mrs Johnson (our last head teacher) made her stand up in assembly. Veronique, she announced, had got the highest mark in the whole COUNTRY. Veronique wasn’t even surprised.
‘I was lucky,’ she said, looking down at me with a shrug. ‘My glissando was off.’
I was about to ask what she meant but Mrs Johnson made her go up to play one of her pieces. Wolfman Amadeus … Gocart (I think). And wow! The only time I’ve seen fingers move as fast was when Lance brought in a bag of Haribos on his birthday.
Marcus Breen started clapping at one point, but that was actually a quiet bit and Veronique went on some more. When she did finish, I stared at her.
‘Amazing,’ I said. ‘If also quite boring.’
Lance agreed. ‘You’re brilliant,’ he said. ‘Does that mean you can play … um …?’
‘What?’
He was so in awe he could hardly say it. ‘Star Wars?’
‘I don’t know,’ Veronique answered. ‘Who’s it by?’
Lance had to think about it. ‘Obi-Wan Kenobi.’
‘Is he Renaissance or baroque?’
‘Jedi,’ Lance said.
That was six months ago. She got the Grade 5 back last week. I was at her house. Veronique’s mum came into the kitchen waving an envelope. She had a smile on her face – but it faded. Her mum had the envelope in one hand and the results in the other and she just stared at them, amazement about to turn to disbelief, when she sighed – and picked up her phone.
‘I think there might have been a mistake,’ she said. ‘It’s Veronique Chang. C. H. A. N. G.’
But there wasn’t. The woman on the phone was sure of it. Veronique hadn’t got a Distinction and she hadn’t even got a Merit.
‘Well done anyway,’ her mum said (because she’s really nice). But then she got on the phone again, this time to Veronique’s piano teacher, and walked off into the living room to talk to him. I don’t think Veronique wanted to be there when she came back so we went outside, then down to the little wooden house at the bottom of their garden where her granny used to live (who she calls Nanai). It was quiet in there. And dusty. We stood for a minute, not speaking, just looking at all the old photographs that lined the walls, and then down at Nanai’s chair. It was even emptier than the rest of the place. There was a hollowed-out bit, likethe empty spaces we’d seen at the Pompeii exhibition at the British Museum. On top of it was a photograph. Old. Black and white, no glass left in the frame. I picked it up and we both stared at it until Veronique did something that scared me.
