A Time of Justice
Book eight of the celebrated Deverry series, an epic fantasy rooted in Celtic mythology that intricately interweaves human and elven history over several hundred years.Book eight of the celebrated Deverry series, an epic fantasy rooted in Celtic mythology that intricately interweaves human and elven history over several hundred years.
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KATHARINE KERR
A Time of Justice
Days of Air and Darkness
A Novel of the Westlands Cycle
Voyager
An Imprint of HarperCollinsPublishers
1 London Bridge Street,
London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 1995
Copyright © Katharine Kerr 1995
Katharine Kerr asserts the moral right to be identified as the author of this work
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Source ISBN: 9780006478591
Ebook Edition © JULY 2014 ISBN: 9780007395552
Version: 2015-04-27
Contents
A Note on the Pronunciation of Deverry Words
III Present, Rising – Fortuna Minor
The language spoken in Deverry, which we might well call Neo-Gaulish, is a member of the P-Celtic family. Although closely related to Welsh, Cornish, and Breton, it is by no means identical to any of these actual languages and should never be taken as such.
Vowels are divided by Deverry scribes into two classes: noble and common. Nobles have two pronunciations; commons, one.
A as in father when long; a shorter version of the same sound, as in far, when short.
O as in bone when long; as in pot when short.
W as the oo in spook when long; as in roof when short.
Y as the i in machine when long; as the e in butter when short.
E as in pen.
I as in pin.
U as in pun.
Vowels are generally long in stressed syllables; short in unstressed. Y is the primary exception to this rule. When it appears as the last letter of a word, it is always long whether that syllable is stressed or not.
Diphthongs generally have one consistent pronunciation.
AE as the a in mane.
AI as in aisle.
AU as the ow in how.
EO as a combination of eh and oh.
EW as in Welsh, a combination of eh and oo.
IE as in pier.
OE as the oy in boy.
UI as the North Welsh wy, a combination of oo and ee.
Note that OI is never a diphthong, but is two distinct sounds, as in carnoic (KAR-noh-ik).
Consonants are mostly the same as in English, with these exceptions:
C is always hard as in cat.
G is always hard as in get.
DD is the voiced th as in thin or breathe, but the voicing is more pronounced than in English. It is opposed to TH, the unvoiced sound as in th or breath. (This is the sound that the Greeks called the Celtic tau.)
R is heavily rolled.
RH is a voiceless R, approximately pronounced as if it were spelled hr in Deverry proper. In Eldidd, the sound is fast becoming indistinguishable from R.
DW, GW, and TW are single sounds, as in Gwendolen or twit.
Y is never a consonant.
I before a vowel at the beginning of a word is consonantal, as it is in the plural ending -ion, pronounced yawn.
Doubled consonants are both sounded clearly, unlike in English. Note, however, that DD is a single letter, not a doubled consonant.
Accent is generally on the penultimate syllable, but compound words and place names are often an exception to this rule.
I have used this system of transcription for the Bardekian, Dwarvish, and Elvish alphabets as well as the Deverrian, which is, of course, based upon the Greek rather than the Roman model. As faithful readers of this series know, my decision to use this simple approach rather than the full scholarly apparatus developed at the University of Aberwyn has been roundly attacked of late in the academic press. Such readers will be glad to hear that the lawsuit against those attackers, in particular a certain Elvish professor of Elvish, filed on my behalf by my publishers, is proceeding nicely through the courts in Aberwyn, where in due time it will reach the gwerbret’s malover and be resolved, once and for all, and in our favour, or so I may hope.
The Northlands, 1116
The opposite of Rubeus in all things, thus generally an omen for good. Yet when it falls into the House of Lead, pertaining to matters of war, it does signify days of air and darkness, and an evil upon the land.
The Omenbook of Gwarn, Loremaster
Under a starry night two men and a dragon camped by a river. Though the wind blew warm, the men had built a fire for light, and the great wyrm lay her head as close to it as she dared. The rest of her glittering body and folded wings stretched away into shadow. Well over twenty feet long, not counting the tail curled round her haunches, the greeny-black dragon kept raising her head to look about her and sniff the summer wind. On the opposite side of the fire sat a young man of the Mountain People, though he was tall for one of them at five and a half feet. He had high dwarven cheekbones and a flat nose, narrow eyes, shadowed under heavy dwarven brows, and his hair was a brown close to black, as was his close-cropped beard. Every time the dragon went on guard he would start up, then mutter a curse under his breath and sit again.
