A Ring of Rubies

A Ring of Rubies
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Книга "A Ring of Rubies", автором которой является L. Meade, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, L. Meade позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Meade настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"A Ring of Rubies" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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Chapter One

Storming the Citadel

I have often been asked to tell the story of the Ruby Ring, and I now do so for the sake of my children. It may instruct them a little; it will certainly amuse and interest them.

I am nearly thirty now, but when the story of the ring happened, I was between nineteen and twenty. It is not so long ago, therefore, and all the events stand out quite clear and strong in my memory.

We lived in the country, about thirty miles away from London. There were plenty of quick trains, even ten years ago, and my father and brothers used to go to town every morning, and return in time for a sort of mixed meal between dinner and supper, at night.

My mother and I had rather a dull life; the only event of any moment in the twenty-four hours being the evening meal when the men of the family were at home.

I was the only girl, and the youngest of the family. I was not petted nor made much of in any way; ten years ago girls were not fussed over as they are now. My father had none of the advanced ideas with regard to women; he thought the less girls were heard of outside their homes, the better. He was a very good, honourable man, but a great autocrat. What he said and thought was echoed both by my mother and brothers. They all preached to me from morning till night the doctrine of staying quietly at home, of doing nothing, and of waiting until your fortune dropped into your lap.

Of course, we were horribly poor; not in the exciting sort of way of wanting food, and a covering for our heads, or anything dramatic of that sort; but poor in the way which takes the courage out of a young life more than anything else – a penny had always to be looked at twice, a dress had always to be turned twice, meals had to be scanty, fires small, and my mother’s whole time was spent contriving and planning how to make two ends meet, consequently life was very narrow and dull.

One day, on a certain sunshiny morning, a few months after I was nineteen, I awoke early, lay for an hour thinking hard, then jumped up and dressed myself. As I arranged my thick hair before the glass, I looked attentively at my face. I had a rather square face; the lower part of it in particular was somewhat heavily moulded; my mouth had very firm lines; my eyes were dark and deeply set. Certainly I was not beautiful, but my face had lots of character; I could see that for myself.

“The present state of things cannot go on any longer,” I mentally soliloquised. “I’ll make a break in the dulness this very day. The fact of my being born a woman shall not shut me out from all joy in life; I’ll have the whole subject out with mother after breakfast.”

“Rosamund,” said my mother that morning, when my father and the boys had gone to London, “will you put on your hat, and come with me into the orchard to pick the late damsons? I want to preserve them this afternoon.”

“Oh, wait until to-morrow, mother. I have something important to talk about; the damsons can keep.”

My mother was very gentle. Now she raised her brows a little, and looked at me anxiously.

“It seems a pity to waste the time,” she said. “I know what you are going to say, and I can’t grant it. I spoke to your father last night. He says he cannot raise your quarter’s allowance, so the new trimmings must be dispensed with, poor Rose.”

These were for my winter dress. I was turning it, and mother and I had planned how some new velvet would improve it.

“My dear mother,” I said, going over to her, “yesterday I should have been fretted about a trifle like this, but to-day it does not even seem like a pin-prick. I made a resolve this morning, mother, and I want to talk it out with you now.”

Every one in the house knew that my resolves were not to be trifled with. I did not often make them, but when I did, I metaphorically put down my foot, and kept it down. Even my father listened good-humouredly when I had one of my great determinations on.

Now my mother gently sighed, gave up the damson jam on the spot, and began to unroll her knitting.

“Be as quick as you can, Rosamund,” she said, in a rather weary voice.

“I can say what I want to say in a very few words, mother, only please don’t interrupt me. I am tired of my present life. I want to do something. I want to go to town every morning, and come back at night.”

My mother held up her hands.

“I want to earn money.”

A look of agony came into my mother’s gentle blue eyes. I turned slightly away.

“I have one talent, and I wish to cultivate it.” Here my mother would interrupt.

“You have many gifts, my dear child,” she said proudly. “In particular you have a great faculty for turning and contriving. Most invaluable under our circumstances.”

“I hate turning and contriving,” I burst out, “and I have only got one real talent, and that is, for art. I could be an artist.”

“You are an artist, Rosamund; you paint beautifully.”

“Dreadfully, you mean, mother. I have no knowledge of perspective. I have no true ideas of colour; but I could paint.”

I felt sparkles of hope coming into my eyes, and I knew my cheeks were flaming.



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