A Stable for Nightmares: or, Weird Tales

A Stable for Nightmares: or, Weird Tales
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Книга "A Stable for Nightmares: or, Weird Tales", авторами которой являются Joseph Le Fanu}, Charles Young, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Joseph Le Fanu позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Le Fanu настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"A Stable for Nightmares: or, Weird Tales" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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DICKON THE DEVIL

ABOUT thirty years ago I was selected by two rich old maids to visit a property in that part of Lancashire which lies near the famous forest of Pendle, with which Mr. Ainsworth’s “Lancashire Witches” has made us so pleasantly familiar. My business was to make partition of a small property, including a house and demesne to which they had, a long time before, succeeded as coheiresses.

The last forty miles of my journey I was obliged to post, chiefly by cross-roads, little known, and less frequented, and presenting scenery often extremely interesting and pretty. The picturesqueness of the landscape was enhanced by the season, the beginning of September, at which I was travelling.

I had never been in this part of the world before; I am told it is now a great deal less wild, and, consequently, less beautiful.

At the inn where I had stopped for a relay of horses and some dinner – for it was then past five o’clock – I found the host, a hale old fellow of five-and-sixty, as he told me, a man of easy and garrulous benevolence, willing to accommodate his guests with any amount of talk, which the slightest tap sufficed to set flowing, on any subject you pleased.

I was curious to learn something about Barwyke, which was the name of the demesne and house I was going to. As there was no inn within some miles of it, I had written to the steward to put me up there, the best way he could, for a night.

The host of the “Three Nuns,” which was the sign under which he entertained wayfarers, had not a great deal to tell. It was twenty years, or more, since old Squire Bowes died, and no one had lived in the Hall ever since, except the gardener and his wife.

“Tom Wyndsour will be as old a man as myself; but he’s a bit taller, and not so much in flesh, quite,” said the fat innkeeper.

“But there were stories about the house,” I repeated, “that, they said, prevented tenants from coming into it?”

“Old wives’ tales; many years ago, that will be, sir; I forget ’em; I forget ’em all. Oh yes, there always will be, when a house is left so; foolish folk will always be talkin’; but I han’t heard a word about it this twenty year.”

It was vain trying to pump him; the old landlord of the “Three Nuns,” for some reason, did not choose to tell tales of Barwyke Hall, if he really did, as I suspected, remember them.

I paid my reckoning, and resumed my journey, well pleased with the good cheer of that old-world inn, but a little disappointed.

We had been driving for more than an hour, when we began to cross a wild common; and I knew that, this passed, a quarter of an hour would bring me to the door of Barwyke Hall.

The peat and furze were pretty soon left behind; we were again in the wooded scenery that I enjoyed so much, so entirely natural and pretty, and so little disturbed by traffic of any kind. I was looking from the chaise-window, and soon detected the object of which, for some time, my eye had been in search. Barwyke Hall was a large, quaint house, of that cage-work fashion known as “black-and-white,” in which the bars and angles of an oak framework contrast, black as ebony, with the white plaster that overspreads the masonry built into its interstices. This steep-roofed Elizabethan house stood in the midst of park-like grounds of no great extent, but rendered imposing by the noble stature of the old trees that now cast their lengthening shadows eastward over the sward, from the declining sun.

The park-wall was gray with age, and in many places laden with ivy. In deep gray shadow, that contrasted with the dim fires of evening reflected on the foliage above it, in a gentle hollow, stretched a lake that looked cold and black, and seemed, as it were, to skulk from observation with a guilty knowledge.

I had forgot that there was a lake at Barwyke; but the moment this caught my eye, like the cold polish of a snake in the shadow, my instinct seemed to recognize something dangerous, and I knew that the lake was connected, I could not remember how, with the story I had heard of this place in my boyhood.

I drove up a grass-grown avenue, under the boughs of these noble trees, whose foliage, dyed in autumnal red and yellow, returned the beams of the western sun gorgeously.

We drew up at the door. I got out, and had a good look at the front of the house; it was a large and melancholy mansion, with signs of long neglect upon it; great wooden shutters, in the old fashion, were barred, outside, across the windows; grass, and even nettles, were growing thick on the courtyard, and a thin moss streaked the timber beams; the plaster was discolored by time and weather, and bore great russet and yellow stains. The gloom was increased by several grand old trees that crowded close about the house.

I mounted the steps, and looked round; the dark lake lay near me now, a little to the left. It was not large; it may have covered some ten or twelve acres; but it added to the melancholy of the scene. Near the centre of it was a small island, with two old ash-trees, leaning toward each other, their pensive images reflected in the stirless water. The only cheery influence of this scene of antiquity, solitude, and neglect was that the house and landscape were warmed with the ruddy western beams. I knocked, and my summons resounded hollow and ungenial in my ear; and the bell, from far away, returned a deep-mouthed and surly ring, as if it resented being roused from a score years’ slumber.



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