A Woman Perfected

A Woman Perfected
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Книга "A Woman Perfected", автором которой является Richard Marsh, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Richard Marsh позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Marsh настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"A Woman Perfected" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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CHAPTER I

STRICKEN

Donald Lindsay was prostrated by a stroke of apoplexy on Thursday, April 3. It was surmised that the immediate cause was mental. He arrived home apparently physically well, but in a state of what, for him, was a state of unusual agitation. As a rule he was a dour man; much given to silence; self-contained. At that time there was staying at Cloverlea, with his daughter Nora, a school-friend, Elaine Harding. During lunch both girls were struck by his unusual talkativeness. Often during a meal he would hardly open his lips for any other purpose except eating and drinking. That morning he talked volubly to both girls on all sorts of subjects. After lunch Nora said laughingly to Elaine-

"I wonder what's the matter with papa. I don't know when I remember him so conversational."

He put in no appearance at tea; but as that was a common occurrence his absence went unnoticed. When, however, the gong having sounded for dinner, the girls were waiting for him in the drawing-room, and still he did not come, Nora sent a servant to his dressing-room to inquire if he would be long. The man returned to say that his master was neither in his dressing-room nor his bedroom; that he had spent the afternoon in his study, from which no one had seen him issue; that the study door was locked, and knockings went unheeded. Nora, opening a French window in the drawing-room, went along the terrace towards the study.

The study opened on to the terrace. It had two long windows. At neither of them were the blinds down or the curtains drawn. It was elicited afterwards that the servant whose duty it was to attend to such matters had knocked at the door when the shadows lowered. On turning the handle, he found that it was locked; Mr. Lindsay informed him from within that he would draw the blinds himself. It seemed that he had not done so. The room was in darkness, with the exception of the flicker of the firelight. Nora said to Miss Harding, who had followed at her heels-

"Whatever does papa want with a fire on a day like this?" All that week the weather had been not only warm, but positively hot. There had been one of those hot spells which we sometimes get in April; and, as frequently, have to do without in August. Save in the evenings and early mornings fires had remained unlit in all the living rooms. That Thursday had been the hottest day of all. Mr. Lindsay was one of those persons who seldom felt the cold, but quickly suffered from the heat. He preferred to be without a fire in his own apartments when the rest of the establishment was glad enough to be within reach of a cheerful blaze. That there should be one in his study on such a day as that struck his daughter as strange. She stood close up to the window, her friend at her side. "The room seems empty."

"It is empty," said Miss Harding. Nora knocked, without result. "What's the use of knocking? There's no one there." Nora tried the handle first of one window, then of the other; both were fastened. "What's the use?" asked Miss Harding. "Any one can see that the room is empty. There's light enough for that."

At that moment the fire flared up in such a way that all the room within was lit by its radiance; so clearly lit as to make it plain that it had no occupant.

"But," observed Nora, "if it's empty why should the door be locked? Papa never leaves it locked when he's not inside."

Two figures approached through the darkness. In front was the housekeeper, Mrs. Steele.

"Miss Nora," she began, "you'd better go indoors. I'm afraid there's something wrong."

"Why should I go indoors?" the girl demanded. "And what can be wrong? We can see all over the room; we saw plainly just now, didn't we, Elaine? There's no one there."

"Your father's there," said Mrs. Steele.

Her tone was grim. Before Nora could ask how she knew that, there was a crash of glass. Looking round with a start she found that Stephen Morgan, the butler, had broken a pane in the other window.

"Morgan," she cried, "what are you doing?"

"This is the shortest way in," he answered.

He thrust his arm through the broken pane; lifted the hasp; the window was open. He went through it. Nora was following when she was checked by Mrs. Steele.

"Miss Nora," she persisted, "you had better go indoors."

"I am going indoors; isn't this indoors? If, as you put it, there is something wrong, who is more concerned than I?" All four entered. Morgan, who had passed round to the other side of the large writing-table, which was in the centre of the room, gave a sudden exclamation. Nora hurried round to where he was. Some one was lying huddled up on the floor; as if, slipping awkwardly out of his chair, he had lain helplessly where he had fallen. Nora dropped on her knees by his side. "Papa!" she cried. "Father!"

No one answered. Morgan lit the lamp which always stood on Mr. Lindsay's writing-table. In the days which followed Nora often had occasion to ask herself what, exactly, happened next. She was conscious that in the room there was a strong smell of burnt paper; always, afterwards, when her nostrils were visited by the odour of charred paper that scene came back to her. The cause of the smell was not far to seek; the hearth was full of ashes. Evidently Mr. Lindsay had been burning papers on a wholesale scale; apparently for that reason he had had a fire; Nora had a vague impression-which recurred to her, later, again and again-that many of the papers were only partially consumed. The room was littered with papers; they were all over the table; on chairs, on the floor; drawers stood open, papers peeped out of them; which was the more remarkable since Mr. Lindsay was the soul of neatness. Plainly the finger of God had touched him when he was still in the midst of the task which he had set himself. There came a time when Nora had reason to wish that she had retained her self-possession sufficiently to give instructions that all papers, both burnt and unburnt, were to be left exactly as they were; and had taken steps to ensure those instructions being carried out. But at the moment all she thought of was her father. He was not dead; his stertorous breathing was proof of that. They carried him up-stairs; undressed him, put him to bed, who an hour or two before had been the hale, strong man; who had never known what it was to be sick; who had so loved to do everything for himself.



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