Published by HarperCollâinsPublishers Ltd
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First published by Penguin Group USA 2015
First published in the UK by Harper 2015
Copyright © Beatriz Williams
Cover layout design © HarperCollâinPublishers Ltd 2015Cover photograph courtesy of the F.C. Gundlach Foundation (Two Women on the Beach, 1936. By Yva / Else Neuländer).
All other photographs by Cherie Chapman, (sea and sky). Cover texture © CGTextures (wood).
Beatriz Williams asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the authorâs imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780008134952
Ebook Edition © November 2015 ISBN: 9780008134969
Version 2015-09-09
All you really need to know about the Paris Ritz is this: by the middle of 1937, Coco Chanel was living in a handsome suite on the third floor, and the bartenderâan intuitive mixologist named Frank Meierâhad invented the Bloody Mary sixteen summers earlier to cure a Hemingway hangover.
Mind you, when I arrived at Nick Greenwaldâs farewell party on that hot July night, I wasnât altogether aware of this history. I didnât run with the Ritz crowd. Mosquitoes, my husband called them. And maybe I should have listened to my husband. Maybe no good could come from visiting the bar at the Paris Ritz; maybe you were doomed to commit some frivolous and irresponsible act, maybe you were doomed to hover around dangerously until you had drawn the blood from another human being or else had your own blood drawn instead.
But Johannâmy husbandâwasnât around that night. I tiptoed in through the unfashionable Place Vendôme entrance on my brotherâs arm instead, since Johann had been recalled to Berlin for an assignment of a few months that had stretched into several. In those days, you couldnât just flit back and forth between Paris and Berlin, any more than you could flit between heaven and hell; and furthermore, why would you want to? Paris had everything I needed, everything I loved, and Berlin in 1937 was no place for a liberal-minded woman nurturing a young child and an impossible rift in her marriage. I stayed defiantly in France, where you could still attend a party for a man named Greenwald, where anyone could dine where he pleased and shop and bank where he pleased, where you could sleep with anyone who suited you, and it wasnât a crime.
For the sake of everyoneâs good time, I suppose it was just as well that my husband remained in Berlin, since Nick Greenwald and Johann von Kleist werenât what youâd call bosom friends, for all the obvious reasons. But Nick and I were a different story. Nick and I understood each other: first, because we were both Americans living in Paris, and second, because we shared a little secret together, the kind of secret you could never, ever share with anyone else. Of all my brotherâs friends, Nick was the only one who didnât resent me for marrying a general in the German army. Good old Nick. He knew Iâd had my reasons.
The salon was hot, and Nick was in his shirtsleeves, though he still retained his waistcoat and a neat white bow tie, the kind you needed a valet to arrange properly. He turned at the sound of my voice. âAnnabelle! Here at last.â
âNot so very late, am I?â I said.
We kissed, and he and Charles shook hands. Not that Charles paid the transaction much attention; he was transfixed by the black-haired beauty who lounged at Nickâs side in a shimmering silver-blue dress that matched her eyes. A long cigarette dangled from her fingers. Nick turned to her and placed his hand at the small of her back. âAnnabelle, Charlie. I donât think youâve met Budgie Byrne. An old college friend.â