Burning Bright
Flames and funerals, circus feats and seduction, neighbours and nakedness: a sparkling historical drama from the bestselling author of Girl with a Pearl Earring.Uprooting from their quiet Dorset village to the carnal streets of London, young Jem Kellaway and his family feel far from home. The Kellaways struggle to fi nd their place in a tumultuous city, alive with repercussions from the blood-splattered French Revolution. Luckily streetwise Maggie Butterfi eld is on hand to show Jem the ropes. Together theyencounter the neighbour they’ve been warned about: radical poet and artist William Blake. Jem and Maggie’s passage from innocence to experience becomes the very stuffof poetic inspiration.
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The Borough Press
An imprint of HarperCollinsPublishers Ltd
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Hammersmith, London W6 8JB
First published in Great Britain by HarperCollinsPublishers 2007
Copyright © Tracy Chevalier 2007
Chapter head motifs © Neil Gower
Cover layout design © HarperCollinsPublishers Ltd 2014. Cover illustrations © Neil Gower
Tracy Chevalier asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780007178360
Ebook Edition © 2014 ISBN: 9780007324323
Version: 2014-07-18
For my parents
Table of Contents
There was something humiliating about waiting in a cart on a busy London street with all your possessions stacked around you, on show to the curious public. Jem Kellaway sat by a tower of Windsor chairs his father had made for the family years ago, and watched aghast as passers-by openly inspected the cart’s contents. He was not used to seeing so many strangers at once – the appearance of one in their Dorsetshire village would be an event discussed for days after – and to being so exposed to their attention and scrutiny. He hunkered back among the family belongings, trying to make himself less conspicuous. A wiry boy with a narrow face, deep-set blue eyes and sandy fair hair that curled below his ears, Jem was not one to draw attention to himself, and people peered more often at his family’s belongings than at him. A couple even stopped and handled items as if they were at a barrow squeezing pears to see which was ripest – the woman fingering the hem of a nightdress that poked out of a split bag, the man picking up one of Thomas Kellaway’s saws and testing its teeth for sharpness. Even when Jem shouted ‘Hey!’, he took his time setting it down again.
Apart from the chairs, much of the cart was filled with the tools of Jem’s father’s trade: wooden hoops used to bend wood for the arms and backs of the Windsor chairs he specialised in, a dismantled lathe for turning chair legs, and a selection of saws, axes, chisels and augers. Indeed, Thomas Kellaway’s tools took up so much room that the Kellaways had had to take turns walking alongside the cart for the week it took to get from Piddletrenthide to London.
The cart they had travelled in, driven by Mr Smart, a local Piddle Valley man with an unexpected sense of adventure, was halted in front of Astley’s Amphitheatre. Thomas Kellaway had had only a vague notion of where to find Philip Astley, and no idea of how big London really was, thinking he could stand in the middle of it and see the amphitheatre where Astley’s circus performed, the way he might back in Dorchester. Luckily for them, Astley’s Circus was well known in London, and they were quickly directed to the large building at the end of Westminster Bridge, with its round, peaked wooden roof and front entrance adorned with four columns. An enormous, white flag flying from the top of the roof read ASTLEY’S in red on one side and AMPHITHEATRE in black on the other.
Ignoring the curious people on the street as best he could, Jem fixed his eyes instead on the nearby river, which Mr Smart had decided to wander along, ‘to see a bit o’ London,’ and on Westminster Bridge, which arched over the water and pitched into the distant mass of square towers and spires of Westminster Abbey. None of the rivers Jem knew in Dorset – the Frome the size of a country lane, the Piddle a mere rivulet he could easily jump across – bore any resemblance to the Thames, a broad channel of rocking, choppy green-brown water pulled back and forth by the distant tide of the sea. Both river and bridge were clogged with traffic – boats on the Thames, carriages, carts and pedestrians on the bridge. Jem had never seen so many people at once, even on market day in Dorchester, and was so distracted by the sight of so much movement that he could take in little detail.
