Chameleon
They are chameleons. Beyond the law, beyond morality, they’ve survived by adapting, whatever the circumstances. And by trusting nobody but themselves.IT’S A QUESTION OF IDENTITY.Stephanie Patrick, a woman who was more comfortable under an alias than she was with hersef, she traversed the world and forgot who she was. Now, she wants to put all her pasts behind her.Konstantin Komarov. The FBI call him the Don from the Don. Today, at the heart of a financial empire created by the Russian crime pandemic, he’s as comfortable in Manhattan as he is in Moscow or Magadan.Between them exists Koba, an old alias for a new threat.In a world where trust is weakness, honesty is naivety, brutality is routine, could falling in love be the greatest risk?
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CHAMELEON
Mark Burnell
Harper
An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF
Copyright © Mark Burnell 2001
Mark Burnell asserts the moral right to
be identified as the author of this work
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
A catalogue record for this book is available from the British Library
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Source ISBN: 9780007336722
Ebook Edition © SEPTEMBER 2012 ISBN 9780007372928 Version: 2015-09-28
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‘Chameleon is a Casablanca for the 21st century. Burnell writes with verve and assurance about the unsavoury realities of international terrorism. Where he really excels, however, is with his characters. Not only are his two protagonists convincingly complex and three-dimensional, but they also share a love story which is as moving as it is passionate.’
Boris Starling, author of Messiah
To Isabelle with love
CONTENTS
The rhythm of the windscreen wipers was hypnotic. The rubber blades squeaked against the glass, smearing rain left and right. James Marshall leaned forward and peered at the brasserie on the other side of the street. The clock on the dashboard said it was five to two. He checked his own watch – it was marginally fast – and lit a cigarette. The caller had given him the address, the time – two o’clock – and a reminder not to be late. That had been half an hour ago at a pay-phone at the Gare du Nord.
The other phone call – the one that had caught him at home the day before yesterday – had come out of the blue. And out of the past. He’d recognized the voice instantly. A simple job that paid cash in hand; that had been the offer. Good cash, too, considering how little work was involved. He wouldn’t even have to leave Paris. At first, that had made the proposal all the more attractive.
Would he consider acting as a courier? Nothing fancy, naturally, just a fetch-and-drop, as a favour from one seasoned veteran to another.
Of course, he’d said, he’d be delighted. There had been times in the not-so-distant past when he would have considered such a job beneath him, when he would have been offended by the offer. James Marshall, the courier? The errand boy? Now, he was as grateful for the opportunity as he was for the money.
He instructed his Tunisian taxi driver to drop him on avenue de Friedland, from where he walked back to rue du Faubourg Saint Honoré. The rain was growing stronger. And colder. A lead sky darkened everything. The driver of a delivery van attempted a U-turn in front of the brasserie. The vehicle stalled. He tried the ignition twice. Nothing. He slapped the steering wheel and tried again. Still nothing. A woman in a navy Mercedes saloon held open her hands in exasperation. The van driver shrugged. The traffic staggered to a halt. Headlights sparkled, exhausts wheezed.
Marshall tried to ignore the tightness in his stomach, the tightness that suggested it would have been better to ignore the money. He wished he was home. His chilly, damp, single-room apartment in Saint Denis had rarely seemed so appealing. He crossed the street, meandering through stationary vehicles, and entered the brasserie.
Half a dozen customers congregated around a curve of copper bar. A waiter took his damp raincoat and asked if he was alone but he was already moving into the dining room. Oleg Rogachev was in the far corner, at a table by the window. Marshall recognized him from the photographs he’d studied; built like a bull, a moustache like a slug, silver hair cropped to a spike. His collars and cuffs were tight to the skin, accentuating fat hands and a fat face. He wore a charcoal silk double-breasted suit.
Rogachev looked up from his plate – pig’s trotters and spinach – and nodded towards the seat opposite. The man sitting next to him was a stranger but not a surprise; a translator, Marshall assumed. Rogachev spoke no English and had no reason to expect Marshall to speak Russian. As it happened, he’d been fluent for thirty years.
