Draw and Paint your Pet

COPYRIGHT

First published in 2001 by

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

The HarperCollins website address is:

www.harpercollins.co.uk

Collins is a registered trademark of HarperCollins Publishers Limited.

© Susie Wynne, 2001

A catalogue record for this book is available from the British Library

Editor: Geraldine Christy

Layout Designer: Anita Ruddell

Photographer: Nigel Cheffers-Heard

Susie Wynne has produced two videos, Draw and Paint Your Pet part 1 and part 2, to accompany this book. They are available from good art and craft shops or direct from: Teaching Art, PO Box 50, Newark, Nottinghamshire, NG23 5GY

www.teachingart.com

Tel: +44 (0)1949 844050

Susie Wynne asserts the moral right to be identified as the author of this work.

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Source ISBN 9780007116850

Ebook Edition © NOVEMBER 2018 ISBN: 9780008108564

Version: 2018-11-26

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CONTENTS

COVER

TITLE PAGE

COPYRIGHT

INTRODUCTION

MATERIALS

BASIC SKETCHING

WATERCOLOUR TECHNIQUES

USING PHOTOGRAPHS

ANIMAL FEATURES

CATS

Demonstration: Rambo, the tabby

Demonstration: Maxi, the black and white cat

Demonstration: Mr Tibbs, the Burmese Grey

DOGS

Demonstration: Jeg, the half Border collie

Demonstration: Chippy, the Jack Russell

Demonstration: Denver, the Border collie

Demonstration: Waffle, the Border terrier

SMALL PETS

Demonstration: The Highland rabbit

Demonstration: Sparkle, the lop-eared rabbit

Demonstration: Olga da Polga, the guinea pig

HORSES

Demonstration: Pragada, the racehorse

Demonstration: Pavlova, the racehorse

BACKGROUNDS

Demonstration: Wee-Un in shadow

AND FINALLY

AUTHOR’S ACKNOWLEDGEMENTS

ABOUT THE PUBLISHER

INTRODUCTION

SUSIE WYNNE

Photo: Gray Levett

My interest in drawing and painting began at the early age of around five years old and by the time I had reached nine or ten I spent a lot of my time sketching – mainly horses and dogs. Later I was formally trained in classical piano and voice, but I did not pursue these musical activities with the passion for painting and drawing that seems to have come to me over the years.

This interest in animals sprang up again as an adult when I was inspired to write some short stories for children. I soon took out my sketchpad and created the characters, and found that extremely entertaining and fulfilling. However, I became so involved with the drawing aspect that it became all-consuming. So I decided to take a temporary break from story writing and before long I was painting and drawing during all my spare time. Commissions started coming my way and I found that there is nothing quite so satisfying as to deliver a completed picture of a beloved pet and see the reaction of the owner to one’s efforts with the paintbrush!

COGNAC

watercolour pencil

Cognac is a rather elegant Basset Fauve de Bretagne. I find drawing close-up pet studies such as these very pleasing, producing an effect that can look quite dramatic. I enjoy working with watercolour pencil for this kind of detailed work, which is a very different style from my watercolour paintings.

RAMBO’S EYES

watercolour pencil

Cats’ eyes are unique in their beauty and drawing them provides an excellent exercise in getting to know the shape and general nature of a cat’s facial features. The intense yellow-green of Rambo’s eyes is emphasized by the soft texture of the surrounding fur built up in layers with pencils.

PRACTISE YOUR DRAWING

In continuing my drawing and painting I have developed my skills to a standard I did not dream I could reach at the outset. I think the advice I would give to a beginner is to establish your drawing skills well first of all before coping with how to paint. I knew a professional artist in the USA who had a good career as a painter of oils, but, after seeing my work, he told me he was going to attend drawing classes again. I was not only extremely flattered, but very relieved that I had kept my drawing skills finely tuned. I have driven myself very hard in order to do so.

So, with this in mind, I have emphasized the importance of drawing and sketching throughout this book and I do hope you will find the examples illustrated helpful and inspirational.

WATERCOLOUR PAINTING

When I first approached painting with watercolour I remember people commenting on how difficult a medium it is to control. Being the sort of person who likes to take on a challenge, however, I decided to launch myself fully into using watercolours. While I found watercolour painting very difficult at first I soon discovered that the way to approach a subject is to try to master just a little at a time. When you feel competent at doing that small amount you can then move on to the next stage. Practice is the key word and is one that I reiterate often: this is the only way to familiarize yourself to the point of being in control of a technique. Even now I find some subjects can be tricky in the extreme, and frustrating to paint, but I always persevere until I am successful.