Fabulous

Fabulous
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Not since Angela Carter’s The Bloody Chamber have old stories been made to feel so electrically new. Not since Wim Winders’ Wings of Desire have the numinous and the everyday been so magically combined.   It's in the nature of myth to be infinitely adaptable. Each of these startlingly original stories is set in modern Britain. Their characters include a people-trafficking gang-master and a prostitute, a migrant worker and a cocksure estate agent, an elderly musician doubly befuddled by dementia and the death of his wife, a pest-controller suspected of paedophilia and a librarian so well-behaved that her parents wonder anxiously whether she’ll ever find love. They’re ordinary people, preoccupied, as we all are now, by the deficiencies of the health service, by criminal gangs and homelessness, by the pitfalls of dating in the age of #metoo.   All of their stories, though, are inspired by ones drawn from Graeco-Roman myth, from the Bible or from folk-lore. The ancients invented myths to express what they didn’t understand. These witty fables, elegantly written and full of sharp-eyed observation of modern life, are also visionary explorations of potent mysteries and strange passions, charged with the hallucinatory beauty and horror of their originals.

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For Dan, with love

Each of these modern stories is a variation (a very free one) on a much older tale.

The original fables are summarised at the end of the book.

She was in the park with her friend.

Every Wednesday they went, with their dogs. ‘What do you say to each other?’ he asked. She couldn’t answer. But he knew that they talked all the way round.

Once he went looking for them. There was something he was worried about. Something that couldn’t wait until she got back, at least that’s what he thought. He saw them coming towards him between the silver birches and she was talking, hands in the pockets of her old velvet coat, head down watching her feet, talking non-stop. When she looked up and saw him she waved, and after that it was her friend who was talking, looking at him, as she did so, in a way he thought rude. When they came up to him he explained about the thing. Was it the heating? He wanted her to hurry home with him, but she didn’t seem to care about it. She wasn’t a worrier the way he was. Sometimes he found her insouciance maddening.

Anyway, that was a while ago. But then she was out with her friend again and the earth cracked open and an arm reached up from the chasm and dragged her down.

Milla said, ‘Oz, I’m so sorry. Oz, Eurydice’s … She’s in St Mary’s. I’ll take you. Let’s go and get your coat.’

The terrible arm dragged Eurydice out of the light. She, who had always slept with a lamp left on in the corridor because darkness pressed against her eyes and smothered her sight. She, who would fuss about restaurant tables, who always wanted the one by the window. She, who would shift her chair around the room throughout the day, dragging it six inches at a time to be always in the patch of sunlight. She sank into blackness. She was obliterated.

Where is she? He kept asking and asking. Milla was patient with him. Milla said, ‘She’s in St Mary’s. We’re on our way there. We’ll see her very soon.’ ‘I know, Oz, I do too, but the doctors are with her. We just have to sit and wait.’ ‘I don’t know how long, but the nurse will tell us as soon as she can.’ ‘I’ll get you a cup of tea, shall I?’ ‘Don’t drink it yet, it’ll be hot.’ ‘I’ll wait outside. Here. This gentleman will help you.’ ‘She’s in the Greenaway Ward. We’ll see her in a minute or two.’ ‘In here.’ ‘She’s here, Oz. Look. Here she is.’ But Eurydice was gone.



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