GBL
e-Books
Foro Barbarico
1 – Historia Langobardorum – Paulus Diaconus – Latino (IT) – ISBN 9788822856029 -
2 – Storia dei Longobardi – Paolo Diacono – Italiano – ISBN 9788822882547 -
3 – Edictum Rothari Regis – Scriptorium di Bobbio – Latino (IT) – ISBN 9788827504161 -
4 – Editto di Rotari – Scriptorium di Bobbio – Italiano – ISBN
5 – Origo Gentis Langobardorum – Re Rotari – ISBN 9788822814661 -
6 – Chronicon Gentis Langobardorum – Andrea da Bergamo – ISBN 9788822812841 -
7 – Codicis Gothani – Anonimo cavaliere Franco – ISBN 9788826464893 -
22 – Costituzione – Giustiniano – Latino – ISBN In lavorazione
23 – Costituzione – Giuistiniano – Italiano – ISBN
Foro Ellenico
1 – Iliade – Omero – Greco Antico – ISBN 9788832502022 -
2 – Iliade – Vincenzo Monti – Italiano – ISBN 9788834182192 -
3 – Odissea – Omero – Greco Antico – ISBN 9788832533460 -
4 – Odissea – Omero – Italiano – ISBN …
Foro Italico
1 – Le Grazie – Ugo Foscolo – ISBN 9788829584000 -
2 – I Sepolcri – Ugo Foscolo – ISBN …
3 – Confessioni di un Italiano – Ippolito Nievo – ISBN …
4 – Ul Milione – Martco Polo – ISBN
Foro Latino
1 – De Bello Gallico – Gaius Iulius Caesar – Latino (IT) ISBN 9788827516478 -
2 – Sulla Guerra in Gallia – Gaio Giulio Cesare – Italiano – ISBN 9788899163556 (Fermento Editore)
3 – De Bello Civili – Gaius Iulius Caesar – Latino (IT) – ISBN 9788827567807 -
4 – Sulla Guerra Civile – Gaio Giulio Cesare – Italiano – ISBN 9788834167359 -
5 -Sulla Guerra Alessandrina – Gaio Giulio Cesare – Italiano – ISBN 9788827565667 -
6 – De Bello Africo – Gaio Giulio Cesare – Italiano -ISBN 9788827539668 -
7 – De Bello Hispanico – Gaio Giulio Cesare – Italiano – ISBN 9788827573792 -
8 – Bellum Civili – Gaius Iulius Caesar – Latino (IT) – ISBN 9788834176948
9 – Sulla Guerra Civile Romana – Gaio Giulio Cesare – Italiano – ISBN 9788835349815 -
10 – Eneide – Virgilio – Latino (IT) – ISBN 9788832587180
11 – Eneide – Virgilio – Italiano – ISBN …
12 – Storia di Roma – Tuto Livio – Latino – ISBN …
13 – Storia di Roma – Tuto Livio – Italiano – ISBN …
14 – Le vite dei Cesari – Svetonio – Latino – ISBN …
15 – Le vite dei Cesari – Svetonio – Latino – ISBN …
Arena Letteraria
1 – Non Farti Male – Alessandro Lepri – ISBN
TRADUZIONI – TRANSLATION
English
Historia Langobardorum – Paulus Diaconus – Latin (EN) – ISBN
…
Origo Gentis Langobardorum – Re Rotari – Latin (EN) – ISBN 9788827527665
Français
Historia Langobardorum – Paulus Diaconus – Latin (FR) – ISBN 978882287964
Origo Gentis Langobardorum – Re Rotari – Latin (FR) – ISBN 9788827531433
Deutsch
Historia Langobardorum – Paulus Diaconus – Latin (DE) – ISBN 9788873041740
Origo Gentis Langobardorum – Re Rotari – Latin (DE) – ISBN 9788827534892
Geschichte der Langobarden – Paul Warnefried – Deutsch – ISBN …
Português
Historia Langobardorum – Paulus Diaconus – Latino (PR) – ISBN 9788873040224
Origo Gentis Langobardorum – Re Rotari – Latino (PR) – ISBN 9788827524541
Historias dos Lombardos – Paolo Diacono – Português – ISBN 9788873043164
中国 (Cinese)
1 – Historia Langobardorum – Paulus Diaconus – 拉丁 (CI) – ISBN …
5 – 伦巴第人的起源 (Origo Gentis Langobardorum) – Re Rotari – Latin (CI) – ISBN 9788828336730
2 – 伦巴德人的故事-伦巴第史 (Storia dei Longobardi) – Paolo Diacono – 中国 – ISBN 9788873046462
LIBRI – BOOKS
1 – Historia Langobardorum – Paulus Diaconus – ISBN 9788822898722
2 – Storia dei Longobardi – Palo Diacono – ISBN 9788826053431
Why publish an old and manifestly biased book in Latin? The reason is right there, in the definition of "part": written history is always part because it is generated by a "cultural structure"; entity that often coincides with the "nation-state". In practice for history, the same concept is valid for art, each era gives a different judgment on a given work of art. As a boy, when I studied art in high school, I went to the school library to consult a famous and beautiful series dedicated to painters, in those books the critical judgments of art experts and artists of different eras were reported. There you could see the change of opinion over time. So a Baroque work first pleases, then is despised and then returns to be found beautiful. This change of opinion is closely linked to historical events and social changes. To explain some basic concepts I will continue to use the art-history parallelism, which I believe is the most suitable. Here I briefly describe a personal experience I had at the University in taking a Medieval History exam. Attending the exams of some students of my age, I noticed their difficulty in defining historical periods, their attachment to dates. The teacher of the Statale di Milano was greatly irritated to see the inability to argue about the beginning and end dates of the Middle Ages. The dates are school conventions, the ancient age does not end a day in a certain place, but it is a border that shifts and brings with it social changes, often not uniform. The Gothic kingdom in Italy is perhaps already Middle Ages but we consider it late ancient, because we tend to start the Middle Ages in Italy with the twenty years of the Gothic wars or with the Lombard invasion in the peninsula. The right answer to the question `` when does the Middle Ages begin? '' Is the conventional date of the dismissal of the last Roman emperor of the West, accompanied by the clarification that it is, in reality, a long transition period going from Odoacre, to the Lombards, and does not involve the whole territory uniformly. If we look at art, we see the splendid mosaics of Ravenna, but then the imposing mausoleum of Theodoric appears, I point out that, after these, we move on to a paleo-Christian poor art: art marks well the passage from the ancient world to the new times. In the same way, regardless of the date on which Columbus was discovered to have discovered America, the art of the second quarter of Florence already showed the Renaissance, which appears briefly and immediately dissolves into Mannerism which will become Baroque already in the Michelangelo's dome of San Pietro . Thus the Municipalities become Lordships and politics reconnect the thread with classical antiquity which has in itself the symbols of power. A strange history of Classical art was born in democratic Athens to become an instrument of every imperial ambition. In any case, even art decrees the end of the Middle Ages, with the return to plasticity and Vasari's "stil novo". In practice it is Michelangelo's David and not Colombo, the right date to remember.
