In the Enemy's Arms

In the Enemy's Arms
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Книга "In the Enemy's Arms", авторами которой являются Литагент HarperCollins EUR}, Marilyn Pappano, представляет собой захватывающую работу в жанре Зарубежные детективы. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Литагент HarperCollins EUR позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. EUR настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"In the Enemy's Arms" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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She’d wanted. Him.

The thought sent blood rushing to her cheeks and formed a knot in her stomach.

“What are you thinking to make you blush like that?”

His voice, throaty and amused, drew her attention back to the face she’d been staring at. “N-nothing.”

Then came the smug, cocky grin that used to make her want to smack him. “Were you imagining me naked?” He raised his hands in a helpless shrug, when he was anything but. “Women usually do. Better yet, were you imagining us naked? Because I have been, and that sofa makes into a damn comfortable bed.”

Slowly she shook her head. “I don’t think so.” It was eye-opening just how tempted she was, even though there were a thousand reasons why she shouldn’t be. It was risky. What if the Justin she loved to hate came back? What if this thing was just the side effect of adrenaline and fear? What kind of potential was there between her and Justin? Besides great sex.

And the biggest question: was she willing to risk having her heart broken again?

About the Author

MARILYN PAPPANO has spent most of her life growing into the person she was meant to be, but isn’t there yet. She’s been blessed by family—her husband, their son, his lovely wife and a grandson who is almost certainly the most beautiful and talented baby in the world—and friends, along with a writing career that’s made her one of the luckiest people around. Her passions, besides those already listed, include the pack of wild dogs who make their home in her house, fighting the good fight against the weeds that make up her yard, killing the creepy-crawlies that slither out of those weeds and, of course, anything having to do with books.

In The

Enemy’s Arms

Marilyn Pappano

www.millsandboon.co.uk

For my favorite divers:

my son Brandon; Meg Reid, dive master and best friend; and, as always, to my husband, Bob. One of these days I’m going to join you guys under the sea!

And until that day, major thanks to my non-dive buddy,

Don Shidler, for keeping me company onshore!

Chapter 1

Welcome to Cozumel, the flight attendant had said as the jet taxied to a stop. The uniformed men armed with deadly weapons between the plane and the terminal weren’t Cate Calloway’s idea of a perfect welcoming party, but their presence didn’t unnerve her as it had on her first trip to the Mexican island.

Taking a deep breath of warm humid air and smiling at the soldiers who never smiled back, she towed her bag behind her and went inside. She’d sent her supplies ahead, so she made it through immigration, baggage and customs fairly quickly. In the small lobby at the front of the building, she stood away from the flow of eager tourists to scan the area.

There was no sign of Trent or Susanna and not even a vaguely familiar face in the room. A number of men waited, holding signs with the names of the parties they were picking up, but none of them was looking for her.

After ten minutes, she made herself comfortable against the wall. After twenty minutes, she pulled out her cell phone, grateful that she’d bothered with the international calling plan for this trip, and dialed Trent’s number. It went straight to voice mail. So did Susanna’s.

After thirty minutes, she found a taxi driver, showed him the address of La Casa and climbed into the backseat. She didn’t mind being forgotten at the airport in a country where she barely spoke the language and having to make her own way to La Casa. Really, she wasn’t that petty. It was just that on her previous trips, Trent had met her himself. She’d never gone anywhere alone. It had been easier to feel independent with him or Susanna there beside her.

The cabdriver wasn’t chatty, but that was okay. The Louisiana divers who’d surrounded her on the airplane had been chatty enough to give her a new appreciation for silence. He swerved through crowded streets, narrowly missing cars and scooters alike, until traffic thinned as they reached the more isolated neighborhood of La Casa.

A tall cinder-block wall surrounded the few acres, with a rusted iron gate standing open next to the drive. The sign identifying the place was so discreet as to go unnoticed: La Casa para Nuestras Hijas. The House for Our Daughters.

Her fourth time here, and Cate was still bemused by the thought of Trent Calloway, her lazy, spoiled, self-centered ex-husband, committing his time, money and self to a shelter for runaway, orphaned or mistreated girls. Granted, he did it out of love—for Susanna, or so he said—but still…

The driver pulled to a stop in front of the house, jumped out and retrieved her bag from the trunk. She traded cash for it, thanking him, then turned to look around. Several buildings hunkered within the walls. The house stood to the left of the drive, once grand with two stories, elaborate ironwork, red-tile roof and deeply shaded porch. In the middle at the rear was a garage that housed school desks, chalkboards and supplies instead of vehicles, and to the right of the drive, also set farther back than the house, was the dormitory, a low squat building whose only ornamentation came from the bright paint on its cinder-block walls: turquoise, sunny yellow, apple red, lime green.



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