Life Sentences

Life Sentences
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A writer discovers the truth about her past in this haunting and multi-layered thriller from the multi-award-winning New York Times bestseller.What if you found out that the central story of your life was a lie?A successful writer returns to her hometown of Baltimore on the hunt for new material and stumbles into the middle of a mystery which takes her back to her schooldays.Former classmate Callie Jenkins hit the headlines when she was jailed for 7 years having refused to give up the whereabouts of her missing child. But why did she remain silent? And whatever happened to the little boy?Cassandra thinks she can find out. But in the course of her investigation she finds out that her own history might be far from the truth…

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LAURA LIPPMAN

Life Sentences


This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

AVON

A division of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in the USA by HarperCollinsPublishers, New York, NY, 2009

Copyright © Laura Lippman 2009

Laura Lippman asserts the moral right to

be identified as the author of this work

A catalogue record for this book is

available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

Source ISBN: 9781847560933

Ebook Edition © 2009 ISBN: 9780007328970 Version: 2018-06-13

In loving memory of James Crumley, 1939–2008.

Take my word. It was fun.

I detest the man who hides one thing in the depths of his heart, and speaks for another.

—THE ILIAD

‘Well,’ the bookstore manager said, ‘it is Valentine’s Day.’

It’s not that bad, Cassandra wanted to say in her own defense. But she never wanted to sound peevish or disappointed. She must smile, be gracious and self-deprecating. She would emphasize how wonderfully intimate the audience was, providing her with an opportunity to talk, have a real exchange, not merely prate about herself. Besides, it wasn’t tragic, drawing thirty people on a February night in the suburbs of San Francisco. On Valentine’s Day. Most of the writers she knew would kill for thirty people under these circumstances, under any circumstances.

And there was no gain in reminding the bookseller—Beth, Betsy, Bitsy, oh dear, the name had vanished, her memory was increasingly buggy—that Cassandra had drawn almost two hundred people to this same store on this precise date four years earlier. Because that might imply she thought someone was to blame for tonight’s turnout, and Cassandra Fallows didn’t believe in blame. She was famous for it. Or had been.

She also was famous for rallying, and she did just that as she took five minutes to freshen up in the manager’s office, brushing her hair and reapplying lipstick. Her hair, her worst feature as a child, was now her best, sleek and silver, but her lips seemed thinner. She adjusted her earrings, smoothed her skirt, reminding herself of her general good fortune. She had a job she loved; she was healthy. Lucky, I am lucky. She could quit now, never write a word again, and live quite comfortably. Her first two books were annuities, more reliable than any investment.

Her third book—ah, well, that was the unloved, misshapen child she was here to exalt.

At the lectern, she launched into a talk that was already honed and automatic ten days into the tour. There was a pediatric hospital across the road from where I grew up. The audience was mostly female, over forty. She used to get more men, but then her memoirs, especially the second one, had included unsparing detail about her promiscuity, a healthy appetite that had briefly gotten out of control in her early forties. It was a long-term-care facility, where children with extremely challenging diagnoses were treated for months, for years in some cases. Was that true? She hadn’t done that much research about Kernan. The hospital had been skittish, dubious that a writer known for memoir was capable of creating fiction. Cassandra had decided to go whole hog, abandon herself to the libertine ways of a novelist. Forgo the fact-checking, the weeks in libraries, the conversations with family and friends, trying to make her memories gibe with hard, cold certainty. For the first time in her life—despite what her second husband had claimed—she made stuff up out of whole cloth.



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