One Night Scandal

One Night Scandal
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One night to remember with the perfect cowboy…Nothing in Hannah Ryder's plot included a hot fling with a drop-dead sexy cowboy. Especially when he turns out to be Brock McNeill—a potential enemy with ties to the man Hannah wants to destroy!

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One night to remember with the perfect cowboy...

Or one step toward the perfect revenge?

Nothing in Hannah Ryder’s plot included a hot fling with a drop-dead-sexy cowboy. Especially when her cowboy turns out to be Brock McNeill—a potential enemy with ties to the man Hannah wants to destroy. When an accident claims Brock’s memory, Hannah is caught in an intricate web of scandal, falling dangerously for the one man she shouldn’t trust...

Four-time RITA® Award nominee JOANNE ROCK has penned over seventy stories for Mills & Boon. An opti-mist by nature and a perpetual seeker of silver linings, Joanne finds romance fits her life outlook perfectly—love is worth fighting for. A Golden Heart® Award recipient, she has won numerous awards for her stories. Learn more about Joanne’s imaginative muse by visiting her website, joannerock.com, or following @joannerock6 on Twitter.

Also by Joanne Rock

The Magnate’s Mail-Order Bride The

Magnate’s Marriage Merger His Accidental Heir Little Secrets: His Pregnant Secretary Claiming His Secret Heir For the Sake of His Heir The Forbidden Brother Wild Wyoming Nights

Discover more at millsandboon.co.uk

One Night Scandal

Joanne Rock


www.millsandboon.co.uk

ISBN: 978-1-474-07675-3

ONE NIGHT SCANDAL

© 2018 Joanne Rock

Published in Great Britain 2018

by Mills & Boon, an imprint of HarperCollinsPublishers 1 London Bridge Street, London, SE1 9GF

All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A.

This is a work of fiction. Names, characters, places, locations and incidents are purely fictional and bear no relationship to any real life individuals, living or dead, or to any actual places, business establishments, locations, events or incidents. Any resemblance is entirely coincidental.

By payment of the required fees, you are granted the non-exclusive, non-transferable right and licence to download and install this e-book on your personal computer, tablet computer, smart phone or other electronic reading device only (each a “Licensed Device”) and to access, display and read the text of this e-book on-screen on your Licensed Device. Except to the extent any of these acts shall be permitted pursuant to any mandatory provision of applicable law but no further, no part of this e-book or its text or images may be reproduced, transmitted, distributed, translated, converted or adapted for use on another file format, communicated to the public, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher.

® and ™ are trademarks owned and used by the trademark owner and/or its licensee. Trademarks marked with ® are registered with the United Kingdom Patent Office and/or the Office for Harmonisation in the Internal Market and in other countries.

www.millsandboon.co.uk

To Mandy Lawler for all of your

help and guidance.

Thank you!

One

Hannah Ryder scavenged her last scrap of patience as the film director she despised zoomed in on her for a close-up shot. The bright lights were making her sweat right through the thick layers of makeup. Itchy, dry hay poked her bare skin. She lay smothered in the stuff on the floor of an old barn temporarily transformed into a movie set. The scene called for her character to fall through the loft in the middle of hooking up with a cowboy; thankfully, the stunt had been pulled off by someone else paid to do that sort of thing.

Now, Hannah had to perform the sequence following the fall after her cowboy lover had abandoned her. Her face was covered in cosmetics to look like blood and bruises. All of which was fine, if she hadn’t been in her third hour of shooting reaction shots while drowning in hay that made her eyes water and her skin burn. Her makeup had to be retouched every twenty minutes to keep it from sliding off, and the flesh-toned bodysuit she wore under the hay didn’t protect her in the least. Horses flanked her on either side, their impatient hooves providing a frame for the scene, according to the sadist in charge. What if one of the animals decided he was tired of a sneezing woman writhing on the floor of his barn?

Twice she was sure a spider or some other creepy-crawly had skittered up her bare leg, and a cramp knotted her calf.

She would have walked off the production days ago if she hadn’t wrangled a part in this film for a very specific reason. She needed evidence of the director’s sexual harassment of women on the set to help avenge what he’d done to Hannah’s younger sister a year ago.

The incident had transformed nineteen-year-old Hope from a bright-eyed aspiring writer, with a coveted job as script reader and assistant to director Antonio Ventura, into a quiet shell of her former self. Hope now worked in retail, content to unlock dressing rooms for customers since it was a job that surrounded her with women. Hope didn’t write anymore, and she showed no desire to leave the house for any reason but work. She startled at noises and cried when she thought Hannah couldn’t hear.



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