Peccavi

Peccavi
О книге

Книга "Peccavi", автором которой является Ernest Hornung, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Ernest Hornung позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Hornung настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Peccavi" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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I

DUST TO DUST

Long Stow church lay hidden for the summer amid a million leaves. It had neither tower nor steeple to show above the trees; nor was the scaffolding between nave and chancel an earnest of one or the other to come. It was a simple little church, of no antiquity and few exterior pretensions, and the alterations it was undergoing were of a very practical character. A sandstone upstart in a countryside of flint, it stood aloof from the road, on a green knoll now yellow with buttercups, and shaded all day long by horse-chestnuts and elms. The church formed the eastern extremity of the village of Long Stow.

It was Midsummer Day, and a Saturday, and the middle of the Saturday afternoon. So all the village was there, though from the road one saw only the idle group about the gate, and on the old flint wall a row of children commanded by the schoolmaster to "keep outside." Pinafores pressed against the coping, stockinged legs dangling, fidgety hob-nails kicking stray sparks from the flint; anticipation at the gate, fascination on the wall, law and order on the path in the schoolmaster's person; and in the cool green shade hard by, a couple of planks, a crumbling hillock, an open grave.

Near his handiwork hovered the sexton, a wizened being, twisted with rheumatism, leaning on his spade, and grinning as usual over the stupendous hallucination of his latter years. He had swallowed a rudimentary frog with some impure water. This frog had reached maturity in the sexton's body. Many believed it. The man himself could hear it croaking in his breast, where it commanded the pass to his stomach, and intercepted every morsel that he swallowed. Certainly the sexton was very lean, if not starving to death quite as fast as he declared; for he had become a tiresome egotist on the point, who, even now, must hobble to the schoolmaster with the last report of his unique ailment.

"That croap wuss than ever. Would 'ee like to listen, Mr. Jones?"

And the bent man almost straightened for the nonce, protruding his chest with a toothless grin of huge enjoyment.

"Thank you," said the schoolmaster. "I've something else to do."

"Croap, croap, croap!" chuckled the sexton. "That take every mortal thing I eat. An' doctor can't do nothun for me – not he!"

"I should think he couldn't."

"Why, I do declare he be croapun now! That fare to bring me to my own grave afore long. Do you listen, Mr. Jones; that croap like billy-oh this very minute!"

It took a rough word to get rid of him.

"You be off, Busby. Can't you see I'm trying to listen to something else?"

In the church the rector was reciting the first of the appointed psalms. Every syllable could be heard upon the path. His reading was Mr. Carlton's least disputed gift, thanks to a fine voice, an unerring sense of the values of words, and a delivery without let or blemish. Yet there was no evidence that the reader felt a word of what he read, for one and all were pitched in the deliberate monotone rarely to be heard outside a church. And just where some voices would have failed, that of the Rector of Long Stow rang clearest and most precise:

"When thou with rebukes dost chasten man for sin, thou makest his beauty to consume away, like as it were a moth fretting a garment: every man therefore is but vanity.

"Hear my prayer, O Lord, and with thine ears consider my calling: hold not thy peace at my tears.

"For I am a stranger with thee: and a sojourner, as all my fathers were.

"O spare me a little, that I may recover my strength: before I go hence, and be no more seen."

The sexton was regaling the children on the wall with the ever-popular details of his notorious malady. The schoolmaster still strutted on the path, now peeping in at the porch, now reporting particulars to the curious at the gate: a quaint incarnation of conscious melancholy and unconscious enjoyment.

"Hardly a dry eye in the church!" he announced after the psalm. "Mr. Carlton and Musk himself are about the only two that fare to hide what they feel."

"And what does Mr. Carlton feel?" asked a lout with a rose in his coat. "About as much as my little finger!"

"Ay," said another, "he cares for nothing but his Roman candles, and his transcripts and gargles."1

"Come," said the schoolmaster, "you wouldn't have the parson break down in church, would you? I'm sorry I mentioned him. I was thinking of Jasper Musk. He just stands as though Mr. Carlton had carved him out of stone."

"The wonder is that he can stand there at all," retorted the fellow with the flower, "to hear what he don't believe read by a man he don't believe in. A funeral, is it? It's as well we know – he'd take a weddun in the same voice."

The schoolmaster turned away with an ambiguous shrug. It was not his business to defend Mr. Carlton against the disaffected and the undevout. He considered his duty done when he informed the rector who his enemies were, and (if permitted to proceed) what they were saying behind his back. The schoolmaster made a mental mark against the name of one Cubitt, ex-choirman, and, forthwith transferring his attention to the audience on the wall, put a stop to their untimely entertainment before returning softly to the porch.



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