First published in Great Britain by HarperCollins Children’s Books in 2017
HarperCollins Children’s Books is a division of HarperCollinsPublishers Ltd,
HarperCollins Publishers
1 London Bridge Street
London SE1 9GF
The HarperCollins website address is:
www.harpercollins.co.uk
Copyright © Cecelia Ahern 2017
All rights reserved.
Cover photographs © Shutterstock
Cecelia Ahern asserts the moral right to be identified as the author of the work.
A catalogue copy of this book is available from the British Library.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008125134
Ebook Edition © 2017 ISBN: 9780008125141
Version: 2017-02-20
PERFECT: ideal, model, faultless, flawless, consummate, quintessential, exemplary, best, ultimate; (of a person) having all the required or desirable elements, qualities or characteristics; as good as it is possible to be.
A weed is just a flower growing in the wrong place.
They’re not my words, they’re my granddad’s.
He sees the beauty in everything, or perhaps it’s more that he thinks things that are unconventional and out of place are more beautiful than anything else. I see this trait in him every day: favouring the old farmhouse instead of the modernised gatehouse, brewing coffee in the ancient cast-iron pot over the open flames of the Aga instead of using the gleaming new espresso machine Mum bought him three birthdays ago that sits untouched, gathering dust, on the countertop. It’s not that he’s afraid of progress – in fact he is the first person to fight for change – but he likes authenticity, everything in its truest form. Including weeds: he admires their audacity, growing in places they haven’t been planted. It is this trait of his that has drawn me to him in my time of need and why he is putting his own safety on the line to harbour me.
Harbour.
That’s the word the Guild has used: Anybody who is aiding or harbouring Celestine North will face severe punishment. They don’t state the punishment, but the Guild’s reputation allows us to imagine. The danger of keeping me on his land doesn’t appear to scare Granddad; it makes him even more convinced of his duty to protect me.
“A weed is simply a plant that wants to grow where people want something else,” he adds now, stooping low to pluck the intruder from the soil with his thick, strong hands.
He has fighting hands, big and thick like shovels, but then in contradiction to that, they’re nurturing hands too. They’ve sown and grown, from his own land, and held and protected his own daughter and grandchildren. These hands that could choke a man are the same hands that reared a woman, that have cultivated the land. Maybe the strongest fighters are the nurturers because they’re connected to something deep in their core, they’ve got something to fight for, they’ve got something worth saving.
Granddad owns one hundred acres, not all strawberry fields like the one we’re in now, but he opens this part of the land up to the public in the summer months. Families pay to pick their own strawberries; he says the income helps him to keep things ticking over. He can’t stop it this year, not just for monetary reasons but because the Guild will know he’s hiding me. They’re watching him. He must keep going as he does every year, and I try not to think how it will feel to hear the sounds of children happily plucking and playing, or how much more dangerous it will be with strangers on the land who might unearth me in the process.