Playing With Fire

Playing With Fire
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Книга "Playing With Fire", автором которой является Amelia Barr, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Amelia Barr позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Barr настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Playing With Fire" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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CHAPTER I

THE MINISTER'S FAMILY

An high priest clothed with doctrine and with truth. – Esdras I: 5:40.

Glasgow is the city of Human Power. It is not a beautiful city, but the gray granite of which it is built gives it a natural nobility. There is nothing romantic about its situation, and its streets are too often steeped in wet, gray mist, or wrapped in yellowish vapor. But there are no loungers in them. The crowd is a busy, hard-working crowd, whose civic motto is Enterprise and Perseverance. They made the river that made the city, and then established on its banks those immense shipbuilding yards, whose fleets take the river to the ocean, and the ocean to every known port of the world.

It is also a very religious city. Its inhabitants do not forget that they are mortals, though no doubt mortals of a superior order, and the number of churches they have built is amazing. It is impossible to walk far in any direction without coming face to face with one. I am writing of the midway years of the nineteenth century, when there was one church among the many that all strangers were advised to visit. It was not the Cathedral, nor the old Ram's Horn Kirk; it was a large, plain building, called the Church of the Disciples. No one could find it to-day, for it stood upon a corner that became necessary to the trade of a certain great street. Then the Church of the Disciples disappeared, and handsome shops devoted to business of many kinds rose in its place.

This church derived its fame from its minister, a very handsome man, of great scholarly attainments and a preponderance of that quality we call "presence." Even when at twenty-three years of age he stepped from the halls of St. Andrew's into the pulpit of the Church of the Disciples, elders, deacons, and the whole congregation succumbed to his influence. And when, after twenty-one years of service, he made his dramatic exit from that pulpit he still held his congregation in the hollow of his hand.

He was a Highlander of the once powerful house of Macrae; tall among his brethren as was Saul among his people. His face was darkly handsome, and made doubly attractive by a shadowy Celtic pathos. His eyes were piercing but sad, his voice grand and resonant, suiting well the wrathful, impassioned Calvinism of his sermons. For he was a Pharisee of Pharisees touching every tittle of the law laid down by that troubler of mankind called John Calvin.

One evening in the beginning of June he went to his home after a rather unimportant session with his elders. He had taken his own way as usual, and was not in the least moved by the slight opposition he had been compelled to silence. With a slow, stately step he walked up the wide spaces of Bath Street until he came to the handsome residence in which he dwelt. He had no time to open the door; it was gently set wide by a girl who stood just within its shelter. A tinge of pleasure came into the minister's face, and when she said in a low, sweet voice:

"Father!" he answered her in one word full of tenderness:

"Marion!"

They went into the parlor together. It was the ordinary parlor of its day, inartistic and comfortably ugly, but withal suitable and pleasant to the generation, who found in it their ideal of "home." A Brussels carpet covered the floor, the furniture was of mahogany upholstered in black horse-hair cloth. There were crimson damask curtains at the windows, a crimson cloth on the large center table, and a soft large rug before the bright steel grate, which held a handful of fire, though it was a fine day in the early part of June. The chimneypiece was of dark marble; on it there were two bronze figures and a handsome clock, above it a very large picture of Queen Victoria's coronation. It was a parlor duplicated in every respectable residence. Such rooms were comfortable and serviceable and very suitable to the big men who occupied them.

The minister felt its pleasant "use and wont," and with a sigh of relief took the easy-chair his daughter drew to the fireside. Then she brought him a glass of water and his slippers, went for the mail which had come during his absence, lit the gas, and in many other ways fluttered so lovingly about him that it was amazing he hardly seemed to notice her affectionate service. An American father would have drawn the girl to his side, given her sweet words and tender kisses, and doubtless Dr. Macrae felt all the affection necessary for this result, but he had never seen fathers pet their daughters, never been told to do so, had no precedents to go by, and, on the contrary, had been constantly instructed both by precept and example that women were not "to be put too much forward, or given too much praise." Service was the duty of the women in any household, and men were born with the expectation of it in their blood. So Dr. Macrae watched and felt and admired and loved, but made no attempt to express his feelings, and Marion did not expect it.

Dr. Macrae had lifted a paper, but he soon laid it down, and asked impatiently: "Marion, where is Aunt Jessy?"



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