Sand In My Shoes: Coming of Age in the Second World War: A WAAF’s Diary
A moving and personal account of a young woman’s experiences of the Second World War from the mother of Sir Tim Rice.Joan Rice had the same ambitions as many young women of her generation: she wanted to write; wanted to travel; wanted to be famous. With the outbreak of World War II she hurried to enlist – aged 20 – in the Women's Auxillary Air Force, hoping for change, for adventure, and for the chance to 'swank around in uniform'.Throughout the early years of the conflict she kept a regular diary of her life as a WAAF. Working first at RAF Hendon, she soon moved to a job in British Intelligence, and ultimately to postings in Egypt and Palestine. She witnessed the 'phoney war' explode into the Battle of Britain, lived through the London Blitz and was forced by Rommell's advance to flee Cairo. But her diary also tells the story of everyday war life, of the social whirl of service society and of her very first encounter with the man who would become her husband.‘Sand in my Shoes’ is a compelling first-hand account of life and love in a defeated Europe. Written with flair and exuberance, Joan's story has lain untouched for some fifty years. Incorporating additional material from her husband's own notes, her diary is a testament to the many women who kept the RAF in the air.
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JOAN RICE
Sand in My Shoes Coming of Age in the Second World War: A WAAF's Diary
In memory of Hugh, my husband of forty-six years.
And in memory also of those young Hurricane pilots of 504 Squadron who fought so bravely in the Battle of Britain.
SAND IN MY SHOES
(Frank Loesser/Victor Schertzinger)
Sand in my shoes, sand from HavanaCalling me to that ever so heavenly shoreCalling me back to you once moreDreams in the night, dreams of HavanaDreams of a love I hadn't the strength to refuseDarling the sand is in my shoesDeep in my veins the sensuous strainsOf the soft guitarDeep in my soul the thunderous rollOf a tropic sea under the stars, That was HavanaYou are the moonlit mem'ry I can't seem to loseThat's why my life's an endless cruiseAll that is real is the feel of the sand in my shoes
(Instrumental Interlude)
Deep in my veins the sensuous strainsOf the soft guitarDeep in my soul the thunderous rollOf a tropic sea under the stars, That was HavanaYou are the moonlit mem'ry I can't seem to loseThat's why my life's an endless cruiseAll that is real is the feel of the sand in my shoesSand in my shoesSand from Havana.
Table of Contents
When Mother asked if we thought it would be a good thing to type out her war diary for the family to read, we politely said yes. We assumed there would be no real heroics in there, but we did not really know what Mother had done in the war (apart from get married in Cairo – oops! I've given away the ending) so we did not quite know what to expect. And even though we knew that Mother was a good writer, we did not expect anything like this.
For those of us lucky enough to be born after the end of what proved to be the last World War of the twentieth century, 1939 is beyond our imagination. L.P. Hartley's description of the past as ‘a foreign country’ is not powerful enough: for those of us who have been civilians all our lives, those war years are a different world. We grew up in the shadow of war, maybe, but it never became a reality. We never had it so good, as Harold Macmillan never said.
My parents were among those unlucky ones who were of a generation who had to fight. But, to read their diaries, we might feel that in many ways they were the lucky ones. As my mother's diary makes very clear, she enjoyed the war most of the time, ‘Never in my life have my days been so round and so snug,’ she writes in 1940, ‘and this is a war, a clash of civilization. It is odd.’ For my brothers and me, my parents' war experiences were crucial, because without the upheaval that Hitler caused, my father and mother would never have met, and we – my brothers, our children and our grandchildren – would not be here. We are not unique, of course: there are millions of us all over Europe, America and elsewhere who owe their existence to Hitler's decision to invade Poland in September 1939. No wonder Europe was entirely reshaped by the war, and not just in terms of national borders traced on maps. Hitler's pursuit of his belief in the ideal of a Master Race proved to be an Orwellian reality, probably resulting in a greater mongrelization of Europe than any other single event in history. I am proud to be one of those mongrels.
It is a very strange sensation to read the diary of your mother, especially when it deals with the time before you existed. In many ways, the person revealed in this diary is a stranger, a woman who happens to have the same name as my mother. If I didn't know it was Mother who had written it, I would never have guessed. When we were growing up, I never noticed the determination and ambition that are revealed in the diary, never thought of Mother as a person who had ever scored three goals in a hockey match, or who actually enjoyed gardening, or who ever smoked. Yet here it is, a true picture of the young woman who, within seven years of finishing her diary, would be mistress of a vast crumbling farmhouse with three sons rushing around her feet. I never remember her remarking, as she does in the diary, ‘Housework is nothing like as soul-destroying as typing.’ But I am still worried about the entry for 31 March 1941. She was in hospital, sharing a ward with ‘thirty bawling brats’, an experience which, she writes, ‘has soured me as a confirmed child hater.’ Not the person I know.
Mother's ambition to be a writer was the one thing that never flagged. I remember throughout our childhood hearing the clatter of the typewriter as Mother somehow found time between school runs, dog walking and keeping Popefield Farm in some sort of order, to write another short story, or a piece for Woman's Hour or Punch. It seemed to us quite natural that a person could earn money from writing and broadcasting, because Mother did. She never had time to write that epic novel, for which the three of us must be largely to blame, but she was a good and regularly published writer. We all, to a greater or lesser extent, have followed her example.
