Extract from the computer database of Dorothea Dawson, Seer to the Stars
Written in the Stars for Kate Brannigan, private investigator.
Born Oxford, UK, 4th September 1966.
* Sun in Virgo in the Fifth House
* Moon in Taurus in the Twelfth House
* Mercury in Virgo in the Fifth House
* Venus in Leo in the Fourth House
* Mars in Leo in the Fourth House
* Jupiter in Cancer in the Third House
* Saturn retrograde in Pisces in the Eleventh House
* Uranus in Virgo in the Fifth House
* Neptune in Scorpio in the Sixth House
* Pluto in Virgo in the Fifth House
* Chiron in Pisces in the Eleventh House
* Ascendant Sign: Gemini
SUN IN VIRGO IN THE 5TH HOUSE
On the positive side, can be ingenious, verbally skilled, diplomatic, tidy, methodical, discerning and dutiful. The negatives are fussiness, a critical manner, an obsessive attention to detail and a lack of self-confidence that can disguise itself as arrogance. In the 5th House, it indicates a player of games.
From Written in the Stars, by Dorothea Dawson
My client was about to get a resounding smack in the mouth. I watched helplessly from the other side of the street. My adrenaline was pumping, but there was no way I could have made it to her side in time. Thatâs the trouble with bodyguarding jobs. Even if you surround the client with a phalanx of Rutger Hauer clones and Jean Van Damme wannabes in bulletproof vests, the moment always comes when theyâre vulnerable. And guess who always gets the blame? Thatâs why, when people come looking for a minder, the house rule at Brannigan & Co: Investigations & Security states, âWe donât do that.â
But Christmas was coming and the goose was anorexic. Business had been as slow as a Post Office queue and even staff as unorthodox as mine expect to be paid on time. Besides, I deserved a festive bonus myself. Eating, for example. So Iâd sent my better judgement on an early Yuletide break and agreed to take on a client whoâd turned out to be more accident prone than Coco the Clown.
For once, it wasnât my fault that the client was in the front line. Iâd had no say in what was happening out there on the street. If Iâd wanted to stop it, I couldnât have. So, absolved from action for once, I stood with my hands in my pockets and watched Carla Hardcastleâs arm swing round in a fearsome arc to deliver a cracking wallop that wiped the complacent smirk off Brenda Barrowcloughâs self-satisfied face. I sucked my breath in sharply.
âAnd cut,â the director said. âVery nice, girls, but Iâd like it one more time. Gloria, loved that smug little smile, but can you lose it at the point where you realize sheâs actually going to thump you? And let us see some outrage?â
My client gave a forbearing smile that was about as sincere as a beggar asking for tea money. âWhatever you say, Helen, chuck,â she rasped in the voice that thrilled the nation three times a week as we shovelled down our microwave dinners in front of Manchesterâs principal contribution to the world of soap. Then she turned to me with an exaggerated wink and called, âYouâre all right, chuck, itâs only make believe.â
Everyone turned to stare at me. I managed to grin while clenching my teeth. Itâs a talent that comes in very handy in the private-eye business. Itâs having to deal with unscrupulous idiots that does it. And thatâs just the clients.
âThatâs my bodyguard,â Gloria Kendalâalias Brenda Barrowcloughâannounced to the entire cast and crew of Northerners.
âWeâd all worked out it wasnât your body double,â the actress playing Carla said, apparently as sour in life as the character she played in the human drama that had wowed British audiences for the best part of twenty years.
âLetâs hope you only get attacked by midgets,â Teddy Edwards added. Heâd once been a stand-up comedian on the working menâs club circuit, but heâd clearly been playing Gloriaâs screen husband for so long that heâd lost any comic talent heâd ever possessed. I might only be five feet three in my socks, but I wouldnât have needed to use too many of my Thai-boxing skills to bring a lump of lard like him to his knees. I gave him the hard stare and Iâm petty enough to admit I enjoyed it when he cleared his throat and looked away.
âAll right, settle down,â the director called. âPlaces, please, and letâs take it again from the top of the scene.â
âCan we have a bit of hush back there?â someone else added. I wondered what his job title was and how long Iâd have to hang around the TV studios before I worked out who did what in a hierarchy that included best boys, gaffers and too many gofers to count. I figured Iâd probably have long enough, the way things were going. There was a lot of time for idle reflection in this job. When Gloria was filming, silence was the rule. I couldnât ask questions, eavesdrop or burgle in pursuit of the information I needed to close the case. All there was for me to do was lean against the wall and watch. There was nothing remotely glamorous about witnessing the seventh take of a scene that was a long way from Shakespeare to start with. As jobs went, minding the queen of the nationâs soaps was about as exotic as watching rain slide down a window.