The Agincourt Bride

The Agincourt Bride
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Shortlisted for the Romantic Novelists’ Association Historical Fiction award, The Agincourt Bride tells the thrilling story of the French princess who became an English queen.When her own first child is tragically still-born, the young Mette is pressed into service as a wet-nurse at the court of the mad king, Charles VI of France. Her young charge is the princess, Catherine de Valois, caught up in the turbulence and chaos of life at court.Mette and the child forge a bond, one that transcends Mette’s lowly position. But as Catherine approaches womanhood, her unique position seals her fate as a pawn between two powerful dynasties. Her brother, The Dauphin and the dark and sinister, Duke of Burgundy will both use Catherine to further the cause of France.Catherine is powerless to stop them, but with the French defeat at the Battle of Agincourt, the tables turn and suddenly her currency has never been higher. But can Mette protect Catherine from forces at court who seek to harm her or will her loyalty to Catherine place her in even greater danger?

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JOANNA HICKSON

The Agincourt Bride



This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

HarperCollinsPublishers Ltd.

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Copyright © Joanna Hickson 2013

Joanna Hickson asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

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Source ISBN: 9780007446971

Ebook Edition © JANUARY 2013 ISBN: 9780007446988

Version: 2017-10-18

For Ian and Barley – the two who share my life, thank goodness.

“It is written in the stars that I and my heirs shall rule France and yours shall rule England.

Our nations shall never live in peace. You and Henry have done this.”

Charles, Dauphin of France

January 1439

Respected reader,

Before we embark on this story together, I think I should explain that I am not a historian or a chronicler or indeed any kind of scholar. I did not even read Latin until my dear and present husband undertook to teach me on dark winter nights by the fire in our London house, when a more dutiful goodwife would have been doing her embroidery. Luckily my days of being dutiful are behind me. I am now fifty-two years of age and I have had quite enough of stitching and scrubbing and answering becks and calls. I have been a servant and I have been a courtier and now I am neither so I have become a scribe, for one good reason; to tell the story of a brave and beautiful princess who wanted the impossible – to be happy. Of course, here at the start of the tale, I am not going to tell you whether she succeeded but I can tell you that some momentous events, scurrilous intrigues and monstrously evil acts conspired to prevent it.

Two things encouraged me to write this story. The first was those Latin lessons, for they enabled me to read the second, which was a cache of letters found when I used a key entrusted to me for safekeeping by my beloved mistress, the aforementioned princess, to open a secret compartment in the gift she bequeathed to me on her untimely death. These were confidential letters, written at turbulent times in her life, and she was never able to send them to their intended recipients. But they filled gaps in my knowledge and shed light on her character and the reasons she chose the paths she followed.

Sadly, for the most part, she was powerless to shape the direction of her own life, however hard she tried. But there were one or two occasions when she, and I too by extraordinary circumstance, managed to steer the course of events in a direction favourable to us both, although this was never recorded in the chronicles of history.

I do not have much time for chroniclers anyway. They invariably have a hidden agenda, observing events from one side only, and even then you cannot trust them to get a story right. Some are no better than the ink-slingers who nail their pamphlets to St Paul’s Cross. One of them got my name wrong when he recorded the list of my mistress’ companions back in the days of Good King Harry. ‘Guillemot’ he called me, if you can believe it! Who but a short-sighted, misogynistic monk would saddle a woman with the same name as an ugly black auk-bird? But there it is, in indelible ink, and it will probably endure into history. I beg you, respected reader, do not fall into the trap of believing all you read in chronicles, for my name is not Guillemot. What it is you will discover in the story I am about to tell …



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