The Diamond Pin

The Diamond Pin
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Книга "The Diamond Pin", автором которой является Carolyn Wells, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Carolyn Wells позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Wells настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Diamond Pin" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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CHAPTER I

A CERTAIN DATE

"Well, go to church then, and I hope to goodness you'll come back in a more spiritual frame of mind! Though how you can feel spiritual in that flibbertigibbet dress is more than I know! An actress, indeed! No mummers' masks have ever blotted the scutcheon of my family tree. The Clydes were decent, God-fearing people, and I don't propose, Miss, that you shall disgrace the name."

Ursula Pell shook her good-looking gray head and glowered at her pretty niece, who was getting into a comfortable though not elaborate motor car.

"I know you didn't propose it, Aunt Ursula," returned the smiling girl, "I thought up the scheme myself, and I decline to let you have credit of its origin."

"Discredit, you mean," and Mrs. Pell sniffed haughtily. "Here's some money for the contribution plate. Iris; see that you put it in, and don't appropriate it yourself."

The slender, aristocratic old hand, half covered by a falling lace frill, dropped a coin into Iris' out-held palm, and the girl perceived it was one cent.

She looked at her aunt in amazement, for Mrs. Pell was a millionaire; then, thinking better of her impulse to voice an indignant protest, Iris got into the car. Immediately, she saw a dollar bill on the seat beside her and she knew that was for the contribution plate, and the penny was a joke of her aunt's.

For Ursula Pell had a queer twist in her fertile old brain that made her enjoy the temporary discomfiture of her friends, whenever she was able to bring it about. To see anyone chagrined, nonplused, or made suddenly to feel ridiculous, was to Mrs. Pell an occasion of sheer delight.

To do her justice, her whimsical tricks usually ended in the gratification of the victim in some way, as now, when Iris, thinking her aunt had given her a penny for the collection, found the dollar ready for that worthy cause. But such things are irritating, and were particularly so to Iris Clyde, whose sense of humor was of a different trend.

In fact, Iris' whole nature was different from her aunt's, and therein lay most of the difficulties of their living together. For there were difficulties. The erratic, emphatic, dogmatic old lady could not sympathize with the high-strung, high-spirited young girl, and as a result there was more friction than should be in any well-regulated family.

And Mrs. Pell had a decided penchant for practical jokes – than which there is nothing more abominable. But members of Mrs. Pell's household put up with these because if they didn't they automatically ceased to be members of Mrs. Pell's household.

One member had made this change. A nephew, Winston Bannard, had resented his aunt's gift of a trick cigar, which blew up and sent fine sawdust into his eyes and nose, and her follow-up of a box of Perfectos was insufficient to keep him longer in the uncertain atmosphere of her otherwise pleasant country home.

And now, Iris Clyde had announced her intention of leaving the old roof also. Her pretext was that she wanted to become an actress, and that was true, but had Mrs Pell been more companionable and easy to live with, Iris would have curbed her histrionic ambitions. Nor is it beyond the possibilities that Iris chose the despised profession, because she knew it would enrage her aunt to think of a Clyde going into the depths of ignominy which the stage represented to Mrs. Pell.

For Iris Clyde at twenty-two had quite as strong a will and inflexible a determination as her aunt at sixty-two, and though they oftenest ran parallel, yet when they criss-crossed, neither was ready to yield the fraction of a point for the sake of peace in the family.

And it was after one of their most heated discussions, after a duel of words that flicked with sarcasm and rasped with innuendo, that Iris, cool and pretty in her summer costume, started for church, leaving Mrs. Pell, irate and still nervously quivering from her own angry tirade.

Iris smiled and waved the bill at her aunt as the car started, and then suddenly looked aghast and leaned over the side of the car as if she had dropped the dollar. But the car sped on, and Iris waved frantically, pointing to the spot where she had seemed to drop the bill, and motioning her aunt to go out there and get it.

This Mrs. Pell promptly did, only to be rewarded by a ringing laugh from Iris and a wave of the bill in the girl's hand, as the car slid through the gates and out of sight.

"Silly thing!" grumbled Ursula Pell, returning to the piazza where she had been sitting. But she smiled at the way her niece had paid her back in her own coin, if a dollar bill can be considered coin.

This, then, was the way the members of the Pell household were expected to conduct themselves. Nor was it only the family, but the servants also were frequent butts for the misplaced hilarity of their mistress.

One cook left because of a tiny mouse imprisoned in her workbasket; one first-class gardener couldn't stand a scarecrow made in a ridiculous caricature of himself; and one small scullery maid objected to unexpected and startling "Boos!" from dark corners.



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