The Forester's Daughter: A Romance of the Bear-Tooth Range

The Forester's Daughter: A Romance of the Bear-Tooth Range
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Книга "The Forester's Daughter: A Romance of the Bear-Tooth Range", автором которой является Hamlin Garland, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Hamlin Garland позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Garland настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Forester's Daughter: A Romance of the Bear-Tooth Range" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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I

THE HAPPY GIRL

The stage line which ran from Williams to Bear Tooth (one of the most authentic then to be found in all the West) possessed at least one genuine Concord coach, so faded, so saddened, so cracked, and so splintered that its passengers entered it under protest, and alighted from it with thanksgiving, and yet it must have been built by honorable men, for in 190- it still made the run of one hundred and twenty miles twice each week without loss of wheel or even so much as moulting a scrap of paint.

And yet, whatever it may have been in its youth, it was in its age no longer a gay dash of color in the landscape. On the contrary, it fitted into the dust-brown and sage-green plain as defensively as a beetle in a dusty path. Nevertheless, it was an indispensable part of a very moving picture as it crept, creaking and groaning (or it may be it was the suffering passenger creaking and groaning), along the hillside.

After leaving the Grande River the road winds up a pretty high divide before plunging down into Ute Park, as they call all that region lying between the Continental Range on the east and the Bear Tooth plateau on the west. It was a big spread of land, and very far from an Eastern man’s conception of a park. From Dome Peak it seems a plain; but, in fact, when clouds shut off the high summits to the west, this “valley” becomes a veritable mountain land, a tumbled, lonely country, over which an occasional horseman crawls, a minute but persistent insect. It is, to be exact, a succession of ridges and ravines, sculptured (in some far-off, post-glacial time) by floods of water, covered now, rather sparsely, with pinons, cedars, and aspens, a dry, forbidding, but majestic landscape.

In late August the hills become iridescent, opaline with the translucent yellow of the aspen, the coral and crimson of the fire-weed, the blood-red of huckleberry beds, and the royal purple of the asters, while flowing round all, as solvent and neutral setting, lies the gray-green of the ever-present and ever-enduring sage-brush. On the loftier heights these colors are arranged in most intricate and cunning patterns, with nothing hard, nothing flaring in the prospect. All is harmonious and restful. It is, moreover, silent, silent as a dream world, and so flooded with light that the senses ache with the stress of it.

Through this gorgeous land of mist, of stillness, and of death, a few years ago a pale young man (seated beside the driver) rode one summer day in a voiceless rapture which made Bill McCoy weary.

“If you’d had as much of this as I have you’d talk of something else,” he growled, after a half dozen attempts at conversation. Bill wasn’t much to look at, but he was a good driver and the stranger respected him for it.

Eventually this simple-minded horseman became curious about the slim young fellow sitting beside him.

“What you doing out here, anyhow – fishing or just rebuilding a lung?”

“Rebuilding two lungs,” answered the tourist.

“Well, this climate will just about put lungs into a coffee-can,” retorted Bill, with official loyalty to his country.

To his discerning eye “the tourist” now became “a lunger.” “Where do you live when you’re to home?”

“Connecticut.”

“I knew it.”

“How did you know it?” The youth seemed really interested to know.

“I drove another fellow up here last fall that dealt out the same kind of brogue you do.”

This amused the tourist. “You think I have a ‘brogue,’ do you?”

“I don’t think it – I know it!” Bill replied, shortly.

He was prevented at the moment from pursuing this line of inquiry by the discovery of a couple of horsemen racing from a distant ranch toward the road. It was plain, even to the stranger, that they intended to intercept the stage, and Bill plied the lash with sudden vigor.

“I’ll give ’em a chase,” said he, grimly.

The other appeared a little alarmed, “What are they – bandits?”

“Bandits!” sneered Bill. “Your eyesight is piercing. Them’s girls.”

The traveler apologized. “My eyes aren’t very good,” he said, hurriedly.

He was, however, quite justified in his mistake, for both riders wore wide-rimmed sombreros and rode astride at a furious pace, bandanas fluttering, skirts streaming, and one was calling in shrill command, “Oh, Bill!”

As they neared the gate the driver drew up with a word of surprise. “Why, howdy, girls, howdy!” he said, with an assumption of innocence. “Were you wishin’ fer to speak to me?”

“Oh, shut up!” commanded one of the girls, a round-faced, freckled romp. “You know perfectly well that Berrie is going home to-day – we told you all about it yesterday.”

“Sure thing!” exclaimed Bill. “I’d forgot all about it.”

“Like nothin’!” exclaimed the maid. “You’ve been countin’ the hours till you got here – I know you.”

Meanwhile her companion had slipped from her horse. “Well, good-by, Molly, wish I could stay longer.”

“Good-by. Run down again.”

“I will. You come up.”

The young passenger sprang to the ground and politely said: “May I help you in?”

Bill stared, the girl smiled, and her companion called: “Be careful, Berrie, don’t hurt yourself, the wagon might pitch.”



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