The Golden Notebook
The landmark novel of the Sixties – a powerful account of a woman searching for her personal, political and professional identity while facing rejection and betrayal.In 1950s London, novelist Anna Wulf struggles with writer’s block. Divorced with a young child, and fearful of going mad, Anna records her experiences in four coloured notebooks: black for her writing life, red for political views, yellow for emotions, blue for everyday events. But it is a fifth notebook – the golden notebook – that finally pulls these wayward strands of her life together.Widely regarded as Doris Lessing’s masterpiece and one of the greatest novels of the twentieth century, ‘The Golden Notebook’ is wry and perceptive, bold and indispensable.
Читать The Golden Notebook онлайн беплатно
DORIS LESSING
The Golden Notebook
Fourth Estate
An imprint of HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF
Previously published in paperback by Penguin 1964, Grafton 1973 (reprinted thirteen times), Paladin 1989 (reprinted three times), Flamingo as a Flamingo Modern Classic 1993 (reprinted six times), and by Harper Perennial as a Harper Perennial Modern Classic (reprinted thirteen times)
First published in Great Britain by Michael Joseph Ltd 1962
New edition published 1972
Copyright © Doris Lessing 1962, 1972
Doris Lessing asserts the moral right to be
identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Source ISBN: 9780007247202
Ebook Edition © 2007 ISBN: 9780007369133 Version 2018-09-27
The shape of this novel is as follows:
There is a skeleton, or frame, called Free Women, which is a conventional short novel, about 60,000 words long, and which could stand by itself. But it is divided into five sections and separated by stages of the four Notebooks, Black, Red, Yellow and Blue. The Notebooks are kept by Anna Wulf, a central character of Free Women. She keeps four, and not one because, as she recognizes, she has to separate things off from each other, out of fear of chaos, of formlessness—of breakdown. Pressures, inner and outer, end the Notebooks; a heavy black line is drawn across the page of one after another. But now that they are finished, from their fragments can come something new, The Golden Notebook.
Throughout the Notebooks people have discussed, theorized, dogmatized, labelled, compartmented—sometimes in voices so general and representative of the time that they are anonymous, you could put names to them like those in the old Morality Plays, Mr Dogma and Mr I-am-Free-Because-I-Belong-Nowhere, Miss I-Must-Have-Love-and-Happiness and Mrs I-Have-to-be-Good-At-Everything-I-Do, Mr Where-is-a-Real-Woman? and Miss Where-is-a-Real-Man?, Mr I’m-Mad-Because-They-Say-I-Am, and Miss Life-Through-Experiencing-Everything, Mr I-Make-Revolution-and-Therefore-I-Am, and Mr and Mrs If-We-Deal-Very-Well-With-This-Small-Problem-Then-Perhaps-We-Can-Forget-We-Daren’t-Look-at-The-Big-Ones. But they have also reflected each other, been aspects of each other, given birth to each other’s thoughts and behaviour—are each other, form wholes. In the inner Golden Notebook, things have come together, the divisions have broken down, there is formlessness with the end of fragmentation—the triumph of the second theme, which is that of unity. Anna and Saul Green the American ‘break down’. They are crazy, lunatic, mad—what you will. They ‘break down’ into each other, into other people, break through the false patterns they have made of their pasts, the patterns and formulas they have made to shore up themselves and each other, dissolve. They hear each other’s thoughts, recognize each other in themselves. Saul Green, the man who has been envious and destructive of Anna, now supports her, advises her, gives her the theme for her next book. Free Women—an ironical title, which begins: ‘The two women were alone in the London flat.’ And Anna, who has been jealous of Saul to the point of insanity, possessive and demanding, gives Saul the pretty new notebook,
