The Man from the Sea: An Agatha Christie Short Story
A classic Agatha Christie short story, available individually for the first time as an ebook.On the edge of a cliff Mr Satterthwaite meets a man who is determined to kill himself. The villa that sits on top of the cliff has always fascinated Satterthwaite, this time he cannot resist a peak and what he finds inside could even save a man’s life…
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The Man from the Sea
A Short Story
by Agatha Christie
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
First published 2008
Copyright © 2008 Agatha Christie Ltd.
Cover design © HarperCollinsPublishers 2013
Agatha Christie asserts the moral right to be identified as the author of this work
A catalogue copy of this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental
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Ebook Edition © OCTOBER 2013 ISBN: 9780007526864
Version: 2017-04-17
‘The Man from the Sea’ was first published in Britannia & Eve, October 1929.
Mr Satterthwaite was feeling old. That might not have been surprising since in the estimation of many people he was old. Careless youths said to their partners: ‘Old Satterthwaite? Oh! he must be a hundred – or at any rate about eighty.’ And even the kindest of girls said indulgently, ‘Oh! Satterthwaite. Yes, he’s quite old. He must be sixty.’ Which was almost worse, since he was sixty-nine.
In his own view, however, he was not old. Sixty-nine was an interesting age – an age of infinite possibilities – an age when at last the experience of a lifetime was beginning to tell. But to feel old – that was different, a tired discouraged state of mind when one was inclined to ask oneself depressing questions. What was he after all? A little dried-up elderly man, with neither chick nor child, with no human belongings, only a valuable Art collection which seemed at the moment strangely unsatisfying. No one to care whether he lived or died …
At this point in his meditations Mr Satterthwaite pulled himself up short. What he was thinking was morbid and unprofitable. He knew well enough, who better, that the chances were that a wife would have hated him or alternatively that he would have hated her, that children would have been a constant source of worry and anxiety, and that demands upon his time and affection would have worried him considerably.
‘To be safe and comfortable,’ said Mr Satterthwaite firmly – that was the thing.
The last thought reminded him of a letter he had received that morning. He drew it from his pocket and re-read it, savouring its contents pleasurably. To begin with, it was from a Duchess, and Mr Satterthwaite liked hearing from Duchesses. It is true that the letter began by demanding a large subscription for charity and but for that would probably never have been written, but the terms in which it was couched were so agreeable that Mr Satterthwaite was able to gloss over the first fact.
So you’ve deserted the Riviera, wrote the Duchess. What is this island of yours like? Cheap? Cannotti put up his prices shamefully this year, and I shan’t go to the Riviera again. I might try your island next year if you report favourably, though I should hate five days on a boat. Still anywhere you recommend is sure to be pretty comfortable – too much so. You’ll get to be one of those people who do nothing but coddle themselves and think of their comfort. There’s only one thing that will save you, Satterthwaite, and that is your inordinate interest in other people’s affairs …
As Mr Satterthwaite folded the letter, a vision came up vividly before him of the Duchess. Her meanness, her unexpected and alarming kindness, her caustic tongue, her indomitable spirit.
Spirit! Everyone needed spirit. He drew out another letter with a German stamp upon it – written by a young singer in whom he had interested himself. It was a grateful affectionate letter.
‘How can I thank you, dear Mr Satterthwaite? It seems too wonderful to think that in a few days I shall be singing Isolde …’
A pity that she had to make her début as Isolde. A charming, hardworking child, Olga, with a beautiful voice but no temperament. He hummed to himself. ‘Nay order him! Pray understand it! I command it. I, Isolde.’ No, the child hadn’t got it in her – the spirit – the indomitable will – all expressed in that final ‘Ich Isoldé!’
