The Outliers

The Outliers
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From New York Times bestselling author Kimberley McCreight comes the first book in a breathtakingly brilliant new trilogy, packed with tension, romance and thrilling twists and turns.They’ll get inside your head…Imagine if you could see inside the minds of everyone around you – your best friend, your boyfriend, your enemies…?Imagine how valuable you’d be…Imagine how much danger you’d be in…Imagine being an Outlier.It all starts with a text:Please Wylie, I need your help.Wylie hasn't heard from her one time best friend, Cassie, in over a week. Not since their last fight. But that doesn't matter. Cassie's in trouble, and it’s up to Wylie to do what she does best, save her best friend from herself.This time it's different though – Cassie's texts are increasingly cryptic and scary. And instead of having Wylie come by herself, Jasper shows up saying Cassie asked him to help. Trusting the super-hot boy who sent Cassie off the rails doesn't feel right, but Wylie has no choice.But as Wylie and Jasper follow Cassie’s bizarre trail, Wylie has a growing sense that something is REALLY wrong. What isn’t Cassie telling them? Who is she with and what do they want from her? And could finding her be just the beginning…?

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First published in Great Britain by HarperCollins Children’s Books in 2016

HarperCollins Children’s Books is a division of HarperCollinsPublishers Ltd,

1 London Bridge Street

London SE1 9GF

The HarperCollins website address is: www.harpercollins.co.uk

Text © Kimberly McCreight 2016

Cover images © Rubberball/ Mike Kemp/ Getty Images (Burnt matchstick type); Shuttercock.com (all other images);

Cover design © HarperCollins Publishers 2016

Kimberly McCreight asserts the moral right to be identified as the author of the work.

A catalogue copy of this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008115067

Ebook Edition © 2016 ISBN: 9780008115074

Version: 2016-04-01

FOR HARPER AND EMERSON,

THE BRAVEST OF THE BRAVE

K. M.

Why are the bad things always so much easier to believe? It shouldn’t be that way. But it is, every single time. You’re too sensitive and too worried, they say. You care too much about all the wrong things. One little whisper in your ear and the words tumble through your head like you’re the one who thought them first. Hear them enough and pretty soon they’re etched on the surface of your heart.

But right now, I’ve got to forget all the ways I’ve come to accept that I am broken. As I sit here in this cold, dark room, deep in the pitch-black woods, staring into this lying stranger’s beautiful eyes, I need to think the opposite about myself. I need to believe that I am a person I have never known myself to be. That in my deepest, darkest, most useless corners lies a secret. One that just might end up being the thing that saves me. That saves us.

Because there is a lot that I still don’t understand about what’s going on. So much, actually. But I do know this: despite all the fear in this woman’s eyes, we need to convince her to help us. Because our lives depend on it. And on us getting out that door.

My dad’s phone vibrates loudly, shimmying a little across our worn dining room table. He reaches forward and switches it off.

“Sorry about that.” He smiles as he runs a hand over his thick salt-and-pepper hair, pushes his square black glasses up his nose. They’re hipster glasses, but that’s not why he bought them. With my dad, any hipness is entirely accidental. “I thought it was off. It shouldn’t have even been on the table.”

It’s a rule: no phones in the dining room. It’s always been the rule, even if no one ever really listened—not my mom, not my twin brother Gideon, not me. But that was before. Things are divided up that way now: Before. After. And in the dark and terrible middle lies my mom’s accident four months ago. In the after, the no-phone rule is so much more important to my dad. Lots of little things are. Sometimes, it feels like he’s trying to rebuild our lives out of matchsticks. And I do love him for that. But loving someone isn’t the same thing as understanding them. Which is okay, I guess, because my dad doesn’t understand me either. He never really has. With my mom gone, sometimes I think no one ever will.

My dad can’t change who he is—a hard-core nerd-scientist who lives entirely in his head. Since the accident, he says, “I love you,” way more than he ever used to and is constantly patting me and Gideon on the back like we’re soldiers marching off to war. All of it is weird and awkward, though, and it just makes me feel worse. For all of us.

But he is doing his best. He’s trying to be everything my mom was. It isn’t his fault that he’s going about it all wrong. He hasn’t had a lot of practice with warm and fuzzy. My mom’s heart was always big enough for the both of them. Not that she was soft. She couldn’t have been the kind of photographer she was—all those countries, all that war—if she hadn’t been tough as hell. But for my mom, feelings existed in only one form: magnified. And this applied to her own feelings: she bawled every time she read one of my or Gideon’s homemade welcome home cards. And how she felt about everyone else’s feelings: she always seemed to know if Gideon or I were upset before we’d even stepped in the door.



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