The Restless Sex

The Restless Sex
О книге

Книга "The Restless Sex", автором которой является Robert Chambers, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Robert Chambers позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Chambers настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Restless Sex" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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PREFACE

Created complete, equipped for sporadic multiplication and later for auto-fertilization, the restless sex, intensely bored by the process of procreation, presently invented an auxiliary and labeled him [male symbol].

A fool proceeding, for the inherited mania for invention obsessed him and he began to invent gods. The only kind of gods that his imagination could conceive were various varieties of supermen, stronger, more cruel, craftier than he. And with these he continued to derive satisfaction by scaring himself.

But the restless sex remained restless; the invention of the sign of Mars ([Mars symbol]), far from bringing content, merely increased the capacity of the sex for fidgeting. And its insatiate curiosity concerning its own handiwork increased.

This handiwork, however, fulfilled rather casually the purpose of its inventor, and devoted the most of its time to the invention of gods, endowing the most powerful of them with all its own cowardice, vanity, intolerance and ferocity.

"He made us," they explained with a modesty attributable only to forgetfulness.

"Believe in him or he'll damn you. And if he doesn't, we will!" they shouted to one another. And appointed representatives of various denominations to deal exclusively in damnation.

Cede Deo! And so, in conformity with the edict of this man-created creator, about a decade before the Great Administration began, a little girl was born.

She should not have been born, because she was not wanted, being merely the by-product of an itinerant actor – Harry Quest, juveniles – stimulated to casual procreation by idleness, whiskey, and phthisis.

The other partner in this shiftless affair was an uneducated and very young girl named Conway, who tinted photographs for a Utica photographer while daylight lasted, and doubled her small salary by doing fancy skating at a local "Ice Palace" in the evenings. So it is very plain that the by-product of this partnership hadn't much chance in the world which awaited her; for, being neither expected nor desired, and, moreover, being already a prenatal heiress to obscure, unknown traits scarcely as yet even developed in the pair responsible for her advent on earth, what she might turn into must remain a problem to be solved by time alone.

Harry Quest, the father of this unborn baby, was an actor. Without marked talent and totally without morals, but well educated and of agreeable manners, he was a natural born swindler, not only of others but of himself. In other words, an optimist.

His father, the Reverend Anthony Quest, retired, was celebrated for his wealth, his library, and his amazing and heartless parsimony. And his morals. No wonder he had grimly kicked out his only son who had none.

The parents of the mother of this little child not yet born, lived in Utica, over a stationery and toy shop which they kept. Patrick Conway was the man's name. He had a pension for being injured on the railway, and sat in a peculiarly constructed wheeled chair, moving himself about by pushing the rubber-tired wheels with both hands and steering with his remaining foot.

He had married a woman rather older than himself, named Jessie Grismer, a school teacher living in Herkimer.

To Utica drifted young Quest, equipped only with the remains of one lung, and out of a job as usual. At the local rink he picked up Laura Conway, after a mindless flirtation, and ultimately went to board with her family over the stationery shop.

So the affair in question was a case of propinquity as much as anything, and was consummated with all the detached irresponsibility of two sparrows.

However, Quest, willing now to be supported, married the girl without protest. She continued to tint photographs and skate as long as she was able to be about; he loafed in front of theatres and hotels, with a quarter in change in his pockets, but always came back to meals. On sunny afternoons, when he felt well, he strolled about the residence section or reposed in his room waiting, probably, for Opportunity to knock and enter.

But nothing came except the baby.

About that time, too, both lungs being in bad condition, young Quest began those various and exhaustive experiments in narcotics, which sooner or later interest such men. And he finally discovered heroin. Finding it an agreeable road to hell, the symptomatic characteristics of an addict presently began to develop in him, and he induced his young wife to share the pleasures of his pharmaceutical discovery.

They and their baby continued to encumber the apartment for a year or two before the old people died – of weariness perhaps, perhaps of old age – or grief – or some similar disease so fatal to the aged.

Anyway, they died, and there remained nothing in the estate not subject to creditors. And, as tinted photographs had gone out of fashion even in Utica, and as the advent of moving pictures was beginning to kill vaudeville everywhere except in New York, the ever-provincial, thither the Quest family drifted. And there, through the next few years, they sifted downward through stratum after stratum of the metropolitan purlieus, always toward some darker substratum – always a little lower.



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