The Scandalous Warehams

PENNY JORDAN is one of Mills & Boon’s most popular authors. Sadly, Penny died from cancer on 31st December 2011, aged sixty-five. She leaves an outstanding legacy, having sold over a hundred million books around the world. She wrote a total of one hundred and eighty-seven novels for the Mills & Boon imprint, including the phenomenally successful A Perfect Family, To Love, Honour & Betray, The Perfect Sinner and Power Play, which hit the Sunday Times and New York Times bestseller lists. Loved for her distinctive voice, her success was in part because she continually broke boundaries and evolved her writing to keep up with readers’ changing tastes. Publishers Weekly said about Jordan: ‘Women everywhere will find pieces of themselves in Jordan’s characters’ and this perhaps explains her enduring appeal.

Although Penny was born in Preston, Lancashire, and spent her childhood there, she moved to Cheshire as a teenager and continued to live there for the rest of her life. Following the death of her husband she moved to the small traditional Cheshire market town on which she based her much-loved Crighton books.

Penny was a member and supporter of the Romantic Novelists’ Association and the Romance Writers of America—two organisations dedicated to providing support for both published and yet-to-be published authors. Her significant contribution to women’s fiction was recognised in 2011, when the Romantic Novelists’ Association presented Penny with a Lifetime Achievement Award.

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ILIOS MANOS looked out across the land that had belonged to his family for almost five centuries.

It was here on this rocky promontory, stretching out into the Aegean Sea in the north east of Greece, that Alexandros Manos had built for himself a copy of one of Palladio’s most famous creations. Villa Emo.

Manos family folklore said that Alexandros Manos, a wealthy Greek merchant with his own fleet trading between Constantinople and Venice, had done business with the Emo family, and had been seized with envy for the new Emo mansion. He had secretly copied Palladio’s drawings for the villa, taking them home to Greece with him, where he had had his own villa built, naming it Villa Manos and declaring that both it and the land on which it stood were a sacred trust, to be passed down from generation to generation, and must be owned by no man who was not of his blood.

It was here that Alexandros Manos had created what was in effect a personal fiefdom—a small kingdom of which he was absolute ruler.

Ilios knew that this promontory of land, surrounded on three sides by the Aegean sea and with the mountains of northern Greece at its back, had meant everything to his grandfather, and Ilios’s own father had given his life to keep it—just as his grandfather had forfeited his wealth to protect it. To protect it. But he hadn’t protected the sons he had fathered, sacrificing them in order to keep his covenant with both the past and the future.

Ilios had learned a lot from his grandfather. He had learned that when you carried the hereditary responsibility of being descended from Alexandros Manos you had a duty to look beyond your own emotions—even to deny them if you had to—in order to ensure that the sacred living torch that was their family duty to the villa was passed on. The hand that carried that torch might be mortal, but the torch itself was for ever. Ilios had grown up listening to his grandfather’s stories of what it meant to carry the blood of Alexandros Manos in your veins, and what it meant to be prepared to sacrifice anything and anyone to ensure that torch was passed on safely.

His was the duty to carry it now. And his too was the duty to do what his grandfather had not been able to do—and that was to restore their family’s fortunes and its greatness.

As a boy, when Ilios had promised his grandfather that he would find a way to restore that greatness, his cousin Tino had laughed at him. Tino had laughed again when Ilios had told him that the only way he would pay off Tino’s debts was if Tino sold him his half-share of their grandfather’s estate to him.

Ilios looked at the building in front of him, the handsome face imprinted with the human history of so many generations of powerful self-willed men. It was set as though carved in marble by the same hands that had sculpted images of the Greek heroes of mythology. The golden eyes were a legacy of the wife Alexandros had brought back with him from northern lands, and they were fixed unwaveringly on the horizon.

Tino wasn’t laughing any more. But he would be plotting to get his revenge, just as he had since their childhood. Tino had always wanted what little his cousin had, and would not take this humiliation lightly. As far as Tino was concerned, being born the son of a younger son was to labour under a disadvantage—something he blamed Ilios for.