The Tenants of Malory. Volume 1

The Tenants of Malory. Volume 1
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Книга "The Tenants of Malory. Volume 1", автором которой является Joseph Le Fanu, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Joseph Le Fanu позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Le Fanu настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Tenants of Malory. Volume 1" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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CHAPTER I

CONCERNING TWO LADIES WHO SAT IN THE MALORY PEW

There were tenants at last in Malory; and the curiosity of the honest residents of Cardyllian, the small and antique town close by, was at once piqued and mortified by the unaccountable reserve of these people.

For four years, except from one twisted chimney in the far corner of the old house, no smoke had risen from its flues. Tufts of grass had grown up between the paving-stones of the silent stable-yard, grass had crept over the dark avenue, which, making a curve near the gate, is soon lost among the sombre trees that throw a perpetual shadow upon it; the groves of nettles had spread and thickened among their trunks; and in the signs of neglect and decay, the monastic old place grew more than ever triste.

The pretty little Welsh town of Cardyllian stands near the shingle of a broad estuary, beyond which tower the noble Cambrian mountains. High and dim, tier above tier, undulating hills, broken by misty glens, and clothed with woods, rise from the opposite shore, and are backed, range behind range, by the dim outlines of Alpine peaks and slopes, and flanked by purple and gold-tinted headlands, rising dome-like from the sea.

Between the town and the gray shingle stretches a strip of bright green sward, the Green of Cardyllian, along which rows of pleasant houses, with little gardens in front, look over the sea to the mountains.

It is a town quaint, old, and quiet. Many of the houses bear date anterior to the great civil wars of England, and on the oak beams of some are carved years of grace during which Shakespeare was still living among his friends, in Stratford-on-Avon.

At the end of long Castle Street rise the battlements and roofless towers of that grand old feudal fortress which helped to hold the conquest of Wales for the English crown in the days of tabards, lances, and the long-bow. Its other chief street strikes off at right angles, and up hill from this, taking its name from the ancient church, which, with its churchyard, stands divided from it by a low wall of red sandstone, surmounted by one of those tall and fanciful iron rails, the knack of designing which seems to be a lost art in these countries.

There are other smaller streets and by-lanes, some dark with a monastic stillness, others thinly built, with little gardens and old plum and pear trees peeping over grass-grown walls, and here and there you light upon a fragment of that ancient town wall from which, in the great troubles which have helped to build up the glory of England, plumed cavaliers once parleyed with steel-capped Puritans. Thus the tints and shadows of a great history rest faintly even upon this out-of-the-way and serene little town.

The permanent residents of Cardyllian for half the year are idle, and for mere occupation are led to inquire into and report one another's sins, vanities, and mishaps. Necessity thus educates them in that mutual interest in one another's affairs, and that taste for narrative, which pusillanimous people call prying and tattle. That the people now residing in Malory, scarcely a mile away, should have so totally defeated them was painful and even irritating.

It was next to impossible to take a walk near Cardyllian without seeing Malory; and thus their failure perpetually stared them in the face.

You can best see Malory from the high grounds which, westward of the town, overlook the estuary. About a mile away you descry a dark and rather wide-spread mass of wood, lying in a gentle hollow, which, I think, deepens its sombre tint. It approaches closely to the long ripple of the sea, and through the foliage are visible some old chimneys and glimpses of gray gables. The refectory of the friary that once stood there, built of gray and reddish stones, half hid in ivy, now does duty as a barn. It is so embowered in trees, that you can scarcely, here and there, gain a peep from without at its tinted walls; and the whole place is overhung by a sadness and silence that well accord with its cloistered traditions. That is Malory.

It was Sunday now. Over the graves and tombstones of those who will hear its sweet music no more, the bell had summoned the townsfolk and visitors to the old church of Cardyllian.

The little town boasts, indeed, a beautiful old church, Gothic, with side-aisles, and an antique stained window, from which gloried saints and martyrs look down, in robes as rich and brilliant as we see now-a-days only upon the kings and queens of our court cards. It has also some fine old monuments of the Verney family. The light is solemn and subdued. There is a very sweet-toned organ, which they say is as old as the reign of Charles I., but I do not know how truly. In the porch are hung in chains two sacrilegious round-shot, which entered the church when Cromwell's general opened his fire, in those days of sorrow when the liberties of England were in the throes of birth. Beside the brilliant stained window, engraven upon a brass plate, is a record of the same "solemn times," relating how certain careful men, to whom we are obliged, had taken down, enclosed in boxes, and buried, in hope of a typical resurrection, the ancient window which had for so long beautified "this church," and thus saved it from the hands of "violent and fanatical men."



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