Or
My Life as an Englishman
HarperVoyager
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This ebook first published in Great Britain by HarperVoyager in 2015
Copyright © Brian Aldiss 2015
Cover layout design © HarperCollinsPublishers Ltd 2015
Cover photographs © Shutterstock.com (glasses on books); Mayang Murni Adnin (wood texture)
Brian Aldiss asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the authorâs imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 978-0-00-748258-0
Ebook Edition © July 2015 ISBN: 978-0-00-748259-7
Version: 2015-07-01
If we apply to authors themselves for an account of their state, it will appear very little to deserve envy; for they have in all ages been addicted to complaintâ¦Few have left their names to posterity, without some appeal to future candour from the perverseness and malice of their own times. I have, nevertheless, been often inclined to doubt, whether the authors, however querulous, are in reality more miserable than their fellow mortals.
Samuel Johnson:
TheAdventurer, No. 138
It was on 15 November, 1990, in the gloom of winter, as I sat in the car with my wife, a tape of old Jugoslav folk music playing, that I beheld the town where I was born, much changed, and decided to begin the toils that would result in my creature, my book.
The story of my life â to me so individual, yet objectively so commonplace! Myself now subject to decay, I have witnessed the decay of countries, empires, and ideologies; to counter-balance which, I have enjoyed the growth of my own family and survived to see the continuation of my lineâ¦
Our anchor has been plucked out of the sand and gravel of Old England. I shall have no connection with my native soil for three, or it may be four or five years. I own that even with the prospect of interesting and advantageous employment before me it is a solemn thought.
William Golding
Rites of Passage
âWhere the hell are they taking us?â It was a good question.
No one could answer. The troop train wound its slow way northwards through England. The troops, crowded close in every compartment, set up a clatter as they divested themselves of their FSMOs (Field Service Marching Orders), their rifles, their steel helmets, their kitbags. Then silence fell. Some men read whatever was to hand. Some stared moodily out of the window. In the manner of troops everywhere, most men, when not being ordered about, slept. They had been up before the July dawn and parading by sunrise.
Nobody knew where they were going â ânot even the driver,â said one cynic. âThe driver has sealed orders, regarding his destination, labelled NOT TO BE OPENED TILL ARRIVAL.â
The young soldiers, Scottish, Irish, English and Welsh, were dressed in drab khaki uniform. Although they had been trained not to feel â in the manner of soldiers through the ages â the high spirits of youth showed through: the wakeful ones smoked and joked. Nevertheless, knowledge that they were going abroad to fight induced a certain seriousness. When the round of jokes had died and the stubs of their Players and Woodbines had been stamped out, they seized on the opportunity to put their booted feet up. It would be a long journey.