The Weird Sisters: A Romance. Volume 2 of 3

The Weird Sisters: A Romance. Volume 2 of 3
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Книга "The Weird Sisters: A Romance. Volume 2 of 3", автором которой является Richard Dowling, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Richard Dowling позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Dowling настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"The Weird Sisters: A Romance. Volume 2 of 3" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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PART I. A PLAIN GOLD GUARD

CHAPTER XII

THE SHADOW ON THE TOWER OF SILENCE

After giving way to the feelings which had overwhelmed him in the passage, and which had almost betrayed him at the bedside, Grey, by a great effort, collected himself and walked soberly and deliberately until he found the grand staircase of the Castle. This he descended, and when he reached the bottom hastily sought the courtyard, and from the courtyard the grounds.

"I thought it would have killed me in that room. I wish it had," he whispered to himself, as he passed aimlessly over the short dry grass. "No, no, no, no, no! I must not think of it. I must think of something else."

He was now beyond the range of the Castle windows, in a little fern-clad hollow above a miniature cove.

"Who said I was a coward?" he demanded, in a loud harsh voice, looking fiercely round on the cool silver river that lisped soft whispers at his feet and made low melodious concord of its rippling surge, filling the ear with memories of the far-off sea.

"Who said I was a coward?" He repeated the question to the grave oaks standing above him, motionless and voiceless against the opal ocean of the unclouded sky.

"No coward. I never quailed. I never winced. I held up my head as fearlessly as any undaunted soldier kneeling upon his coffin facing the firing-party. I was not afraid of anything. I only thought I should die there and then. I am sorry I did not die."

He seemed to imagine himself in a dock, and the huge oaks the grave and grey jury empanelled to try him, and the sweet low voice of the river the indictment that never ceased to sound.

"I own I quailed when I heard his first words from the threshold, but that was when he accused me of what I have done." He had once more dropped his voice to a cautious whisper.

"Who would not, being a thief, quake at being called a thief for the first time by the man he had stolen from, and in the presence of her for whom the vast savings of a lifetime had been laid by? No man could have helped quailing at that. But when the old man showed his confidence in me unbroken, when he swore me to take care of her property and of his child, when he kissed, Oh, God! when he kissed my hand, did I quail? No. I stood it like a man. That was the vulgar end of the coarse objective tragedy. That was the poison-bowl, the dagger-thrust. That was the breaking of the last bone on the wheel. I am dead since then. But that was only the bell for the curtain to go up on the other tragedy, the subjective play. I am enrolled among the immortals. I play the chief part in a tragico-farce by the Angel of Night. I play the leading part. The stage is in the nether depth. I play to an audience of everlasting Outcasts. The audience are assembled, the curtain is up. I forget my cue, and the prompter is asleep. Judas, I forgot my cue, and the prompter is asleep. What am I to say? What am I to do, comrade Judas?"

"Mr. Grey, I have been looking for you, sir. You are wanted at the Castle, please, sir."

Mr. Grey turned round and saw just above him, on the edge of the little hollow, Sir Alexander's old servant, Michael.

"Ah, ah, ah, ah, ah, Michael, is it you?" Mr. Grey laughed and asked.

"Yes, sir," answered Michael promptly, as though he were accustomed to finding his identity doubted.

"I was rehearsing a part I am going to take in an amateur play, Michael, just to get the memory of poor Sir Alexander out of my mind. Well, am I wanted at the Castle?"

"Yes, please, sir; and you will please to come at once. Mrs. Grant wants to see you. The doctors have been, and I am afraid there is bad news about Sir Alexander."

"I hope not, Michael. I shall run. You can take your time."

And with these words the banker started off at a quick pace.

He found Mrs. Grant sobbing violently, and for a while quite unable to command her voice. At length, after a few reassuring and encouraging words from the banker, she spoke through her sobs.

"Oh, Mr. Grey! Oh, my poor darling Maud! Oh, Mr. Grey, what are we to do?"

"It will be kindest and wisest," said he, in a conciliatory voice, "if we all try to keep as calm as we can under the circumstances. Michael told me the doctors had been here, and that the news is bad; but I do not know yet what the news is."

"Oh, my poor child! Mr. Grey, you can't tell how I feel. I, who have been with her now more than six years, until I have grown to look upon her as a daughter. Oh, Mr. Grey, this is dreadful!"

"There is nothing the matter with Miss Midharst, I trust. She is quite well?"

"Quite well."

"In health, I mean?"

"Oh, yes. But think of her thrown out of her father's place without a home or a relative, and so young and so simple."

"But, Mrs. Grant, Miss Midharst is enormously rich, and can make a most handsome home anywhere she pleases."

"But think of an upstart younger son of a whole lot of no-good younger sons turning my darling out into the cold, bleak, cheerless world, turning her out of the house of her forefathers, this grand old place. I never knew how grand it was or how I had grown to love it until now."



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