Twinkle Twinkle Little Spy

Twinkle Twinkle Little Spy
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A Soviet space scientist defects to win academic freedom, but western intelligence has other plans for him, and sends an unnamed spy - perhaps the same reluctant hero of The Ipcress File - to look after him. But what follows is a blood-streaked trail across three continents…

Twinkle, Twinkle Little Spy reveals a more mature Deighton exploring relationships between couples: professional rivals and private allies, spy and counter-spy, master and slave. some are drawn together mutual comfort, others for exploitation. With an uncanny feeling for landscape, he begins his story in the awesome emptiness and remorseless heat of the Sahara desert. From there a trail of blood leads to Manhattan, Paris, Dublin and halfway back across Africa.

In a narrative as compelling as it is tantalizing, Deighton surpasses all his previous triumphs and holds the reader spellbound to the very last page.

This new reissue includes a foreword from the cover designer, Oscar-winning filmmaker Arnold Schwartzman, and a brand new introduction by Len Deighton, which offers a fascinating insight into the writing of the story.

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LEN DEIGHTON

Twinkle, Twinkle, Little Spy


Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by

Jonathan Cape Ltd in 1976

Copyright © Len Deighton 1976

Introduction copyright © Pluriform Publishing Company BV 2012

Cover designer’s note © Arnold Schwartzman 2012

Len Deighton asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

Ebook Edition © June 2012 ISBN: 9780007458394

Version: 2017-05-23

All rights reserved under International Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

‘I have loved the stars too fondly to be fearful of the night’

Epitaph on grave of unknown astronomer

Introduction

I was flying to southern Spain with Kevin McClory who wanted to talk to Sean Connery about a James Bond film that he was planning. (Many rewrites later it became Never Say Never Again, its title based upon a remark made by Sean’s wife after this meeting.) Persuading Sean to return to his James Bond role was going to be a hard sell, and Kevin knew it. Immediately after take-off an attractive young woman passenger came forward to where McClory was seated. She recognized him and asked if he would like a game of backgammon. Yes, he said. Small stakes, she promised, for I have never seen a game of backgammon played other than for money. It’s a game of skill but it is a gambler’s game. During the flight – while they played backgammon – she told me that she was a professional gambler. Every month there was a major tournament somewhere in the world and she attended every one of these gatherings, winning enough to provide a comfortable lifestyle. She had recognized McClory from his presence at a backgammon tournament in the Bahamas. Although I spent no more than two hours talking with this woman, I took her skills and audacious lifestyle as a background for the character Red Bancroft in this story.

For a few weeks after this chance encounter, I lived in the beachside home of Kevin and worked on a James Bond script. To research it I had gone on a trip around Florida, attended long, long, New York meetings and endured a splashy exploration of the dark Manhattan sewers for a sequence that I later deleted. (Despite persistent stories otherwise, there were no alligators living there as far as I could see.) Recovering in the sunny Bahamas, I found myself in a community of actors, writers and musicians. Backgammon was the common obsession and, until I found a ‘teach yourself backgammon’ sort of book in a local shop, I found it baffling. But once I understood the rules and skills of the game I found it to be a rewarding spectator sport. I never did play against McClory or any of his friends; they were far too skilled and far too rich. But I did learn enough to keep Red Bancroft in play in this story.

It was another entrepreneurial friend – Wylton Dickson, an Australian – who invited me to go rally driving deep into the Sahara Desert. Wylton had married an art school friend of mine and from that day of their wedding onwards he was a valuable element of my life and a treasured adviser. He was a man of many parts, many trades and countless fresh and original ideas. Restless, in a way that Australians sometimes are, he was always brimming with energy. He had offices, and the most beautiful old houses, in many parts of London. I never saw him drunk or even tipsy, but every time I entered Wylton’s office he was opening a bottle of chilled champagne to pour a glass of it for me. French Champagne? Don’t be silly; only the best of the best was good enough for Wylton’s friends. A considerable proportion of all the champagne I ever drank must have been the bottles of the Australian champagne that I consumed in Wylton’s company. During my time as a film producer I rented my wonderful Piccadilly film office from him. The old high-ceilinged room overlooked Hyde Park Corner and the view was so captivating that it was difficult to tear myself away at day’s end. I worked with him to advertise Australian wine.



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