Under the Mendips: A Tale

Under the Mendips: A Tale
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Книга "Under the Mendips: A Tale", автором которой является Emma Marshall, представляет собой захватывающую работу в жанре Зарубежная классика. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Emma Marshall позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Marshall настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Under the Mendips: A Tale" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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PREFACE

I am greatly indebted to that very interesting book, "Bristol Past and Present," for the details of the Bristol Riots, in the autumn of 1831, which are introduced into this story. It closes with the birth of the new year, 1832; and therefore the special commission appointed to try the prisoners does not come within its limits.

But anyone who may be interested in the fate of Colonel Brereton, may, by referring to "Bristol Past and Present," and other contemporary records, learn his sad and most lamentable end.

Feeling the evidence of the Court Martial was entirely against him, he forestalled his sentence with his own hand, and shot himself through the heart, on Thursday night, January the 14th, 1832.

With all the many complications of Colonel Brereton's position it is not for us to deal, nor judge him harshly for apparent failure in duty at a time when the hearts of many brave men sank within them, for looking on these things which were coming on their ancient city. But this, his last act, must ever awaken one of the saddest memories of those sad times, casting a shadow over the name of an English officer, and presenting the most painful and pathetic picture of what a man may do, who, in a moment of despair and helplessness, cannot cry to the strong for strength.

Woodside, Leigh Woods,

Clifton, Bristol

Nov. 1, 1885.

PART I

An English Home: grey twilight poured
On dewy pastures, dewy trees,
Softer than sleep: all things in order stored;
A haunt of ancient Peace.
Tennyson.

CHAPTER I.

FAIR ACRES

It was a fair morning of early summer, when the low beams of the eastern sun, threw flickering shadows across the lawn, which lay before Fair Acres Manor, nestling under the shelter of the Mendip Hills, somewhere between Wells and Cheddar.

Truth compels me to say, that the lawn was covered with daisies, and that their bright eyes looked fearlessly up into the blue sky; for mowing machines were unknown, and the old gardener, coachman, and universal out-of-door servant sharpened his scythe, only at long intervals, to lay the heads of the flowers low, so that the daisies grew and flourished, and had a good time of it.

I know that daisy-speckled turf is considered an offence in the eyes of the modern gardener. I know with what zeal the spud is used; how large bare places are regarded with delight; how seed is scattered over them, which the birds watch with cunning glances from the neighbouring shrubs and trees, and pounce down upon, as soon as the diligent master of the place, has straightened his aching back and turned it upon the scene of his labours.

The dewy lawn before Fair Acres, with its beautiful mosaic of white and gold, fringed with circles of deepest crimson here and there, would not suit the taste of the conventional gardener of these days; nor would the low, irregular building which overlooked it, be considered an attractive or fitting residence, for the sons and daughters of the small country squire in the ninth decade of the century.

But in the second decade, in which my story opens, things were different. The country squire lived a country life. He farmed his own acres, he walked over his own fields; his 'stock' were individual cows and horses to him; he could pat each one and call it by its name. His house was his home, and the restlessness of travel, and longing for excitement had not as yet, for the most part, disturbed either him or his children.

Now the resonant steam eagle, as it flies across the country side, seems to call upon the dwellers in rural districts to follow where it leads, and an isolated manorial farm like Fair Acres, and a family like the Falconers who inhabited it, are all but impossible to find nowadays.

Nor would we grumble that the stream of Progress bears us all upon its breast with the strong resistless current, of which we are scarcely conscious. The busy rush of life has its brighter side, for there are wider fields of service opened out for our sons, and the selfishness which was apt to spring from a secluded life in the heart of the hills, is counteracted by contact with many men, and many minds. Human sympathy is quickened, and love is drawn forth, and the labourers who long for work in the harvest field have the way made easy for them; tools are put into the hands of our daughters with which they may, if they will, carve their own lot in life, and none can complain now that life is wasted for lack of opportunity, for opportunities start up on every side in this active, zealous, go-a-head age in which we find ourselves.

But in spite of all such advantages and due acknowledgment of their value, it is refreshing to turn to quiet and peaceful habitations like Fair Acres, and live again a quieter and less complex life than that which we have grown to believe is necessary in these later times.

As the sun threw its level beams from the east across the lawn, thousands of diamond drops sparkled and shimmered in the light, and it touched with radiance the figure of a young girl who was standing by a white gate which led into a copse sloping upward to the crest of a hill, behind the old manor, and crowned by a belt of fir-trees.



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