Unraveling Freedom: The Battle for Democracy on the Homefront During World War I

Unraveling Freedom: The Battle for Democracy on the Homefront During World War I
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Книга "Unraveling Freedom: The Battle for Democracy on the Homefront During World War I", авторами которой являются National Kids Geographic}, Ann Bausum, представляет собой захватывающую работу в жанре Детская познавательная и развивающая литература. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, National Kids Geographic позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. Geographic настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Unraveling Freedom: The Battle for Democracy on the Homefront During World War I" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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UNRAVELING FREEDOM

UNRAVELING FREEDOM

The Battle for Democracy on the Home Front During World War I

ANN BAUSUM


For Kedron

Text copyright © 2010 Ann Bausum

All rights reserved.

Reproduction of the whole or any part of the contents without written permission from the National Geographic Society is prohibited.

PUBLISHED BY THE NATIONAL GEOGRAPHIC SOCIETY

John M. Fahey, Jr., President and Chief Executive Officer

Gilbert M. Grosvenor, Chairman of the Board

Tim T. Kelly, President, Global Media Group

John Q. Griffin, Executive Vice President; President, Publishing Nina D. Hoffman, Executive Vice President; President, Book Publishing Group

Melina Gerosa Bellows, Executive Vice President, Children’s Publishing

PREPARED BY THE BOOK DIVISION

Nancy Laties Feresten, Vice President, Editor in Chief, Children’s Books

Jonathan Halling, Design Director, Children’s Publishing

Jennifer Emmett, Executive Editor, Reference and Solo, Children’s Books

Carl Mehler, Director of Maps

R. Gary Colbert, Production Director

Jennifer A. Thornton, Managing Editor

STAFF FOR THIS BOOK

Jennifer Emmett, Editor

Jim Hiscott, Art Director

Lori Epstein, Illustrations Editor

Marty Ittner, Designer

Kate Olesin, Editorial Assistant

Grace Hill, Associate Managing Editor

Lewis R. Bassford, Production Manager

Susan Borke, Legal and Business Affairs

MANUFACTURING AND QUALITY MANAGEMENT

Christopher A. Liedel, Chief Financial Officer

Phillip L. Schlosser, Vice President

Chris Brown, Technical Director

Nicole Elliott, Manager

Rachel Faulise, Manager

A NOTE ON THE DESIGN

The design inspiration for Unraveling Freedom is drawn from the propaganda posters of World War I. You’ll see examples of these bold, graphic pieces on Chapter 2 and Chapter 3. The title text for the book is set in Trade Gothic and Marmalade, and the body text is set in Minion Pro. The palette for the book echoes the colors of the American flag—red, white, and blue. To add new life to old photographs and to draw the eye to the central subject matter of an image, some of the pictures in the book (see, for example, Chapter 3) are silhouetted with a special digital technique that pulls the subject of the photograph forward in the frame, while the background is tinted with a color. The colored diagonal design elements, and the frequent angling of the images contribute to a sense of disruption, of things being off balance. This feeling echoes the turbulent sentiment of the times, brought on by the first global war and the erosion of liberties on the home front.

Echoes of history. The September 11, 2001 terrorist attacks on the United States (closing endpapers, headline news) prompted the nation’s entry into wars in Iraq and Afghanistan; almost a century earlier, the sinking of the Lusitania helped propel the United States toward combat during World War I. The New York Times coverage of the 1915 maritime disaster (opening endpapers) reproduced a German warning of possible attacks (lower right, headlined “NOTICE!”).

The graphic foreword by Ted Rall, President of the Association of American Editorial Cartoonists, evokes the era of political cartooning that flourished during World War I.

Library of Congress Cataloging-in-Publication Data

Bausum, Ann.

Unraveling freedom: the battle for democracy on the home front during World War I / by Ann Bausum.

p. cm.

Includes bibliographical references and index.

ISBN: 978-1-4263-0728-7

1. United States—Politics and government—1913-1921—Juvenile literature. 2. World War, 1914-1918—Social aspects—United States—Juvenile literature. 3. German Americans—Social conditions—20th century—Juvenile literature. I. Title.

E780.B38 2010

940.3’73—dc22

2010010631

Version: 2017-07-05

CONTENTS

Foreword

Introduction

CHAPTER 1 SUNK

CHAPTER 2 A CALL TO ARMS

CHAPTER 3 OFF TO KILL THE HUN

CHAPTER 4 HOLD YOUR TONGUE

CHAPTER 5 BETWEEN WAR AND PEACE

Afterword

Guide to Wartime Presidents

Timeline

Notes and Acknowledgments

Bibliography

Resource Guide

Citations

Illustrations Credits

FOREWORD

BY TED RALL



Ted Rall is President of the Association of American Editorial Cartoonists. Visit him online at: http://www.rall.com/


Wilson at war. “It would be the irony of fate if my administration had to deal chiefly with foreign affairs,” observed Woodrow Wilson before his inauguration as President of the United States. The outbreak of war in Europe a year later assured just that.

“We shall fight for the things which we have always carried nearest to our hearts [until we] make the world itself at last free.”

WOODROW WILSON, CONCLUDING REMARKS FROM HIS WAR MESSAGE TO CONGRESS, APRIL 2, 1917

INTRODUCTION

IN THE SPRING OF 1917, as the United States prepared to declare war on Germany and enter the fight that would become known as World War I, perhaps as many as a quarter of all Americans had either been born in Germany or had descended from Germans. My grandfather was one of them. But Frederic William Bausum and his family could be considered some of the lucky German-Americans on the eve of war. They spoke English and had no divided loyalty to an old-world country. They had grown up in the United States, married across ethnic lines, homesteaded on the Western plains, and embraced the customs and beliefs of the country. They had, in short, become Americanized.



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