Young Wives

Young Wives
О книге

Книга "Young Wives", авторами которой являются Литагент HarperCollins}, Olivia Goldsmith, представляет собой захватывающую работу в жанре Современная зарубежная литература. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Литагент HarperCollins позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. HarperCollins настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"Young Wives" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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OLIVIA GOLDSMITH

YOUNG WIVES


This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

This edition 2000

First published in Great Britain by

HarperCollinsPublishers 2000

First published in the USA by HarperCollinsPublishers 2000

Copyright © Olivia Goldsmith 2000

Olivia Goldsmith asserts the moral right to be identified as the author of this work

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780006510536

Ebook Edition © MAY 2015 ISBN: 9780007482030 Version: 2015-05-19

In memory of the late Jane O’Connell, a dedicated reader

For a woman, marriage is like a circus. There are three rings: the engagement ring, the wedding ring, and the suffering.

Nan Delano

In which we meet the improbably named Angela Rachel Goldfarb-Romazzano Wakefield, on the occasion of her paper anniversary, and the strange outcome of that celebration

Angela Wakefield had arrived early, partly because she was a compulsively prompt person—law school had taught her the wisdom of that—but equally because she wanted to savor these moments before their little party began. So she sat, her legs neatly crossed at the ankle, her purse on the third chair, and stared out the window at the water. Marblehead, Massachusetts, was so beautiful that it was not a place she’d ever imagined making her home—her, a dago Jew mongrel from Queens, New York. Even now, though it was well into autumn, sailboats were tacking their way across the harbor, fishing boats were pulling into dock as the sunset turned to twilight. Distant lights had begun to twinkle in homes along the water.

Reid had picked the restaurant and, just like Reid, the club was perfectly groomed. The white cloths on the table glowed in the waning light; the glass and silverware gleamed. The starched napkins had been folded into complicated shapes, kind of like the newspaper soldier hats she used to make to play army, though these napkins were much prettier.

Angie looked around self-consciously. She was never so neat, so well-pressed as the napkins. Her hair was wild, black and curly, long and not really styled; her clothes were always wrinkled or losing a button. She was told often by Reid that it was part of her charm. Why else would Reid have married her?

Angie looked around the club dining room. She knew not to expect much from the food in places like this: go to a Brookline deli or Boston’s North End for good food. Here the martinis would be dry, the service impeccable. Angie never felt very comfortable alone in the club. She shifted in her chair. In just a little while—since he was usually late—Reid Wakefield III, her husband of one year today, would be sitting opposite her. Reid was comfortable anywhere. He belonged not only to this club but the birthright club welcomed by all.

When the waiter approached Angela inwardly groaned. He asked for her drink order, but she didn’t want to start without Reid, so she apologized and said she’d wait, if it was okay. “He should be here any minute,” she added, checking her watch. Reid was already twenty minutes late, but he was chronic that way, always overscheduling, always so involved with whatever he was doing that he forgot about whatever he was committed to do next. Well, not forget about, exactly. He just juggled a little and—because of his charm—everyone forgave him.

Angie used the time now to pull out her makeup kit and surreptitiously check her face. It was a pretty face—roundish, with round dark eyes, and a generous mouth. Okay, let’s face it—a big mouth in both senses of the word. Now her mouth needed more lipstick—why did it wear off her lips but not off her teeth? She ought to comb her hair, though she knew she shouldn’t do that at the table.



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