A Spanish Christmas

A Spanish Christmas
О книге

Книга "A Spanish Christmas", авторами которой являются PENNY JORDAN}, Литагент HarperCollins EUR, представляет собой захватывающую работу в жанре Современная зарубежная литература. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.

Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, PENNY JORDAN позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. JORDAN настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.

"A Spanish Christmas" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.

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A Spanish ChristmasPenny Jordan

In A Spanish Christmas Meg Scott is spending Christmas in the castillo of tall, dark and imperious Don Christian Felipe Martinez, a truly hot-blooded, dark Latin lover! What would be her favourite Christmas present?

Christmas is a time for joy and love. The shops are packed, children are singing carols; we are all busy buying and wrapping presents, and arranging family feasts. In the midst of all this, take a little time for yourself and enjoy one of our short Christmas treats by some of our favourite authors.

CHAPTER ONE

‘OH, THIS must be our car.’

Carefully parking her patient’s wheelchair amongst the throng of people besieging the all too few taxis pulling up to collect the departing airport passengers, Meg hurried towards the sleek chauffeur-driven limousine which was just in sight and which, after the long wait they had had, just had to be the hire car they had pre-booked in London before leaving for Seville.

Her patient, Elena Salvadores, was an elderly sixty-something and still very frail following the accident whilst she had been on holiday in London, which had resulted in the operation to her knee. This in turn had necessitated her hiring a private Spanish-speaking nurse from the agency for which Meg worked, to accompany her back to Seville and to remain there with her until after the Christmas holiday. Meg had taken to the Señora as soon as they had met and the Señora on her part had been almost embarrassingly grateful to Meg for the care she had given her.

Perhaps it was because of her own accident that she was so easily able to empathise with the anxiety and pain suffered by her patient, Meg acknowledged. As a busy young theatre sister who loved her job, the last thing she had been prepared for was to be attacked late at night in Casualty by a knife-wielding drunk who had inflicted such serious injuries on her unprotected hand and arm that they would never again be strong enough for theatre work.

The pain of losing her career as well as the complications and physical suffering her injuries had caused might have daunted someone less strongly grounded than Meg, even embittered them, but Meg had firmly told herself and everyone else who asked that working for an agency as a private nurse was helping her to become multi-functional. It had been the fact that she was fluent in Spanish which had gained her her present job.

When she had been growing up her father had managed an exclusive marina in Spain and she had spent her holidays there with her parents, quickly learning the language. Her parents were retired now and living in Portugal, where her father could indulge his twin passions of sailing and golf.

The limousine had pulled into the kerb now, a huge highly polished black beast of a car which was attracting the discreetly awed attention of the crowd on the pavement—and no wonder. Personally Meg would have thought that her request for a car suitable to take a wheelchair-bound patient and her luggage might have resulted in something rather more modest, but as she already knew Elena Salvadores was an extremely wealthy woman.

They had flown out from Heathrow first class, and the Señora had insisted that there was no way she wanted to have Meg wearing a uniform, which was why now, as she hurried to speak to the driver of their car, she was wearing a pair of warm trousers along with a toning butter-soft leather jacket. The trousers, with their fine blending of wool and cashmere, like the leather jacket, had been a birthday present from her parents.

She had reached the car now, and was just about to lean forward to speak to the driver when—’Excuse me!’

A note of icy warning entered Meg’s voice as she drew herself up to her full height of almost but not quite five feet four inches—six if you included the heels of her boots—and confronted the arrogantly imperious Spaniard who had appeared out of nowhere to try to lay claim to ‘their’ car.

Tall, he dwarfed her, Meg recognised, and had to be a good two inches over six foot, and broad-shouldered—he was practically blocking out what little winter light there was. Everything about him commanded—demanded—that Meg give way to him, to his maleness, his arrogance—and that she allowed him to take ‘their’ hire car.

Thoroughly infuriated by him, as well as concerned for her patient, who she had sensed had not enjoyed the flight and who was now looking tired and unwell, she opened her mouth to tell him what she thought of his bad manners. But before she could say a word the Spaniard was addressing her.

‘Madre de Dios,’ he stormed. ‘Are you a thief, that you dare to try to steal my car?’

His car?

Pink-faced with anger and disbelief, Meg turned to face him. His eyes were the colour of obsidian and as cold as ice, his hair thick and black, and as for his face! Meg could all too easily imagine that hawkish, far too good-looking profile impressing some women, but fortunately she was not one of them, she congratulated herself as she exclaimed in righteous indignation,



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