A Stolen Heart

A Stolen Heart
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Lord Thorpe's new business partner is not what he expected. With her billowy black hair and creamy skin, Alexandra Ward is stunningly beautiful, brashly outspoken…and the perfect image of a wealthy woman long thought dead.Straight from America, Alexandra finds London fraught with danger. Her appearance on Thorpe's arm sends shock rippling through society and arouses hushed whispers: is she a schemer in search of a dead woman's fortune, or an innocent caught up in circumstances that she doesn't understand?Someone knows the truth, someone who doesn't want Alexandra to live long enough to learn anything. Only Lord Thorpe can help her now–if he can overcome his own suspicions.

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Praise for the novels of

CANDACE CAMP

“Camp has again produced a fast-paced plot brimming with lively conflict among family, lovers and enemies.”

—Publishers Weekly on A Dangerous Man

“Romance, humor, adventure, Incan treasure, dreams, murder, psychics—the latest addition to Camp’s Mad Moreland series has it all.”

—Booklist on An Unexpected Pleasure

“Entertaining, well-written Victorian romantic mystery.”

—The Best Reviews on An Unexpected Pleasure

“A smart, fun-filled romp.”

—Publishers Weekly on Impetuous

“Camp brings the dark Victorian world to life. Her strong characters and perfect pacing keep you turning the pages of this chilling mystery.”

—Romantic Times BOOKreviews on Winterset

“From its delicious beginning to its satisfying ending, [Mesmerized] offers a double helping of romance.”

—Booklist

A Stolen Heart

Candace Camp

www.millsandboon.co.uk

A Stolen Heart

CONTENTS

PROLOGUE

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

CHAPTER TWENTY

EPILOGUE

PROLOGUE

Paris, 1789

LADY CHILTON PUSHED BACK THE draperies of her bedroom window and peered out into the night. In the distance she could see fire leaping up, and she shivered. It was the Mob. She was sure of it; she had heard their howls the day before, seen them pushing through the streets like some great amorphous beast, hungry for blood.

She stepped back from the window, her hands twining together nervously. Emerson was certain that the Mob would not turn on them. Her husband had that careless, casual confidence of the English that no harm would dare come to them. Simone was not so sure. She was, after all, French, and a member of that aristocracy whom the Mob was so eager to destroy. The fact that she was married to an Englishman might not be enough to save her if the Mob came here—indeed, she feared that her French identity might destroy her husband, as well.

And the children.

It was that thought that made her sick with fear. What would happen to her little ones if the sans-culottes came to their house?

She stood for a moment indecisively, a beautiful woman with liquid brown eyes and clouds of dark hair, dressed in the finest clothes that Paris had to offer, her neck circled with precious gems, yet paper-white with fear, her huge eyes haunted.

Finally, with a little sob, she went over to her dressing table and pulled out her jewelry case. Quickly she took out her jewelry, glittering gold studded with diamonds, rubies and emeralds, satiny pearls strung together or dangling from ear studs. Some were family heirlooms, others gifts from an adoring and wealthy husband. Simone was a woman who loved decoration, and her vivid dark coloring and white skin were perfect foils for the richly colored jewels.

She stuffed the pieces into a velvet bag, paying little attention to the sparkling gems. Last, she reached up and removed the emerald drops that hung from her ears, then the matching emerald pendant that had been a wedding present from Lord Chilton eight and a half years before. Her hand closed around it for a moment; it was still warm from the heat of her skin. Then, with a little sigh, she slipped it, too, into the bag.

Her friend could be trusted; after all, she was trusting her with her children, far more important than any jewelry. If she survived, she would be reunited with them all.

She opened the false bottom of the jewelry case and took out three small items. Though relatively inexpensive, they were the most precious, for they belonged to her children. There were two lockets that opened up to reveal miniature portraits of herself and Emerson. The Countess had given them to the girls last year at Christmas. The third object was a plain, bulky ring, far too large for her son’s finger. She strung it on a piece of string so that he could wear it around his neck. The ring was ordinary looking, flat-topped with an odd design. But it was hundreds of years old, the family ring of the Earls of Exmoor. Only heirs to the title were allowed to wear it. Emerson owned it now, though he did not wear it. One day it would be his son’s.

Simone went to her desk and took the quill from the inkwell and began to scratch out a note. She was never the best of letter writers, and this note was disjointed and almost illegible. But it would at least let the Earl and the Countess know what had happened. She stuffed it into the bag with the jewels.

Clutching the velvet bag and the three small pieces of jewelry, Simone left her bedroom and started up the stairs to the nursery. Downstairs, she could hear Emerson’s voice, growing impatient as he tried to explain to her parents why they had to leave Paris as soon as possible. Simone shook her head. Her parents were frozen by fear, so much in shock from the upheaval of their world that all they seemed capable of doing was staying still and saying no. Simone and Emerson could hardly leave them behind; it was why they had not left already. But she refused to let her children die because her parents were too stubborn or too silly to do what they ought to.



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