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Published by HarperCollinsPublishers 2015
Copyright © Alex Barclay 2015
Cover design layout © HarperCollinsPublishers 2015
Alex Barclay asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © SEPTEMBER 2015 ISBN: 9780008108687
Version 2015-07-10
Harper An Imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollins 2008
Copyright © Alex Barclay 2008
Cover layout design © HarperCollinsPublishers 2008
Cover photographs © Scott Yakiwchuk (house); K-PHOTOS / Alamy (footprints); John Terence Turner / Alamy (avalanche).
Alex Barclay asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © NOVEMBER 2008 ISBN:9780007287260
Lyrics to ‘Kiss Me I’m Shitfaced’ Used by Permission Dropkick Murphys/Boston Scally Punk © Dropkick Murphys 2003
Lyrics to ‘Hello in There’ by John Prine © Waldon Music Inc. and Sour Grapes Music Inc. Used by permission from Alfred Publishing Inc.
The Author and Publishers are committed to respecting the intellectual property rights of others and have made all reasonable efforts to trace the copyright owners of the poems reproduced on pages two and four hundred and fifty three, and to provide an appropriate ackowledgement in the book.
In the event that any of the untraceable copyright owners come forward after the publication of this book, the Author and the Publishers will use all reasonable endeavours to rectify the position accordingly.
Prologue
In the lights of the police cruisers, her face was a strobing image of pain and fear. But she was still, to the child in her arms, a haven. She ran as fast as her violated body would allow, pressing his head to her cheek, his hair soaking up their sweat, blood, spit, tears. A terrible, ruined stench rose from them in the damp heat.
She staggered on, flinching at the stones and branches underfoot, her shoes long lost, too beautiful for the night. The trees swayed toward them and away, and when they gave enough shelter, she stopped. She prised the tiny hands from around her neck, breaking the dead-man’s grip of a seven-year-old boy. She tried to smile as she lowered him to the ground. Black pinpricks of gravel shone from her lips.