This is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Published by HarperCollinsPublishers 2008
Copyright © Alex Barclay 2008
Cover design layout © HarperCollinsPublishers Ltd 2016
Cover photographs © Shutterstock.com
Lyrics to ‘Kiss Me, I’m Shitfaced’ Used by permission from Dropkick Murphys/Boston Scally Punk © Dropkick Murphys 2003.
Lyrics to ‘Hello in There’ by John Prine © Walden Music Inc. and Sour Grapes Music Inc. Used by permission from Alfred Publishing Inc.
Lyrics to ‘She Is My Everything’ by John Prine © 2005 TommyJack Music. Used by permission from TommyJack Music.
The Author and Publishers are committed to respecting the intellectual property rights of others and have made all reasonable efforts to trace the copyright owners of the poems reproduced in the Prologue and Chapter 64, and to provide an appropriate acknowledgement in the book.
In the event that any of the untraceable copyright owners come forward after publication of this book, the Author and Publishers will use all reasonable endeavours to rectify the position accordingly.
Alex Barclay asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
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Source ISBN: 9780008180867
Ebook Edition © DECEMBER 2008 ISBN: 9780007287260
Version: 2016-05-13
‘The rising star of the hard-boiled crime fiction world, combining wild characters, surprising plots and massive backdrops with a touch of dry humour’ Mirror
‘Tense, no-punches-pulled thriller that will have you on the edge of your deckchair’ Woman and Home
‘Explosive’ Company
‘Darkhouse is a terrific debut by an exciting new writer’ Independent on Sunday
‘Compelling’ Glamour
‘Excellent summer reading … Barclay has the confidence to move her story along slowly, and deftly explores the relationships between her characters’ Sunday Telegraph
‘The thriller of the summer’ Irish Independent
‘If you haven’t discovered Alex Barclay, it’s time to jump on the bandwagon’ Image Magazine
In the lights of the police cruisers, her face was a strobing image of pain and fear. But she was still, to the child in her arms, a haven. She ran as fast as her violated body would allow, pressing his head to her cheek, his hair soaking up their sweat, blood, spit, tears. A terrible, ruined stench rose from them in the damp heat.
She staggered on, flinching at the stones and branches underfoot, her shoes long lost, too beautiful for the night. The trees swayed toward them and away, and when they gave enough shelter, she stopped. She prised the tiny hands from around her neck, breaking the dead-man’s grip of a seven-year-old boy. She tried to smile as she lowered him to the ground. Black pinpricks of gravel shone from her lips.
‘Do not make a sound,’ she said. ‘Not a sound.’ Her voice was edged in nicotine.
The boy quickly clamped his arms around her legs. She shoved him sharply backward, away from her wounds. He fell hard. She watched without feeling. He got up and moved toward her again, tears streaming down his face.
‘No,’ she hissed, shaking her head. ‘No.’
She crouched down. ‘You have to hide, OK?’ She pointed to the scrub close by. ‘Go. I’ll be right here.’ She squeezed his hand as she released it.
He did as she said. She moved a few steps forward into a clearing, cracking the forest floor. Her face was in darkness. But in the faint glow of a flashlight, relief swept over her features; a picture, flashing like a warning.