Death of a Dormouse

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Harper HarperCollinsPublishers 1 London Bridge Street, London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by

Methuen London Ltd 1987 under the author’s psuedonym Patrick Ruell

Copyright © Patrick Ruell 1987

Reginald Hill asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780586205464

Ebook Edition © OCTOBER 2015 ISBN 9780007394739 Version: 2015-09-15

This one for Billy and Choc – who else?

Cover

Title Page

Copyright

Dedication

Epigraph

Prologue

Part One

1

2

3

4

Part Two

1

2

3

4

Part Three

1

2

3

4

5

Part Four

1

2

3

4

Part Five

1

2

3

4

Part Six

1

2

3

4

5

6

7

Part Seven

1

2

3

Part Eight

1

2

Part Nine

1

2

Part Ten

1

Keep Reading

About the Author

By Reginald Hill

About the Publisher

When one subtracts from life infancy

(which is vegetation) – sleep, eating, and swilling

– buttoning and unbuttoning – how much remains of

downright existence? The summer of a dormouse…

BYRON: Journal (December 7th 1813)

She was lying on a bare mattress in a darkened room. Her wrists and ankles were bound, but this was an unnecessary refinement. In her mind she had been here many times before and knew there was no escape. One strip of light there was which could not be blinked away. It lay on the floor, seeping in beneath the door, and beyond that door on bare stone flags she could hear the sound of footsteps getting nearer.

She lay as still as the mouse which huddles in its cornfield nest, and hears the approach of the coulter, and knows what it means, but does not know how to fly.

Nothing remained in her life, no spur to action, no prick of hope. Nothing of past, present or future touched her life, only that crack of light beneath the door and the footsteps which were approaching it.

She had been waiting for them all her life. They belonged to the secret police who strike with the dawn; to the cruel rapist who lurks in the shadows; to the man she had loved, come here to kill her.

Now they were close. Now the line of light beneath the door was broken by a growing shadow.

Now the footsteps halted.

Slowly the door handle began to turn. Slowly the door swung open. In the threshold loomed a figure, bulky, still, menacing.

Now it was in the room and advancing.

Her mouth gaped wide as her desperate lungs drew in one last, long, ragged breath …

Wee sleekit, cowrin, tim’rous beastie,

O, what a panic’s in thy breastie!

BURNS: To a Mouse

‘Trudi? Trudi Adamson? My God! Trudi, is that really you?’

‘Well, it’s me anyway,’ said Trudi.

‘Where’re you ringing from? Vienna? You’re so clear!’

‘No. Not Vienna. Sheffield.’

‘Sheffield. You mean Sheffield Yorkshire?’

The note of Celtic incredulity made Trudi laugh. Perhaps this had been a good idea after all.

‘If there’s another, please tell me. I’d probably prefer it.’

‘But what are you doing in Sheffield?’

‘Living here, Jan. I’ve been living here for three whole days.’

A silence at the other end as though this were too much to take in; then in a perceptibly casual tone, ‘And Trent?’

Trudi laughed. The second time in a minute. Perhaps in a decade? She said, ‘No. I’ve not run away or anything. Trent’s here too of course. That’s why I’m here. He’s been moved again. I thought when we got to the centre of things three years back, that would be the end of it. But evidently not. And this time, I got two days’ notice, would you believe it?’

‘From what I know of Trent, yes. But at least this time, he’s brought you back to England.’

‘That’s right. And naturally I thought, now I’m here and so close, first thing I’ve got to do is ring Jan and fix to see her.’

It was a lie.

The last time the two had talked had felt like the last time ever. Friends since school, they had seen little of each other over the past quarter century as Trudi drifted across the face of Europe in her husband’s wake. But they had kept in touch with fairly regular letters and cards. Then a year ago Janet’s husband, Alan Cummings, had died. They should have returned to the UK for the funeral, but Trent had pleaded a vital business trip. Trudi had fully intended to travel alone, but night after night she had started waking full of terror at the thought of going all that distance without Trent. Agoraphobia was what they had called it all those years ago when she had refused to leave the house after her father’s death. Twice in her marriage the terror had returned. Drugs and psychotherapy had got it under control. But here it was again and Trent had seemed callously indifferent both to her fears and Janet’s grief.