Regency Disguise: No Occupation for a Lady / No Role for a Gentleman
Книга "Regency Disguise: No Occupation for a Lady / No Role for a Gentleman", авторами которой являются Литагент HarperCollins EUR}, Gail Whitiker, представляет собой захватывающую работу в жанре Историческая литература. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.
Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Литагент HarperCollins EUR позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. EUR настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.
"Regency Disguise: No Occupation for a Lady / No Role for a Gentleman" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.
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GAIL WHITIKER was born on the west coast of Wales and moved to Canada at an early age. Though she grew up reading everything from John Wyndham to Victoria Holt, frequent trips back to Wales inspired a fascination with castles and history, so it wasn't surprising that her first published book was set in Regency England. Now an award-winning author of both historical and contemporary novels, Gail lives on Vancouver Island, where she continues to indulge her fascination with the past as well as enjoying travel, music and spectacular scenery. Visit Gail at www.gailwhitiker.com
Table of Contents
Gail Whitiker
It was important that one dressed appropriately for the theatre, if for no other reason than to spare oneself the embarrassment of being under-dressed should someone of consequence happen to be seated in the box next to you. After all, one never knew when a marriageable viscount or an eligible earl might wander in for an evening’s performance, and with so many single young women looking to find husbands, a girl couldn’t afford to miss a single opportunity.
That, at least, was the justification Mrs Bretton had always given her two daughters for looking their best, and as Victoria Bretton studied her reflection in the cheval glass, she supposed it was not a bad way for an ambitious mother to think. The importance of presenting unwed daughters in the most favourable light possible could not be understated, whether it be at a musicale evening, a grand ball, or at the début of a new play at the elegant Gryphon Theatre, even if only Victoria thought the latter an occasion worthy of attending.
Fortunately, what she saw in the glass was enough to reassure her that it would not be her appearance that fell short of expectation that evening. Her gown of imported ivory silk was in the first state of fashion, and the exquisite pearl-and-ruby necklace lent to her by her aunt served as the perfect accessory. The flashing crimson stones nestled sweetly in the décolletage of her gown, which, as Aunt Tandy had pointed out, was neither too demure nor too daring, and her hair, once likened to the colour of clover honey, had been swept up and arranged in a most sophisticated style by the skilled hands of her aunt’s French maid. She looked every inch the proper young lady society expected her to be.
What would they say, Victoria mused as she turned away from the glass, if they knew what this evening was really all about?
The house was quiet as she made her way down the long curving staircase to the black-and-white-tiled hall. Candles flickered brightly from wall sconces and chandeliers, casting a warm golden glow over the elegant furnishings, while portraits of long-dead aristocrats stared down at her, their critical expressions seeming to offer silent disapproval of her plans.
Victoria paid them no mind. Her concern was with the living, not with the dead.
Besides, they were not portraits of her ancestors. The paintings, like the house, belonged to her father’s brother and wife, an eccentric pair of retired actors who owned a theatre as well as several houses in and around London. They had kindly allowed Victoria’s parents the use of this house for the past two Seasons so that Victoria and her younger sister could make their entrance into society. Victoria had taken her bows last year, and with Winifred doing so this year Mrs Bretton was hopeful that at least one of her girls would end up married by the end of it.
The prospect of returning home to Kent with two unwed daughters in tow was simply too humiliating to be borne.
‘Good evening, Miss Bretton.’ The butler greeted her at the door. ‘James has the carriage ready. Your brother has already gone out.’
‘Thank you, Quince.’ Victoria turned to allow the elderly gentleman to settle a velvet cape about her shoulders. ‘Do you know where my parents and sister are dining this evening?’
‘I believe with Sir Roger and Lady Fulton, miss.’
Ah, yes, the baronet and his wife—a prominent society couple with two sons of marriageable age, the eldest of which Winifred was hopeful of attracting. She certainly wouldn’t pass up an opportunity to spend time with him for something as trivial as a night at the theatre.
After all, what was the opening night of Valentine Lawe’s newest play when compared to the prospect of batting eyelashes at Mr Henry Fulton over the silver epergne?
‘Thank you, Quince,’ Victoria said, careful not to betray even a twinge of disappointment. ‘Goodnight.’
